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005 20141212021743.0;

008 790501n1978 miu b 000 0 eng u;

035 a| (Sirsi) o04912564;

035 a| (OCoLC)4912564;

040 c| KSWd| EREd| m.c.d| UtOrBLW;

049 a| EREM;

090 a| ML410.B13b| H3 1971a;

100 1 a| Harmon, Thomas,d| 1939-=| ^A421589;

245 14 a| The registration of J. S. Bach's organ works :b| a study of German organ-building and registration practices of the late baroque era /c| by Thomas Fredric Harmon.;

260 c| 1978;

300 a| vii, 372 leaves;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| An authorized facsimile produced by microfilm xerography.;

502 b| Ph.D.c| Washington University, Graduate School of Arts and Sciences, Department of Musicd| 1971.;

504 a| Includes bibliographical references (leaves 366-372).;

520 a| This study correlates the transition in German organ-building principles of the early eighteenth century and the corresponding registration techniques of the composer-performers as a key to the enigmatic problem of stylistically authentic registration of the Bach organ works.;

533 3| Joyner-a| Photocopy.c| Ann Arbor, MI :c| University Microfilms International,d| 1979.e| 22 cm.;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.t| Organ music.=| ^A495339;

650 0 a| Organ (Musical instrument)x| Registration.=| ^A32313;

650 0 a| Organ (Musical instrument)x| Construction.=| ^A16772;

919 a| BOOK;

596 a| 3;

998 a| 159769;

999 a| ML410.B13 H3 1971Aw| LCc| 1i| 310372001841902d| 2/26/2026e| 2/26/2026f| 3/17/2025g| 4k| BINDERYl| MCSm| JMUSICn| 7r| Ms| Yt| MCSSBKu| 6/6/1986x| BOOKz| MCIRCo| .STAFF. enhanced 5/13/21 -jjabo| .STAFF. Copy Statement : c.1;

The registration of J. S. Bach's organ works : a study of German organ-building and registration practices of the late baroque era / by Thomas Fredric Harmon.

Author/creator	Harmon, Thomas, 1939-
Format	Book
Publication Info	1978
Description	vii, 372 leaves
Subjects	Bach, Johann Sebastian, 1685-1750. Organ music. Organ (Musical instrument)--Registration. Organ (Musical instrument)--Construction.

Contents	The German, French, and Italian organs at the end of the seventeenth century. Germany ; France ; Italy -- The German organ in the first half of the eighteenth century. Eugen Casparini ; Andreas and Gottfried Silbermann ; Zacharias Hildebrandt -- Organs associated with Bach. Youthful period ; Arnstadt ; Muhlhausen ; Weimar ; Cothen ; Leipzig ; The Bach organ ideal -- German registration practices at the time of Bach. Matthaeus Hertel ; Andreas Werckmeister ; Johann Mattheson ; Vincent Lubeck ; Janovka, Samber, and Vogt ; Johann Gottfried Walther ; Johann Friedrich Walther ; Daniel Magnus Gronau ; Gottfried Silbermann ; Johann Friedrich Agricola ; Jakob Adlung ; Christoph Gottlieb Schroter ; General trends -- Bach's registrations. Organo pleno ; A due claviere ; Specific manual indications ; Specific registration indications ; Dolce and cantabile ; Bach's orchestrations -- Modern performance. The music ; The organ -- Appendix. Organ specifications. Specifications for a large organ: Andreas Werckmeister ; Neuenfelde: kirche ; Hamburg: St. Jacobi ; Paris: St. Gervais ; Denno (in Trentino): village church ; Gorlitz: St. Peter and Paul ; Magdeburg: St. Johannis ; Freiberg: Domkirche ; Dresden: Sophienkirche ; Rotha: St. Georgenkirche ; Grosshartmannsdorf: kirche ; Stormthal bei Leipzig: Dorfkirche ; Naumburg: St. Wenzelskirche ; Eisenach: Hauptkirche zu St. Georgen ; Ohrdruf: St. Michaelis-kirche ; Luneburg: St. Michaelis-kirche ; Luneburg: St. Johannis-kirche ; Hamburg: St. Catharinen-kirche ; Arnstadt: neue kirche ; Lubeck: St. Marienkirche ; Muhlhausen: hauptkirche divi blasii ; Dresden: Frauenkirche ; Weimar: Schloss-kirche ; Halle: Kirche zu unsere lieben frauen ; Leipzig: Paulinerkirche ; Leipzig: Thomaskirche ; Leipzig: Nikolaikirche ; Leipzig: St. Johannis kirche ; Potsdam: Garnison-kirche ; Danzig: St. Johanniskirche.
Abstract	This study correlates the transition in German organ-building principles of the early eighteenth century and the corresponding registration techniques of the composer-performers as a key to the enigmatic problem of stylistically authentic registration of the Bach organ works.
General note	An authorized facsimile produced by microfilm xerography.
Dissertation note	Ph.D. Washington University, Graduate School of Arts and Sciences, Department of Music 1971.
Bibliography note	Includes bibliographical references (leaves 366-372).
Reproduction note	Joyner- Photocopy. Ann Arbor, MI : University Microfilms International, 1979. 22 cm.

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The registration of J. S. Bach's organ works : a study of German organ-building and registration practices of the late baroque era / by Thomas Fredric Harmon.

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