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LEADER 03102cam 22004334a 4500

001 ocm56982394;

003 OCoLC;

005 20141211182512.0;

008 041110s2005 nyua b 001 0 eng ;

010 a| 2004026658;

020 a| 0415926696 (hardback : alk. paper);

020 a| 041592670X (pbk. : alk. paper);

035 a| (Sirsi) o56982394;

035 a| (OCoLC)56982394;

040 a| DLCc| DLCd| YDXd| UtOrBLW;

041 1 a| engh| ger;

042 a| pcc;

049 a| EREE;

050 00 a| ND653.R4b| S513 2005;

082 00 a| 759.94922| 22;

100 1 a| Simmel, Georg,d| 1858-1918.=| ^A38927;

240 10 a| Rembrandt.l| English=| ^A865895;

245 10 a| Rembrandt :b| an essay in the philosophy of art /c| Georg Simmel ; translated and edited by Alan Scott and Helmut Staubmann ; with the assistance of K. Peter Etzkorn.;

260 a| New York :b| Routledge,c| 2005.;

300 a| xix, 177 pages :b| illustrations ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (p. 173-174) and index.;

505 0 a| The expression of inner life -- Continuity of life and the movement of expression -- Being and becoming in a portrait -- The series of portraits and drawings -- Reserve and openness of the portrait figure -- The circle in the depiction of a person -- The animation of the portrait -- Subjective realism and the self-portrait -- Artistic procreation -- Life's past in the painting -- The representation of movement -- The unity of the composition -- Clarity and detailing -- Life and form -- Individualization and the general -- Type and representation -- Conceptions of life -- Observations on the individuality of form and on pantheism -- Death -- Character -- Beauty and perfection -- The individuality of the Renaissance and of Rembrandt -- Types of generality -- The art of old age -- The aspatial gaze -- Mood -- Human fate and the Heraclitean cosmos -- Religious art -- Objective and subjective religion in art -- Piety -- Concrete existence and religious life -- The type of unity in the religious paintings -- Individual religiosity, mystique and Calvinism -- Inner quality [seelenhaftigkeit] -- Religious-artistic creation -- Light: its individuality and immanence -- Excursus: what do we see in a work of art? -- Dogmatic contents -- In conclusion -- The capacity to create and to fashion -- Antitheses in art -- Appendix: works of art mentioned in the text with their dates and current locations -- References for the editor's introduction and footnotes.;

600 00 a| Rembrandt Harmenszoon van Rijn,d| 1606-1669x| Criticism and interpretation.=| ^A14434;

650 0 a| Artx| Philosophy.=| ^A18547;

856 41 3| Table of contentsu| http://www.loc.gov/catdir/toc/ecip053/2004026658.html;

994 a| 92b| ERE;

910 a| PromptCat;

980 a| 2005-07-06b| 29.95d| 0e| 28.45f| 628891;

596 a| 1;

998 a| 1001965;

999 a| ND653.R4 S513 2005w| LCc| 1i| 30372012785454d| 4/25/2014e| 4/16/2014f| 7/25/2012g| 2l| JGESm| JOYNERn| 5p| $28.45r| Ys| Yt| JGESBKu| 7/12/2005x| BOOKz| JSTACKSo| .STAFF. 0;

Rembrandt : an essay in the philosophy of art / Georg Simmel ; translated and edited by Alan Scott and Helmut Staubmann ; with the assistance of K. Peter Etzkorn.

Author/creator	Simmel, Georg
Format	Book
Publication Info	New York : Routledge, 2005.
Description	xix, 177 pages : illustrations ; 24 cm
Supplemental Content	Table of contents
Subjects	Rembrandt Harmenszoon van Rijn, 1606-1669--Criticism and interpretation. Art--Philosophy.

Uniform title	Rembrandt. English
Contents	The expression of inner life -- Continuity of life and the movement of expression -- Being and becoming in a portrait -- The series of portraits and drawings -- Reserve and openness of the portrait figure -- The circle in the depiction of a person -- The animation of the portrait -- Subjective realism and the self-portrait -- Artistic procreation -- Life's past in the painting -- The representation of movement -- The unity of the composition -- Clarity and detailing -- Life and form -- Individualization and the general -- Type and representation -- Conceptions of life -- Observations on the individuality of form and on pantheism -- Death -- Character -- Beauty and perfection -- The individuality of the Renaissance and of Rembrandt -- Types of generality -- The art of old age -- The aspatial gaze -- Mood -- Human fate and the Heraclitean cosmos -- Religious art -- Objective and subjective religion in art -- Piety -- Concrete existence and religious life -- The type of unity in the religious paintings -- Individual religiosity, mystique and Calvinism -- Inner quality [seelenhaftigkeit] -- Religious-artistic creation -- Light: its individuality and immanence -- Excursus: what do we see in a work of art? -- Dogmatic contents -- In conclusion -- The capacity to create and to fashion -- Antitheses in art -- Appendix: works of art mentioned in the text with their dates and current locations -- References for the editor's introduction and footnotes.
Bibliography note	Includes bibliographical references (p. 173-174) and index.
LCCN	2004026658
ISBN	0415926696 (hardback : alk. paper)
ISBN	041592670X (pbk. : alk. paper)

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Joyner	General Stacks	ND653.R4 S513 2005	✔ Available	Place Hold

Rembrandt : an essay in the philosophy of art / Georg Simmel ; translated and edited by Alan Scott and Helmut Staubmann ; with the assistance of K. Peter Etzkorn.

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