Tools

LEADER 03144cam 22005054a 4500

001 ocm54611348;

003 OCoLC;

005 20141212003049.0;

008 040204s2004 ctua bk 001 0 eng ;

010 a| 2004043013;

020 a| 0819566950 (cloth : alk. paper);

020 a| 9780819566959 (cloth : alk. paper);

020 a| 0819566969 (pbk. : alk. paper);

020 a| 9780819566966 (pbk. : alk. paper);

035 a| (Sirsi) o54611348;

035 a| (OCoLC)54611348;

042 a| pcc;

049 a| EREMa| NPEE;

050 00 a| ML3531b| .S35 2004;

082 00 a| 782.421649/1492| 22;

082 00 a| 781.64/91492| 22;

100 1 a| Schloss, Joseph Glenn.=| ^A770672;

245 10 a| Making beats :b| the art of sample-based hip-hop /c| Joseph G. Schloss.;

300 a| xiii, 226 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Music/culture;

504 a| Includes bibliographical references (pages 209-216), discography (pages 221), and index.;

505 0 a| "It's about playing records": history -- "It just doesn't sound authentic": live instrumentation versus hip-hop purism -- Materials and inspiration: digging in the crates -- Sampling ethics -- Elements of style: aesthetics of hip-hop composition -- The outer circle: from samplers to ears.;

520 a| Despite having created one of the most important musical cultures of the last fifty years, hip-hop composers who use digital sampling are rarely taken seriously as artists. But hip-hop deejays and producers have collectively developed an artistic system that features a complex aesthetic, a detailed array of social protocols, a rigorous set of ethical expectations and a rich historical consciousness. Based on ten years of research among hip-hop producers, this book is the first work of scholarship to explore the goals, methods and values of this surprisingly insular community. Focusing on a variety of subjects?from hip-hop artists' pedagogical methods to the Afro-diasporic roots of the sampling process to the social significance of "digging" for rare records--the author examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values and cultural realities.;

650 0 a| Rap (Music)x| History and criticism.=| ^A261561;

650 0 a| Rap (Music)x| Production and directionx| History.=| ^A281352;

650 0 a| Hip-hop.=| ^A484877;

650 0 a| Turntablism.=| ^A716259;

650 0 a| Sound recording executives and producersz| United States.=| ^A671493;

650 0 a| Turntablists.=| ^A692515;

830 0 a| Music/culture.=| ^A390481;

994 a| C0b| ERE;

590 a| Little-349147--305131055448$;

596 a| 2 3;

998 a| 1351295;

999 a| ML3531 .S35 2004w| LCc| 1i| 30372014280678d| 7/25/2023e| 1/18/2023f| 4/11/2024g| 5l| MSTm| JMUSICn| 7p| $24.95r| Ys| Yt| MGESBKu| 11/15/2007x| BOOKz| MCIRCo| .STAFF. enhanced 10/1/23 -jjab;

Making beats : the art of sample-based hip-hop / Joseph G. Schloss.

Author/creator	Schloss, Joseph Glenn
Format	Book
Publication Info	Middletown, CT : Wesleyan University Press, ©2004.
Description	xiii, 226 pages : illustrations ; 24 cm.
Subjects	Rap (Music)--History and criticism. Rap (Music)--Production and direction. --History. Hip-hop. Turntablism. Sound recording executives and producers--United States. Turntablists.

Series	Music/culture Music/culture. ^A390481
Contents	"It's about playing records": history -- "It just doesn't sound authentic": live instrumentation versus hip-hop purism -- Materials and inspiration: digging in the crates -- Sampling ethics -- Elements of style: aesthetics of hip-hop composition -- The outer circle: from samplers to ears.
Abstract	Despite having created one of the most important musical cultures of the last fifty years, hip-hop composers who use digital sampling are rarely taken seriously as artists. But hip-hop deejays and producers have collectively developed an artistic system that features a complex aesthetic, a detailed array of social protocols, a rigorous set of ethical expectations and a rich historical consciousness. Based on ten years of research among hip-hop producers, this book is the first work of scholarship to explore the goals, methods and values of this surprisingly insular community. Focusing on a variety of subjects?from hip-hop artists' pedagogical methods to the Afro-diasporic roots of the sampling process to the social significance of "digging" for rare records--the author examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values and cultural realities.
Local note	Little-349147--305131055448$
Bibliography note	Includes bibliographical references (pages 209-216), discography (pages 221), and index.
LCCN	2004043013
ISBN	0819566950 (cloth : alk. paper)
ISBN	9780819566959 (cloth : alk. paper)
ISBN	0819566969 (pbk. : alk. paper)
ISBN	9780819566966 (pbk. : alk. paper)

Making beats : the art of sample-based hip-hop / Joseph G. Schloss.

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