Pink Floyd and philosophy : careful with that axiom, Eugene! / edited by George A. Reisch.

Other author Reisch, George A., 1962- editor.
Format Book
Publication InfoChicago : Open Court, 2007.
Descriptionxiv, 298 pages : illustrations ; 23 cm.
Subjects

SeriesPopular culture and philosophy ; v. 30
Popular culture and philosophy v. 30. ^A490194
Contents "I hate Pink Floyd," and other fashion mistakes of the 1960s, '70s, and beyond / George A. Reisch -- Life and death on The dub side of the moon / Cari Callis -- Dark and infinite / Sue Mroz -- Pigs training dogs to exploit sheep: Animals as a beast fable dystopia / Patrick Croskery -- Exploring the dark side of the rainbow / Andrew Zimmerman Jones -- Mashups and mixups: Pink Floyd as cinema / Josef Steiff -- Dragged down by the stone: Pink Floyd, alienation, and the pressures of life / David Detmer -- Roger Waters: artist of the absurd / Deena Weinstein -- Theodor Adorno, Pink Floyd, and the dialectics of alienation / Ed Macan -- I and thou and "us and them": existential encounters on The dark side of the moon (and beyond) / David MacGregor Johnston -- Pulling together as a team: collective action and Pink Floyd's intentions / Ted Gracyk -- The dinner band on the cruise ship of Theseus / Michael F. Patton, Jr. -- Distorted view: a saucerful of skepticism / Scott Calef -- Wish you were here (but you aren't): Pink Floyd and non-being / Jere O'Neill Surber -- It's all dark: the eclipse of the damaged brain / Randall E. Auxier -- Wandering and dreaming : the tragic life and art of Syd Barrett / Erin Kealey -- Submersion, subversion, and Syd: the madcap laughs and Barrett between Nietzsche and Benjamin / Brandon Forbes -- Thinking outside the wall: Michel Foucault on madness, fascism and, if you think about it, Syd Barrett / George A. Reisch -- Living pink / Steven Gimbel.
Abstract Pink Floyd's sound and light shows in the 1960s defined psychedelia, but their later recordings combined rock, orchestral music, literature, and philosophy. Dark Side of the Moon and The Wall ignored pop music's usual strictures to focus on themes of madness, despair, brutality, and alienation. Here, 16 scholars set delve into the heart of Pink Floyd by examining ideas, concepts, and problems usually encountered not in a rock band's lyrics but in the pages of Heidegger, Foucault, and Sartre. These include the meaning of existence, the individual's place in society, the contradictions of art and commerce, and the blurry line between genius and madness. The band's dynamic history allows the writers to explore controversies about intellectual property, the nature of authorship, and whether wholes, especially in the case of rock bands, are more than the sum of their parts.
Bibliography noteIncludes bibliographical references and index.
LCCN 2007034981
ISBN9780812696363 (trade paper : alk. paper)
ISBN0812696360 (trade paper : alk. paper)

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML421.P6 P54 2007 ✔ Available Place Hold