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001 ocm70864556;

003 OCoLC;

005 20141211193031.0;

008 060623r20061991enka b 001 0 eng ;

010 a| 2006278513;

020 a| 0521024064 (pbk.);

020 a| 0521400724 (hardback);

020 a| 9780521024068;

020 a| 9780521400725;

035 a| (Sirsi) o70864556;

035 a| (OCoLC)70864556;

049 a| EREM;

050 00 a| ML410.M9b| P273 2006;

082 00 a| 780.922| 22;

245 00 a| Perspectives on Mozart performance /c| edited by R. Larry Todd and Peter Williams.;

250 a| Digitally printed 1st paperback version.;

260 a| Cambridge ;a| New York :b| Cambridge University Press,c| 2006.;

300 a| 246 pages :b| illustrations ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Cambridge studies in performance practice;

500 a| Hardback edition published in 1991.;

504 a| Includes bibliographical references and indexes.;

520 a| Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvisation (Katalin Komlós), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R. Larry Todd).;

600 10 a| Mozart, Wolfgang Amadeus,d| 1756-1791x| Criticism and interpretation.=| ^A31894;

650 0 a| Performance practice (Music)x| Historyy| 18th century.=| ^A255331;

700 1 a| Todd, R. Larry,e| editor.=| ^A133324;

700 1 a| Williams, Peter,d| 1937 May 14-2016e| editor.=| ^A36405;

830 0 a| Cambridge studies in performance practice.=| ^A281150;

994 a| C0b| ERE;

596 a| 3;

998 a| 1066023;

999 a| ML410.M9 P273 2006w| LCc| 1i| 30372014170432d| 5/3/2024e| 2/14/2024f| 4/30/2024g| 7l| MSTm| JMUSICn| 16p| $59.95q| 8r| Ys| Yt| MGESBKu| 10/16/2006x| BOOKz| MCIRCo| .STAFF. enhanced 9/30/21 -jjab;

Perspectives on Mozart performance / edited by R. Larry Todd and Peter Williams.

Other author	Todd, R. Larry, editor.
Other author	Williams, Peter, 1937 May 14-2016 editor.
Format	Book
Edition	Digitally printed 1st paperback version.
Publication Info	Cambridge ; New York : Cambridge University Press, 2006.
Description	246 pages : illustrations ; 25 cm.
Subjects	Mozart, Wolfgang Amadeus, 1756-1791--Criticism and interpretation. Performance practice (Music)--History. --18th century.

Series	Cambridge studies in performance practice Cambridge studies in performance practice. ^A281150
Contents	Mozart's trills / Paul Badura-Skoda -- 'Ich praeludirte und spielte Variazionen': Mozart the fortepianist / Katalin Komlos -- Mozart's tempo indications and the problems of interpretation / Jean-Piere Marty -- On the problem of cadenzas in Mozart's violin concertos / Eduard Melkus -- A new look at Mozart's prosodic appoggiatura / Frederic Neumann -- A performer's thoughts on Mozart's violin style / Jaap Schroder -- Leopold Mozart revised: articulation in violin playing during the second half of the eighteenth century / Robin Stowell -- Mozart according to Mendelssohn: a contribution to Rezeptionsgeschichte / R. Larry Todd -- Some thoughts on Mozart's use of the chromatic fourth / Peter Williams -- Cadenzas and styles of improvisation in Mozart's piano concertos / Christoph Wolff.
Abstract	Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation (Paul Badura-Skoda, Frederick Neumann), improvisation (Katalin Komlós), cadenzas (Christoph Wolff), and Mozart's conception of tempos in a pre-metronomic age (Jean-Pierre Marty). Two studies examine Mozart's string writing (Jaap Schroeder) and the influence of his father's remarkably popular Violinschule (Robin Stowell). An essay by Peter Williams treats Mozart's use of the chromatic fourth and performance styles associated with that figura. Finally, the later, nineteenth-century response to Mozart is explored through the study of Mendelssohn's performances of Mozart (R. Larry Todd).
General note	Hardback edition published in 1991.
Bibliography note	Includes bibliographical references and indexes.
LCCN	2006278513
ISBN	0521024064 (pbk.)
ISBN	0521400724 (hardback)
ISBN	9780521024068
ISBN	9780521400725

Perspectives on Mozart performance / edited by R. Larry Todd and Peter Williams.

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