Tools

LEADER 02992cam 2200373Ia 4500

001 ocm00224331;

005 20141212034250.0;

008 720120s1963____enk b ___1 __eng_u;

010 a| 63005982;

035 a| (Sirsi) o00224331;

035 a| (OCoLC)224331;

040 c| KSUd| EREd| m.c.d| UtOrBLW;

049 a| EREM;

050 0 a| ML2529.T52b| P6;

100 1 a| Thomas, R. Hintonq| (Richard Hinton),d| 1912-1983.=| ^A31246;

245 10 a| Poetry and song in the German baroque :b| a study of the continuo lied /c| R. Hinton Thomas.;

260 a| Oxford :b| Clarendon Press,c| 1963.;

300 a| xii, 219 pages ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| "Musical examples": pages 113-206.;

500 a| "Notes on recordings": pages 207-208.;

504 a| Includes bibliography (pages 209-215) and index.;

505 00 g| Introduction. The two voices of the Baroque --g| Part I.t| The older German texts and polyphony --t| Music and the beginnings of the new poetry (i) Jakob Regnart and the villanella --t| Music and the beginnings of the new poetry (ii) Hans Leo Hassler and the canzonet --g| Part II.t| The transition to the continuo Lied: Johann Hermann Schein, poet and composer --t| The creation of the continuo Lied: Martin Opitz and Johann Nauwach --t| Friendship, poetry, and song, and the establishment of the continuo Lied: the Königsberg poets and Heinrich Albert --t| The flowering of Baroque song: Adam Krieger, poet and composer --t| Music in the service of poetry: Johann Rist and his composers --t| Poetry as music: Philipp Zesen and the Nuremberg poets --t| The end of the continuo Lied: Andreas Gryphius and Carl Friedrich Briegel --g| Part III.t| Aria and song in the later Baroque: Philipp Erlebach --t| The last phase: Barthold Heinrich Brockes and George Frederick Handel --t| The transition: Friedrich von Hagedorn, Georg Philipp Telemann, and Johann Valentin Görner --g| Epilogue. The heart's assurance.;

520 a| This book explores the continuo lied, a German song form from the Baroque era that emphasized the relationship between poetry and music, and the continuous bass accompaniment. The book examines both the musical and poetic elements of the continuo lied, considering theoretical viewpoints and practical examples to demonstrate how the two art forms were intertwined in German culture of the period.;

650 0 a| Songs, Germanx| History and criticism.=| ^A33264;

650 0 a| Music and literaturex| History1| 7th century.?| UNAUTHORIZED;

650 0 a| Songs, Germanv| Discography.=| ^A61117;

919 a| BOOK;

596 a| 3;

998 a| 17468;

999 a| ML2529.T52 P6w| LCc| 1i| 310372000160222d| 6/27/2016e| 11/6/2003f| 7/16/2025g| 4l| MCSm| JMUSICn| 3r| Ys| Yt| MCSSBKu| 2/2/1986x| BOOKz| MCIRCo| .STAFF. .note. Temporary transfer #1 to HSL Temporary transfer #2 to HSLo| .STAFF. enhanced 9/16/25 -jjabo| .STAFF. Copy Statement : c.1;

Poetry and song in the German baroque : a study of the continuo lied / R. Hinton Thomas.

Author/creator	Thomas, R. Hinton
Format	Book
Publication Info	Oxford : Clarendon Press, 1963.
Description	xii, 219 pages ; 24 cm
Subjects	Songs, German--History and criticism. Music--Germany. --17th century. --History and criticism. Music and literature 7th century.--History. Songs, German--Discography.

Contents	Introduction. The two voices of the Baroque -- Part I. The older German texts and polyphony -- Music and the beginnings of the new poetry (i) Jakob Regnart and the villanella -- Music and the beginnings of the new poetry (ii) Hans Leo Hassler and the canzonet -- Part II. The transition to the continuo Lied: Johann Hermann Schein, poet and composer -- The creation of the continuo Lied: Martin Opitz and Johann Nauwach -- Friendship, poetry, and song, and the establishment of the continuo Lied: the Königsberg poets and Heinrich Albert -- The flowering of Baroque song: Adam Krieger, poet and composer -- Music in the service of poetry: Johann Rist and his composers -- Poetry as music: Philipp Zesen and the Nuremberg poets -- The end of the continuo Lied: Andreas Gryphius and Carl Friedrich Briegel -- Part III. Aria and song in the later Baroque: Philipp Erlebach -- The last phase: Barthold Heinrich Brockes and George Frederick Handel -- The transition: Friedrich von Hagedorn, Georg Philipp Telemann, and Johann Valentin Görner -- Epilogue. The heart's assurance.
Abstract	This book explores the continuo lied, a German song form from the Baroque era that emphasized the relationship between poetry and music, and the continuous bass accompaniment. The book examines both the musical and poetic elements of the continuo lied, considering theoretical viewpoints and practical examples to demonstrate how the two art forms were intertwined in German culture of the period.
General note	"Musical examples": pages 113-206.
General note	"Notes on recordings": pages 207-208.
Bibliography note	Includes bibliography (pages 209-215) and index.
LCCN	63005982

Availability

Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	ML2529.T52 P6	✔ Available	Place Hold

Poetry and song in the German baroque : a study of the continuo lied / R. Hinton Thomas.

Click here for more information about this title

Availability