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LEADER 02609cam 22004094a 4500

001 ocm60393911;

003 OCoLC;

005 20141211185721.0;

008 050516s2006 enk bk 001 0 eng ;

010 a| 2005014117;

020 a| 0754604616 (alk. paper);

035 a| (Sirsi) o60393911;

035 a| (OCoLC)60393911;

042 a| pcc;

049 a| EREM;

050 00 a| ML1380b| .H56 2006;

082 00 a| 786.7/082/09732| 22;

100 1 a| Hinkle-Turner, Elizabeth.=| ^A631035;

245 10 a| Women composers and music technology in the United States :b| crossing the line /c| Elizabeth Hinkle-Turner.;

300 a| 301 pages ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 277-295), discography, and index.;

505 0 a| Introduction -- Precedents and pioneers -- A generation of growth and influence -- Continued promise for the future -- In the spotlight : role models rise in the mainstream -- Finding their visual voice : composers explore multimedia technology -- Where are we now?;

520 a| Featuring analytical discussions or descriptions of about 150 different pieces of electroacoustic music by women composers in the United States, this book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material such as interviews and personal correspondence, this book also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, the author discusses the contribution of women composers to electroacoustic music. Complete with a bibliography and discography covering the work of 90 composers, the book is a valuable resource for those wishing to learn more about particular composers and their works.;

650 0 a| Electronic musicx| History and criticism.=| ^A34792;

650 0 a| Computer musicx| History and criticism.=| ^A991025;

650 0 a| Women composersz| United States.=| ^A475999;

994 a| 92b| ERE;

910 a| PromptCat;

980 a| 2006-04-19b| 79.95d| 0e| 79.95f| 867030;

596 a| 3;

998 a| 1033854;

999 a| ML1380 .H56 2006w| LCc| 1i| 30372013541518d| 7/16/2014e| 4/5/2011f| 4/9/2024g| 4l| MSTm| JMUSICn| 2p| $79.95q| 1r| Ys| Yt| MGESBKu| 4/25/2006x| BOOKz| MCIRCo| .STAFF. enhanced 1/15/23 -jjab;

Women composers and music technology in the United States : crossing the line / Elizabeth Hinkle-Turner.

Author/creator	Hinkle-Turner, Elizabeth
Format	Book
Publication Info	Aldershot, England ; Burlington, VT : Ashgate, ©2006.
Description	301 pages ; 24 cm
Subjects	Electronic music--History and criticism. Computer music--History and criticism. Women composers--United States.

Contents	Introduction -- Precedents and pioneers -- A generation of growth and influence -- Continued promise for the future -- In the spotlight : role models rise in the mainstream -- Finding their visual voice : composers explore multimedia technology -- Where are we now?
Abstract	Featuring analytical discussions or descriptions of about 150 different pieces of electroacoustic music by women composers in the United States, this book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material such as interviews and personal correspondence, this book also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, the author discusses the contribution of women composers to electroacoustic music. Complete with a bibliography and discography covering the work of 90 composers, the book is a valuable resource for those wishing to learn more about particular composers and their works.
Bibliography note	Includes bibliographical references (pages 277-295), discography, and index.
LCCN	2005014117
ISBN	0754604616 (alk. paper)

Women composers and music technology in the United States : crossing the line / Elizabeth Hinkle-Turner.

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