Fugue and fugato in rococo and classical chamber music / Warren Kirkendale.
| Author/creator | Kirkendale, Warren |
| Format | Book |
| Edition | Rev. and expanded 2d ed. / Translated from the German ed. by Margaret Bent and the author. |
| Publication Info | Durham, N.C. : Duke University Press, 1979. |
| Description | xxvii, 383 pages, 9 unnumbered leaves of plates : illustrations ; 25 cm |
| Subjects |
| Contents | Part one. Rococo. The composers. Vienna. Werner ; Hintereder ; Salviati ; Tuma ; Werndle ; Umstatt ; Wagenseil ; Holzbauer ; Monn ; Birck ; Kohaut ; Starzer ; Pirlinger ; Ordonez ; Gassmann ; Sonnleithner ; Albrechtsberger ; M. Haydn ; Dittersdorf ; Pichl ; Huber ; Salieri -- Italy. Martini ; Veracini ; Tartini ; Locatelli ; Porpora ; Latilla ; Sacchini ; Campioni ; Zannetti ; ?-Nardini ; Campagnoli ; Morigi ; Barbici ; Gallo ; Pugnani ; Boccherini -- England. Arne ; Boyce ; Wesley ; Shield -- North Germany. Quantz ; Graun ; Krebs ; W. F. Bach ; C. P. E. Bach ; Kirnberger ; Rust ; Hasse ; Goldberg ; Schuster -- Palatinate. Richter ; J. Stamitz ; Filtz ; C. Stamitz ; Camerloher ; Hueber ; Schmitt ; Kraus -- Summary ; Pedagogical genealogy -- Circumstances of performance. Church and chamber ; Instrumentation -- Genres of composition. The church sonata ; The neutral sonata ; The partita ; The introductions to fugues in sonatas and partitas ; Dual versions ; The Italian sinfonia ; Finis coronat opus: the fugal finale ; The "framed" fugue (sonnleithner) ; Sequence of movements -- Fugal movements. Fugues. The exposition. Bass accompaniment ; Exposition in stretto ; Double fugue ; Connection of entries ; Answer ; Countersubject ; Redundant entries -- Continuation and conclusion. Subject entries ; Episodes ; "Reprise" ; Stretto -- Counterpoint ; Dynamics ; Summary -- Fugal movements in binary form (fugato) ; Fugal movements in disguised binary form (gall) -- Fugue subjects. Head motive, expansion, and cadence. Rhythmic diminution ; Pathotype ; Cadence with trill on long penultimate note ; Cadence with suspension -- Sequential subjects. Types of sequences ; Chains of thirds ; Fourth- and fifth-step melodies ; Scale-themes ; Chains of suspensions, species counterpoint ; Chromatic themes -- Subjects of vocal and instrumental type. Whole notes with suspensions ; Instrumental style ; Meter ; Repeated notes ; Disjunct motion -- Modern subjects. Periodic phrase structure ; Motivic repetition -- Summary -- Part two. Classic. Joseph Haydn. Studies, knowledge of older music ; Baryton trios ; String quartets op. 20 ; Op. 20/5 ; Op. 20/6 ; Op. 20/2 ; Op. 50/4 ; Op. 55/1 ; Op. 64/5 ; Op. 76/6 ; Canonic menuets ; Summary -- Wolfgang Amadeus Mozart. Studies, knowledge of older music ; Letters and documents regarding Mozart's relationship to fugue and to J. S. Bach ; Quartets K. 168 and K. 173 ; Violin sonata K. 402 and fugue K. 426=546 ; Quartet K. 387 ; Musical joke K. 522 ; Quartet K. 593 ; Quintet K. 614 -- Beethoven's contemporaries. Pupils of Haydn and Mozart. Ignaz Pleyel, quartets op. 5/4 and 6 ; Anton Wranitzky, quartet op. 2/2 ; Johann Spech, quartet-fugues op. 3 ; Johann Nepomuk Hummel, piano trio op. 35, sptet op. 114 -- Franz Krommer. Quartet op. 16/2 ; Clarinet quintet op. 95 -- Johann Anton Andre. Andre as a theorist of fugue ; The quarrel over the fugato ; Quartets op. 14/3 and op. 15/3 ; Quartet-fugues op. 88/2 ; Flute quartet op. 98/6 -- Luigi Cherubini. Quartets nos. 3 and 5 -- Ludwig van Beethoven. The foundations. Beethoven's contrapuntal studies with Haydn, Schenk, and Albrechtsberger ; Beethoven as a teacher of Archduke Rudolf; his knowledge of theoretical writings ; Beethoven's knowledge of older music -- The works. Student fugues ; Quartet op. 18/4 ; Violin sonata op. 23 ; Quintet op. 29 ; Quartet op. 59/1 ; Quartet op. 59/2 ; Quartet op. 59/3 ; Quartet op. 95 ; Piano trio op. 97 ; Violin sonata op. 96 ; Variations for piano trio op. 121a ; 'Cello sonata op. 102/2 ; Quintet-fugue op. 137 ; Folksong variations op. 105/1 and op. 107/3 ; Quartet op. 132 ; Great fugue op. 133 ; Quartet op. 131 -- Formal survey of fugues and fugatos in chamber music from Haydn to Brahms ; (Addenda and corrigenda to "more slow introductions by Mozart to Fugues of J. S. Bach?") |
| General note | First ed. published in 1966 under title: Fuge und Fugato in der Kammermusik des Rokoko und der Klassik. |
| Bibliography note | Includes bibliographical references (pages 335-358) and index. |
| LCCN | 78050394 |
| ISBN | 0822304163 : |