Tools

LEADER 02780cam 2200541 a 4500

001 ocm74460016;

003 OCoLC;

005 20141211194325.0;

008 061024s2007 moua b s001 0 eng ;

010 a| 2006035380;

020 a| 9780826217158 (hard cover : alk. paper);

020 a| 082621715X (hard cover : alk. paper);

029 1 a| YDXCPb| 2496821;

035 a| (Sirsi) o74460016;

035 a| (OCoLC)74460016;

042 a| lcac;

043 a| n-usu--;

049 a| EREE;

050 00 a| PS2954.U6b| M67 2007;

082 00 a| 813/.32| 22;

100 1 a| Morgan, Jo-Ann.=| ^A714169;

245 10 a| Uncle Tom's cabin as visual culture /c| Jo-Ann Morgan.;

300 a| xiii, 224 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (p. 205-219) and index.;

505 0 a| Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom.;

520 a| "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.;

600 10 a| Stowe, Harriet Beecher,d| 1811-1896.t| Uncle Tom's cabin.=| ^A495795;

650 0 a| Uncle Tom (Fictitious character)=| ^A601787;

650 0 a| Art and literaturez| United States.=| ^A19647;

650 0 a| African Americans in art.=| ^A17934;

650 0 a| National characteristics in art.=| ^A489630;

651 0 a| Southern Statesx| In literature.=| ^A373244;

856 41 3| Table of contents onlyu| http://www.loc.gov/catdir/toc/ecip073/2006035380.html;

994 a| 92b| ERE;

910 a| PromptCat;

938 a| Baker & Taylorb| BKTYc| 39.95d| 39.95i| 082621715Xn| 0007034261s| active;

938 a| Baker and Taylorb| BTCPn| 2006035380;

938 a| YBP Library Servicesb| YANKn| 2496821;

980 a| 2007-04-25b| 39.95d| 0e| 33.56f| 124473;

596 a| 1;

998 a| 1079305;

999 a| PS2954.U6 M67 2007w| LCc| 1i| 30372014487919d| 6/21/2007l| JGESm| JOYNERp| $33.56r| Ys| Yt| JGESBKu| 5/8/2007x| BOOKz| JSTACKSo| .STAFF. 0;

Uncle Tom's cabin as visual culture / Jo-Ann Morgan.

Author/creator	Morgan, Jo-Ann
Format	Book
Publication Info	Columbia : University of Missouri Press, ©2007.
Description	xiii, 224 pages : illustrations ; 25 cm
Supplemental Content	Table of contents only
Subjects	Stowe, Harriet Beecher, 1811-1896. Uncle Tom's cabin. Uncle Tom (Fictitious character) Art and society--United States. --History. --19th century. Art and literature--United States. African Americans in art. National characteristics in art. Southern States--In literature.

Contents	Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom.
Abstract	"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.
Bibliography note	Includes bibliographical references (p. 205-219) and index.
LCCN	2006035380
ISBN	9780826217158 (hard cover : alk. paper)
ISBN	082621715X (hard cover : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Joyner	General Stacks	PS2954.U6 M67 2007	✔ Available	Place Hold

Uncle Tom's cabin as visual culture / Jo-Ann Morgan.

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