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001 ocm85862249;

003 OCoLC;

005 20141212003128.0;

008 070306s2008 nyua b 001 0deng ;

010 a| 2007009441;

019 a| 191242788;

020 a| 9780195169775;

020 a| 0195169778;

035 a| (Sirsi) o85862249;

035 a| (OCoLC)85862249;

049 a| EREM;

050 00 a| ML410.T26b| Z65 2008;

082 00 a| 784.0922| 22;

100 1 a| Zohn, Steven David,d| 1966-=| ^A468685;

245 10 a| Music for a mixed taste :b| style, genre, and meaning in Telemann's instrumental works /c| Steven Zohn.;

260 a| New York :b| Oxford University Press,c| 2008.;

300 a| xxxiv, 686 pages :b| illustrations ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 615-658) and index.;

505 00 t| The overture-suites.g| Acquiring a mixed taste:t| Telemann as "grand partisan de la musique Française" ;t| Telemann's mimetic art: the characteristic overture-suites --t| The concertos.t| "Niemals recht von Herzen gegangen"?: Telemann's concertos ;t| Bach's debt repaid with interest: a case study of transformative imitation --t| The sonatas.g| "Something for everyone's taste":t| Telemann's sonatas to 1725 ;t| Telemann and the Sonate auf Concertenart --t| The Hamburg publications.t| Telemann in the marketplace: the composer as self-publisher ;t| Telemann für Kenner und Liebhaber: the music of the Hamburg publications ;t| Telemann's Polish style and the "true barbaric beauty" of the musical other.;

520 a| Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. This book examines Telemann's music from stylistic, generic, and cultural perspectives. The author investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). The author examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. The author then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. This book further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.;

600 10 a| Telemann, Georg Philipp,d| 1681-1767.t| Instrumental music.=| ^A713523;

650 0 a| Instrumental musicy| 18th centuryx| History and criticism.=| ^A1238226;

994 a| C0b| ERE;

596 a| 3;

998 a| 1351880;

999 a| ML410.T26 Z65 2008w| LCc| 1i| 30372014415803d| 5/6/2025e| 3/7/2025f| 3/12/2024g| 6l| MSTm| JMUSICn| 16q| 1r| Ys| Yt| MGESBKu| 5/6/2008x| BOOKz| MCIRCo| .STAFF. enhanced 9/19/22 -jjab;

Music for a mixed taste : style, genre, and meaning in Telemann's instrumental works / Steven Zohn.

Author/creator	Zohn, Steven David, 1966-
Format	Book
Publication Info	New York : Oxford University Press, 2008.
Description	xxxiv, 686 pages : illustrations ; 24 cm
Subjects	Telemann, Georg Philipp, 1681-1767. Instrumental music. Instrumental music--18th century. --History and criticism.

Contents	The overture-suites. Acquiring a mixed taste: Telemann as "grand partisan de la musique Française" ; Telemann's mimetic art: the characteristic overture-suites -- The concertos. "Niemals recht von Herzen gegangen"?: Telemann's concertos ; Bach's debt repaid with interest: a case study of transformative imitation -- The sonatas. "Something for everyone's taste": Telemann's sonatas to 1725 ; Telemann and the Sonate auf Concertenart -- The Hamburg publications. Telemann in the marketplace: the composer as self-publisher ; Telemann für Kenner und Liebhaber: the music of the Hamburg publications ; Telemann's Polish style and the "true barbaric beauty" of the musical other.
Abstract	Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. This book examines Telemann's music from stylistic, generic, and cultural perspectives. The author investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). The author examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. The author then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. This book further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.
Bibliography note	Includes bibliographical references (pages 615-658) and index.
LCCN	2007009441
ISBN	9780195169775
ISBN	0195169778

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Music	Music Stacks	ML410.T26 Z65 2008	✔ Available	Place Hold

Music for a mixed taste : style, genre, and meaning in Telemann's instrumental works / Steven Zohn.

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