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LEADER 03635cam 22004454a 4500

001 ocn177009182;

003 OCoLC;

005 20141212004237.0;

008 071105s2008 inuag b s001 0deng ;

010 a| 2007045378;

020 a| 9780253351296 (cloth : alk. paper);

020 a| 0253351294 (cloth : alk. paper);

035 a| (Sirsi) o177009182;

035 a| (OCoLC)177009182;

049 a| EREM;

050 00 a| ML410.V82b| B76 2008;

082 00 a| 780.922| 22;

100 1 a| Brover-Lubovsky, Bella.=| ^A781936;

245 10 a| Tonal space in the music of Antonio Vivaldi /c| Bella Brover-Lubovsky.;

300 a| xix, 357 pages :b| illustrations, music ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Music and the early modern imagination;

504 a| Includes bibliographical references (pages 321-340) and indexes.;

520 a| This book incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major/minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his ordinariness (compared to his contemporaries) and his idiosyncrasy to emerge clearly. The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. The author's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. This is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century.;

600 10 a| Vivaldi, Antonio,d| 1678-1741x| Criticism and interpretation.=| ^A25716;

650 0 a| Tonality.=| ^A26035;

650 0 a| Music theoryx| Historyy| 18th century.=| ^A462942;

830 0 a| Music and the early modern imagination.=| ^A781937;

994 a| 92b| ERE;

910 a| PromptCat;

980 a| 2008-06-27b| 44.95d| 0e| 37.76f| 454269h| 40015562057i| ML 410.V82 B76 2008;

596 a| 3;

998 a| 1389447;

999 a| ML410.V82 B76 2008w| LCc| 1i| 30372014366089d| 5/2/2023e| 2/23/2023f| 3/26/2024g| 5l| MSTm| JMUSICn| 17q| 3r| Ys| Yt| MGESBKu| 7/10/2008x| BOOKz| MCIRCo| .STAFF. enhanced 9/23/22 -jjab;

Tonal space in the music of Antonio Vivaldi / Bella Brover-Lubovsky.

Author/creator	Brover-Lubovsky, Bella
Format	Book
Publication Info	Bloomington : Indiana University Press, ©2008.
Description	xix, 357 pages : illustrations, music ; 25 cm.
Subjects	Vivaldi, Antonio, 1678-1741--Criticism and interpretation. Tonality. Music--Italy. --18th century. --History and criticism. Music theory--History. --18th century.

Series	Music and the early modern imagination Music and the early modern imagination. ^A781937
Contents	Part one: Estro armonico. Vivaldi's "harmony" and the paradox of historical recognition ; Theory of tonal organization in eighteenth-century Italy -- Part two: Key and mode. Tonality and key characteristics ; Modal implications in tonal organization ; The interaction of major and minor modes ; Functioning of tonality in large-scale composition -- Part three: Harmony and syntax. Lament bass ; Sequence ; Pedal point ; Cadence -- Part four: Tonal structure. General premises ; Functioning of harmonic degrees in tonal structure ; Tonal structure and choice of tonality ; Tonal structure in cyclic compositions -- Conclusion.
Abstract	This book incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major/minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his ordinariness (compared to his contemporaries) and his idiosyncrasy to emerge clearly. The book combines theory and practice, discussing the theoretical aspects and practical realization of the arrangement of tonal space in terms of their contemporary reception. The author's approach is therefore directed toward a study of the musical repertory mapped onto the canvas of contemporary musical thought, including theory, pedagogy, reception, and aesthetics. This is a substantial contribution to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and of the diffusion of artistic ideas in the eighteenth century.
Bibliography note	Includes bibliographical references (pages 321-340) and indexes.
LCCN	2007045378
ISBN	9780253351296 (cloth : alk. paper)
ISBN	0253351294 (cloth : alk. paper)

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Music	Music Stacks	ML410.V82 B76 2008	✔ Available	Place Hold

Tonal space in the music of Antonio Vivaldi / Bella Brover-Lubovsky.

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