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001 ocm54392020;

003 OCoLC;

005 20141211183743.0;

008 040209s2004 nyuag b 101 0 eng ;

010 a| 2004002993;

019 a| 56658728a| 57640543;

020 a| 1571132589 (alk. paper);

035 a| (Sirsi) o54392020;

035 a| (OCoLC)54392020;

042 a| pcc;

049 a| EREM;

050 00 a| PT363.M8b| M87 2004;

082 00 a| 830.9/3572| 22;

245 00 a| Music and literature in German romanticism /c| edited by Siobhán Donovan and Robin Elliott.;

260 a| Rochester, NY :b| Camden House,c| 2004.;

300 a| xxix, 233 pages :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies in German literature, linguistics, and culture;

500 a| Selected papers from the interdisciplinary conference "Music and Literature in German Romanticism" held Dec. 8-10, 2000, at the University College Dublin.;

504 a| Includes bibliographical references and index.;

505 00 t| German Romantic music aesthetics.t| Iniquitous innocence: the ambiguity of music in the Phantasien über die Kunst (1799) /r| Richard Littlejohns --tThe cosmic-symphonic: Novalis, music, and universal discourse /r| James Hodkinson --t| "Das Hören ist ein Sehen von und durch innen": Johann Wilhelm Ritter and the aesthetics of music /r| Thomas Strässle --t| Music and non-verbal reason in E.T.A. Hoffmann /r| Jeanne Riou --t| Responses to Goethe.t| Perceptions of Goethe and Schubert /r| Lorraine Byrne --t| Goethe's Egmont, Beethoven's Egmont /r| David Hill --t| A tale of two Fausts: an examination of reciprocal influence in the responses of Liszt and Wagner to Goethe's Faust /r| David Larkin --t| Musical gypsies and anti-classical aesthetics: the romantic reception of Goethe's Mignon character in Brentano's Die mehreren Wehmüller und ungarische Nationalgesichter /r| Stefanie Bach --t| Sounds of Hoffmann.t| Stages of imagination in music and literature: E.T.A. Hoffmann and Hector Berlioz /r| Andrea Hübener --t| The voice from the hereafter: E.T.A. Hoffmann's ideal of sound and its realization in early twentieth-century electronic music /r| Werner Keil --t| Lieder.t| "My song the midnight raven has outwing'd": Schubert's "Der Wanderer," D. 649 /r| James Parsons --t| The notion of personae in Brahms's "Bitteres zu sagen denkst du," op. 32, no. 7: a literary key to musical performance? /r| Natasha Loges --t| Romantic overtones in contemporary German literature.t| Robert Schneider's Schlafes Bruder: a neo-romantic Musikernovelle? /r| Jürgen Barkhoff.;

520 a| The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially Romantic art form, able to convey what cannot be expressed in words: the ineffable and metaphysical. The influence was reciprocal, with literature providing a rich source of inspiration for German composers of both instrumental and vocal music, giving rise to a wealth of new forms and styles. The essays in this volume are selected from papers presented at an international, interdisciplinary conference held at University College Dublin in December 2000, and include contributions from Germanists, musicologists, comparatists, and performance artists. This interdisciplinarity makes for informed and complementary approaches and arguments. The essays cover not only the "Romantic" nineteenth century (commencing with the early Romanticism of the Jena circle), but also look ahead to the legacy, reception, and continuation of German Romanticism in the modern and postmodern ages. Alongside new readings of familiar and established writers and composers such as Goethe, Hoffmann, Wagner, and Schubert, a case is made for other figures such as Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, as well as less-known figures such as Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will appeal to readers with a wide variety of academic, musical, and literary interests.;

650 0 a| Music and literaturev| Congresses.=| ^A1240303;

650 0 a| Romanticismz| Germanyv| Congresses.=| ^A1242158;

700 1 a| Donovan, Siobhán,d| 1966-e| editor.=| ^A607805;

700 1 a| Elliott, Robin,d| 1956-e| editor.=| ^A301578;

830 0 a| Studies in German literature, linguistics, and culture.=| ^A235750;

994 a| C0b| ERE;

596 a| 3;

998 a| 1015139;

999 a| PT363.M8 M87 2004w| LCc| 1i| 30372013459810d| 5/14/2018e| 4/9/2018f| 1/29/2026g| 4l| MCSm| JMUSICn| 10p| $75.00q| 1r| Ys| Yt| MCSSBKu| 8/30/2005x| BOOKz| MCIRCo| .STAFF. enhanced, moved to closed stacks 8/27/25 -jjab;

Music and literature in German romanticism / edited by Siobhán Donovan and Robin Elliott.

Other author	Donovan, Siobhán, 1966- editor.
Other author	Elliott, Robin, 1956- editor.
Format	Book
Publication Info	Rochester, NY : Camden House, 2004.
Description	xxix, 233 pages : illustrations, music ; 24 cm.
Subjects	German literature--18th century. --History and criticism. --Congresses. German literature--19th century. --History and criticism. --Congresses. Music and literature--Congresses. Romanticism--Germany. --Congresses.

Series	Studies in German literature, linguistics, and culture Studies in German literature, linguistics, and culture. ^A235750
Contents	German Romantic music aesthetics. Iniquitous innocence: the ambiguity of music in the Phantasien über die Kunst (1799) / Richard Littlejohns --tThe cosmic-symphonic: Novalis, music, and universal discourse / James Hodkinson -- "Das Hören ist ein Sehen von und durch innen": Johann Wilhelm Ritter and the aesthetics of music / Thomas Strässle -- Music and non-verbal reason in E.T.A. Hoffmann / Jeanne Riou -- Responses to Goethe. Perceptions of Goethe and Schubert / Lorraine Byrne -- Goethe's Egmont, Beethoven's Egmont / David Hill -- A tale of two Fausts: an examination of reciprocal influence in the responses of Liszt and Wagner to Goethe's Faust / David Larkin -- Musical gypsies and anti-classical aesthetics: the romantic reception of Goethe's Mignon character in Brentano's Die mehreren Wehmüller und ungarische Nationalgesichter / Stefanie Bach -- Sounds of Hoffmann. Stages of imagination in music and literature: E.T.A. Hoffmann and Hector Berlioz / Andrea Hübener -- The voice from the hereafter: E.T.A. Hoffmann's ideal of sound and its realization in early twentieth-century electronic music / Werner Keil -- Lieder. "My song the midnight raven has outwing'd": Schubert's "Der Wanderer," D. 649 / James Parsons -- The notion of personae in Brahms's "Bitteres zu sagen denkst du," op. 32, no. 7: a literary key to musical performance? / Natasha Loges -- Romantic overtones in contemporary German literature. Robert Schneider's Schlafes Bruder: a neo-romantic Musikernovelle? / Jürgen Barkhoff.
Abstract	The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the highest and most expressive, quintessentially Romantic art form, able to convey what cannot be expressed in words: the ineffable and metaphysical. The influence was reciprocal, with literature providing a rich source of inspiration for German composers of both instrumental and vocal music, giving rise to a wealth of new forms and styles. The essays in this volume are selected from papers presented at an international, interdisciplinary conference held at University College Dublin in December 2000, and include contributions from Germanists, musicologists, comparatists, and performance artists. This interdisciplinarity makes for informed and complementary approaches and arguments. The essays cover not only the "Romantic" nineteenth century (commencing with the early Romanticism of the Jena circle), but also look ahead to the legacy, reception, and continuation of German Romanticism in the modern and postmodern ages. Alongside new readings of familiar and established writers and composers such as Goethe, Hoffmann, Wagner, and Schubert, a case is made for other figures such as Wackenroder, Novalis, Schlegel, Schumann, Brahms, Liszt, and Berlioz, as well as less-known figures such as Ritter, Schneider, and Termen, and for a reconsideration of questions of categorization. The essays will appeal to readers with a wide variety of academic, musical, and literary interests.
General note	Selected papers from the interdisciplinary conference "Music and Literature in German Romanticism" held Dec. 8-10, 2000, at the University College Dublin.
Bibliography note	Includes bibliographical references and index.
LCCN	2004002993
ISBN	1571132589 (alk. paper)

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Music and literature in German romanticism / edited by Siobhán Donovan and Robin Elliott.

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