Tools

LEADER 03319cam 22004574a 4500

001 ocn179794180;

003 OCoLC;

005 20141212003701.0;

008 071030s2008 miu b s001 0 eng ;

010 a| 2007045154;

020 a| 9780472098927 (cloth : alk. paper);

020 a| 0472098926 (cloth : alk. paper);

020 a| 9780472068920 (pbk. : alk. paper);

020 a| 047206892X (pbk. : alk. paper);

035 a| (Sirsi) o179794180;

035 a| (OCoLC)179794180;

049 a| EREM;

050 00 a| ML3479b| .T56 2008;

082 00 a| 781.64089/960732| 22;

100 1 a| Thomas, Lorenzo,d| 1944-2005.=| ^A222291;

245 10 a| Don't deny my name :b| words and music and the black intellectual tradition /c| by Lorenzo Thomas ; edited and with an Introduction by Aldon Lynn Nielsen.;

300 a| 224 pages ;c| 23 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 197-211) and index.;

505 0 a| I: All blues: roots and extensions. A sense of community: blues music as primer for urbanization ; Authenticity and elevation: Sterling Brown's theory of the blues -- II: Learning the changes. Pass the biscuits, please: Lunchtime with Sonny Boy Williamson ; Bayou City blues: Lightnin' Hopkins, Juke Boy Bonner and Peppermint Harris ; Goin' to Kansas City: Milt Larkin and the best of the territory bands ; Outward bound: Eric Dolphy's migrant muse -- III: America's classic music. Evolution of the bop aesthetic ; Classical jazz and the Black arts movement ; Communicating by horns: jazz and redemption in the poetry of the Beats and the Black arts movement ; Ascension: Avant-Garde jazz and the Black arts movement -- IV: Songs for the people. Rhythm and blues au service de la revolution: the Black arts movement and popular music ; New and old Gospel: the Black arts movement and popular music ; How you like me now?: rap and the legacy of the Black arts movement -- Appendix: Don't deny my introduction: an unfinished essay by Lorenzo Thomas.;

520 a| This book begins by laying out the case for the blues as constituting a body of literature, one that confronts the situation of African American migrants to the urban North and newer territories to the West. The essays that follow collectively provide a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R & B and Soul. The collection ends with a polemical essay about the hip hop phenomenon.;

650 0 a| African Americansx| Musicx| History and criticism.=| ^A144708;

650 0 a| Blues (Music)x| History and criticism.=| ^A24598;

650 0 a| Jazzx| History and criticism.=| ^A54033;

650 0 a| Black Arts movementx| History.=| ^A590949;

700 1 a| Nielsen, Aldon Lynne| writer of introduction.=| ^A235582;

994 a| 92b| ERE;

910 a| PromptCat;

980 a| 2008-06-18b| 22.95d| 0e| 21.8f| 444179h| 40015518896i| ML 3479 .T56 2008;

596 a| 3;

998 a| 1356984;

999 a| ML3479 .T56 2008w| LCc| 1i| 30372014365669d| 7/16/2014e| 11/6/2008f| 4/11/2024g| 4l| MSTm| JMUSICn| 1r| Ys| Yt| MGESBKu| 6/25/2008x| BOOKz| MCIRCo| .STAFF. enhanced 9/15/23 -jjab;

Don't deny my name : words and music and the black intellectual tradition / by Lorenzo Thomas ; edited and with an Introduction by Aldon Lynn Nielsen.

Author/creator	Thomas, Lorenzo
Other author	Nielsen, Aldon Lynn writer of introduction.
Format	Book
Publication Info	Ann Arbor : University of Michigan Press, ©2008.
Description	224 pages ; 23 cm
Subjects	African Americans--Music. --History and criticism. Blues (Music)--History and criticism. Jazz--History and criticism. Black Arts movement--History.

Contents	I: All blues: roots and extensions. A sense of community: blues music as primer for urbanization ; Authenticity and elevation: Sterling Brown's theory of the blues -- II: Learning the changes. Pass the biscuits, please: Lunchtime with Sonny Boy Williamson ; Bayou City blues: Lightnin' Hopkins, Juke Boy Bonner and Peppermint Harris ; Goin' to Kansas City: Milt Larkin and the best of the territory bands ; Outward bound: Eric Dolphy's migrant muse -- III: America's classic music. Evolution of the bop aesthetic ; Classical jazz and the Black arts movement ; Communicating by horns: jazz and redemption in the poetry of the Beats and the Black arts movement ; Ascension: Avant-Garde jazz and the Black arts movement -- IV: Songs for the people. Rhythm and blues au service de la revolution: the Black arts movement and popular music ; New and old Gospel: the Black arts movement and popular music ; How you like me now?: rap and the legacy of the Black arts movement -- Appendix: Don't deny my introduction: an unfinished essay by Lorenzo Thomas.
Abstract	This book begins by laying out the case for the blues as constituting a body of literature, one that confronts the situation of African American migrants to the urban North and newer territories to the West. The essays that follow collectively provide a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R & B and Soul. The collection ends with a polemical essay about the hip hop phenomenon.
Bibliography note	Includes bibliographical references (pages 197-211) and index.
LCCN	2007045154
ISBN	9780472098927 (cloth : alk. paper)
ISBN	0472098926 (cloth : alk. paper)
ISBN	9780472068920 (pbk. : alk. paper)
ISBN	047206892X (pbk. : alk. paper)

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Music	Music Stacks	ML3479 .T56 2008	✔ Available	Place Hold

Don't deny my name : words and music and the black intellectual tradition / by Lorenzo Thomas ; edited and with an Introduction by Aldon Lynn Nielsen.

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