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LEADER 03285cam 22004454a 4500

001 ocn173241125;

003 OCoLC;

005 20141212002836.0;

008 071212s2008 ncu b 001 0 eng ;

010 a| 2007050797;

020 a| 9780786433346 (softcover : alk. paper);

020 a| 0786433345 (softcover : alk. paper);

035 a| (Sirsi) o173241125;

035 a| (OCoLC)173241125;

049 a| EREE;

050 00 a| B2430.D454b| S53 2008;

082 00 a| 791.43012| 22;

100 1 a| Shaw, Spencer,d| 1945-=| ^A769388;

245 10 a| Film consciousness :b| from phenomenology to Deleuze /c| Spencer Shaw.;

300 a| x, 217 pages ;c| 23 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (p. 209-214) and index.;

505 0 a| Phenomenology and film -- Origins -- The spectrum of film consciousness -- Dialectic misgivings -- Phenomenological grounding -- Realist theory -- Real to reel -- Lifeworld encounters -- Intentionality -- Phenomenological hermeneutics -- Gadamer's play -- Body and transcendence -- Merleau-Ponty's embodiment -- Expression to meaning -- Bazin's ontology -- The negating self -- Transcendental survival -- Reel time -- Temporal objectivities -- Self-constituting flux -- Internal time-consciousness -- Future expectation -- Bergson : movement and intermediate imagery -- Reelising memory -- Bridging gaps -- Walter Benjamin : the new realm of film consciousness -- Materialism and allegory -- Dialectical images -- Mechanical reproduction and aura -- Returning the gaze : aura transformed -- Benjamin and surrealism -- Distraction and innervation -- Deleuze and cinema -- Montage and movement-image -- Eisenstein montage -- Imaging thought process -- Affectivity and the interval -- Vertov and the machinic -- Liquid subjectivity -- Marking time -- Thinking otherwise -- Forks of time -- Aberrance and problem ideas -- The split self -- Time-out-of-joint -- Film events -- Outside of film.;

520 a| "Revisits notions of memory, retentional consciousness, narrative expectation, and spatio-temporal perception while also analyzing several major films. Focuses on understanding the film experience through phenomenology; develops the idea of film consciousness as a unique vision of the world and reality. Combines the ideas of philosophers and film theorists from phenomenology with the postmodernist and transitional theorists"--Provided by publisher.;

600 10 a| Deleuze, Gilles,d| 1925-1995.=| ^A93213;

650 0 a| Motion picturesx| Philosophy.=| ^A62239;

650 0 a| Phenomenology.=| ^A13419;

994 a| 92b| ERE;

910 a| PromptCat;

938 a| YBP Library Servicesb| YANKn| 2702538;

938 a| Baker & Taylorb| BKTYc| 39.95d| 39.95i| 0786433345n| 0007456268s| active;

938 a| Baker and Taylorb| BTCPn| BK0007456268;

980 a| 2008-03-25b| 39.95d| 0e| 39.95f| 372843g| 30372013986192h| 40015226234i| B 2430.D454 S53 2008;

596 a| 1;

998 a| 1349240;

999 a| B2430.D454 S53 2008w| LCc| 1i| 30372013986192d| 5/16/2025e| 2/28/2025f| 2/13/2012g| 3l| JGESm| JOYNERn| 22q| 1r| Ys| Yt| JGESBKu| 4/1/2008x| BOOKz| JSTACKSo| .STAFF. 0;

Film consciousness : from phenomenology to Deleuze / Spencer Shaw.

Author/creator	Shaw, Spencer, 1945-
Format	Book
Publication Info	Jefferson, N.C. : McFarland & Co., ©2008.
Description	x, 217 pages ; 23 cm
Subjects	Deleuze, Gilles, 1925-1995. Motion pictures--Philosophy. Phenomenology.

Contents	Phenomenology and film -- Origins -- The spectrum of film consciousness -- Dialectic misgivings -- Phenomenological grounding -- Realist theory -- Real to reel -- Lifeworld encounters -- Intentionality -- Phenomenological hermeneutics -- Gadamer's play -- Body and transcendence -- Merleau-Ponty's embodiment -- Expression to meaning -- Bazin's ontology -- The negating self -- Transcendental survival -- Reel time -- Temporal objectivities -- Self-constituting flux -- Internal time-consciousness -- Future expectation -- Bergson : movement and intermediate imagery -- Reelising memory -- Bridging gaps -- Walter Benjamin : the new realm of film consciousness -- Materialism and allegory -- Dialectical images -- Mechanical reproduction and aura -- Returning the gaze : aura transformed -- Benjamin and surrealism -- Distraction and innervation -- Deleuze and cinema -- Montage and movement-image -- Eisenstein montage -- Imaging thought process -- Affectivity and the interval -- Vertov and the machinic -- Liquid subjectivity -- Marking time -- Thinking otherwise -- Forks of time -- Aberrance and problem ideas -- The split self -- Time-out-of-joint -- Film events -- Outside of film.
Abstract	"Revisits notions of memory, retentional consciousness, narrative expectation, and spatio-temporal perception while also analyzing several major films. Focuses on understanding the film experience through phenomenology; develops the idea of film consciousness as a unique vision of the world and reality. Combines the ideas of philosophers and film theorists from phenomenology with the postmodernist and transitional theorists"--Provided by publisher.
Bibliography note	Includes bibliographical references (p. 209-214) and index.
LCCN	2007050797
ISBN	9780786433346 (softcover : alk. paper)
ISBN	0786433345 (softcover : alk. paper)

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Joyner	General Stacks	B2430.D454 S53 2008	✔ Available	Place Hold

Film consciousness : from phenomenology to Deleuze / Spencer Shaw.

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