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LEADER 09968cam 2200865Ma 4500

001 ocm61560318;

005 20141212035031.0;

008 770209s1951 nyug 001 0 eng d;

035 a| (Sirsi) o61560318;

035 a| (OCoLC)61560318;

049 a| NPEEa| EREM;

082 04 a| 780.822| 23;

090 a| ML160b| .M37 1951;

245 00 a| Masterpieces of music before 1750 :b| an anthology of musical examples from Gregorian Chant to J.S. Bach /c| compiled and edited with historical and analytical notes by Carl Parrish and John F. Ohl.;

260 a| New York, NY :b| W. W. Norton and Company, Inc.,c| 1951.;

300 a| x, 235 pages :b| music ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographic references and index.;

520 a| Anyone interested in the history and development of Western music will welcome this collection of outstanding musical examples illustrating the general course of musical style from the early Middle Ages to the mid-eighteenth century. Included are 50 carefully selected compositions of great historical importance--each masterful and beautiful in its own right. Selections include chants, the organum, parts of masses, motets, chansons, canzonas, lute dances, madrigals, ricercari, and clavecin pieces. Among the pieces are exquisite motets by Josquin, Lassus, and Byrd; madrigals by Marenzio and Caccini; brilliant instrumental displays by Frescobaldi, Pachelbel, Couperin, and Domenico Scarlatti; choral music by Handel and Bach, and much more. Each example is accompanied by notes that identify the place of the composition in the history of music and suggest ways for the reader to undertake a useful analysis of that music. Most examples are in easy-to-follow "short score"-- i.e., in two staves, lending themselves to analysis and performance by the student singly or in informal ensembles. The music can be performed either vocally or at the keyboard, allowing the reader to gain unmatched insight into the character and significance of a rich cross-section of historic styles.;

583 1 z| Little-a| committed to retainc| 20200101d| 20401231f| CUSP5| NcElcE;

650 0 a| Musicx| History and criticism.=| ^A18818;

650 0 a| Vocal musicv| Scores.=| ^A417009;

650 0 a| Instrumental musicv| Scores.=| ^A604063;

700 1 a| Parrish, Carle| editor,e| compiler.=| ^A546600;

700 1 a| Ohl, John F.,e| editor,e| compiler.=| ^A546601;

700 02 a| Pérotin,d| -1238?t| Alleluia, nativitas.=| ^A876388;

700 02 a| Landini, Francesco,d| approximately 1325-1397.t| Chi più le vuol sapere.=| ^A31612;

700 02 a| Dufay, Guillaume,d| 1397-1474.t| Missa Se la face ay pale.p| Kyrie.=| ^A509346;

700 02 a| Binchois, Gilles,d| approximately 1400-1460.t| Adieu m'amour et ma maistresse.=| ^A848170;

700 02 a| Obrecht, Jacob,d| -1505p| Parce Domine.=| ^A33159;

700 02 a| Josquin,c| des Prez,d| -1521p| Ava Maria (Benedicta tu).=| ^A40604;

700 12 a| Crecquillon, Thomas,d| -1557?t| Pour ung plaisir.=| ^A869076;

700 12 a| Lasso, Orlando di,d| 1532-1594.t| Moduli,m| voices (4-10).p| Tristis est anima mea.=| ^A702943;

700 12 a| Byrd, William,d| 1539 or 1540-1623.t| Gradualia,n| liber 2.p| Ego sum panis vivus.=| ^A500072;

700 12 a| Farnaby, Giles,d| approximately 1565-1640.t| Loth to depart.=| ^A499760;

700 12 a| Caccini, Giulio,d| 1551-1618.t| Nuove musiche.p| Dovrò dunque morire.=| ^A683883;

700 12 a| Monteverdi, Claudio,d| 1567-1643.t| Orfeo.p| Tu se' morta.=| ^A500073;

700 12 a| Carissimi, Giacomo,d| 1605-1674.t| Judicium Salomonis.p| Afferte gladium.=| ^A500074;

700 12 a| Schütz, Heinrich,d| 1585-1672t| Symphoniae sacrae,n| 3 pars.p| O Herr, hilf.=| ^A46792;

700 12 a| Frescobaldi, Girolamo,d| 1583-1643.t| Fiori musicali.p| Messa della Madonna.p| Recercar dopo il Credo.=| ^A833605;

700 12 a| Froberger, Johann Jacob,d| 1616-1667.t| Suites,m| keyboard instrument,n| no. 22,r| E minor.=| ^A1128160;

700 12 a| Lully, Jean-Baptiste,d| 1632-1687.t| Armide.p| Ouverture.=| ^A500076;

700 12 a| Pachelbel, Johann,d| 1653-1706.t| Toccatas,m| organ,n| P. 462,r| E minor.=| ^A500034;

700 12 a| Purcell, Henry,d| 1659-1695.t| Welcome to all the pleasures.p| Here the deities approve;o| arranged.=| ^A499835;

700 12 a| Corelli, Arcangelo,d| 1653-1713.t| Trio sonatas,m| violins (2), continuo,n| op. 3.n| No. 7.=| ^A500035;

700 12 a| Couperin, François,d| 1668-1733.t| Pièces de clavecin,n| 2e livre.n| No 12.p| Galante.=| ^A684068;

700 12 a| Rameau, Jean-Philippe,d| 1683-1764.t| Castor et Polluxn| (1737)p| Séjour de l'éternelle paix.=| ^A913980;

700 12 a| Scarlatti, Domenico,d| 1685-1757.t| Sonatas,m| harpsichord,n| K. 11,r| C minor.=| ^A509692;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Rinaldo.p| Cara sposa.=| ^A500037;

700 12 a| Handel, George Frideric,d| 1685-1759.t| Solomon.p| Draw the tear from hopeless love.=| ^A500038;

700 12 a| Bach, Johann Sebastian,d| 1685-1750.t| Christ lag in Todesbanden (Cantata).p| Christ lag in Todesbanden.=| ^A496037;

700 12 a| Bach, Johann Sebastian,d| 1685-1750.t| Orgelbüchlein.p| Christ lag in Todesbanden.=| ^A500040;

700 12 a| Bach, Johann Sebastian,d| 1685-1750.t| Christ lag in Todesbanden (Cantata).p| Es war ein wunderlicher Krieg.=| ^A500041;

700 12 a| Bach, Johann Sebastian,d| 1685-1750.t| Matthäuspassionp| Ach, Golgatha.=| ^A496966;

700 12 a| Bach, Johann Sebastian,d| 1685-1750.t| Kunst der Fuge.p| Contrapunctus,n| no. 3.=| ^A498317;

994 a| C0b| NPE;

590 a| Little-37473--305131053628.;

596 a| 2 3;

998 a| 1755982;

999 a| ML160 .M37 1951w| LCc| 2i| 30372017159465d| 8/30/2022e| 10/18/2021f| 3/6/2025g| 1l| MCSm| JMUSICr| Ys| Yt| MCSSBKu| 10/18/2021x| BOOKz| MCIRCo| .STAFF. jjam; added copy 10/21;

999 a| ML160 .M37 1951w| LCc| 3i| 30372017178002d| 5/1/2022e| 2/13/2022f| 2/23/2024g| 1l| MSTm| JMUSICn| 1r| Ys| Yt| MGESBKu| 11/4/2021x| BOOKz| MCIRCo| .STAFF. jjam; added copy 11/21;

999 a| ML160 .M37 1951w| LCc| 4i| 30372003311112d| 9/11/2020e| 3/9/2020f| 2/23/2024g| 5l| MSTm| JMUSICn| 4q| 3r| Ys| Yt| MGESBKu| 8/9/1991x| BOOKz| MCIRCo| .STAFF. enhanced, merged record 8/30/22 -jjam;

Masterpieces of music before 1750 an anthology of musical examples from Gregorian Chant to J.S. Bach / compiled and edited with historical and analytical notes by Carl Parrish and John F. Ohl.

Format	Book
Publication Info	New York, NY : W. W. Norton and Company, Inc., 1951.
Description	x, 235 pages : music ; 24 cm
Subjects	Music--History and criticism. Vocal music--Scores. Instrumental music--Scores.

Other author/creator	Parrish, Carl editor, compiler.
Other author/creator	Ohl, John F., editor, compiler.
Included Work	Neidhart, von Reuenthal, active 13th century. Willekommen Mayenschein.
Included Work	Pérotin, -1238? Alleluia, nativitas.
Included Work	Guillaume, de Machaut, approximately 1300-1377. Messe de Nostre Dame. Agnus Dei.
Included Work	Landini, Francesco, approximately 1325-1397. Chi più le vuol sapere.
Included Work	Dufay, Guillaume, 1397-1474. Missa Se la face ay pale. Kyrie.
Included Work	Binchois, Gilles, approximately 1400-1460. Adieu m'amour et ma maistresse.
Included Work	Ockeghem, Johannes, approximately 1410-1497. Missa prolationum. Sanctus.
Included Work	Obrecht, Jacob, -1505 Parce Domine.
Included Work	Josquin, des Prez, -1521 Ava Maria (Benedicta tu).
Included Work	Crecquillon, Thomas, -1557? Pour ung plaisir.
Included Work	Gabrieli, Andrea, approximately 1533-1585. Canzoni alla francese et ricercari ariosi. Canzon francese deta Pour ung plaisir.
Included Work	Lasso, Orlando di, 1532-1594. Moduli, voices (4-10). Tristis est anima mea.
Included Work	Palestrina, Giovanni Pierluigi da, 1525?-1594. Masses, book 9. Missa Veni sponsa Christi. Agnus Dei.
Included Work	Byrd, William, 1539 or 1540-1623. Gradualia, liber 2. Ego sum panis vivus.
Included Work	Marenzio, Luca, 1553-1599. Madrigals, voices (5), book 6. S'io parto, i' moro, e pur partir conviene.
Included Work	Bennet, John, active 1599-1614. Madrigals, voices (4). Thyrsis, sleepest thou.
Included Work	Farnaby, Giles, approximately 1565-1640. Loth to depart.
Included Work	Caccini, Giulio, 1551-1618. Nuove musiche. Dovrò dunque morire.
Included Work	Monteverdi, Claudio, 1567-1643. Orfeo. Tu se' morta.
Included Work	Carissimi, Giacomo, 1605-1674. Judicium Salomonis. Afferte gladium.
Included Work	Schütz, Heinrich, 1585-1672 Symphoniae sacrae, 3 pars. O Herr, hilf.
Included Work	Frescobaldi, Girolamo, 1583-1643. Fiori musicali. Messa della Madonna. Recercar dopo il Credo.
Included Work	Froberger, Johann Jacob, 1616-1667. Suites, keyboard instrument, no. 22, E minor.
Included Work	Lully, Jean-Baptiste, 1632-1687. Armide. Ouverture.
Included Work	Pachelbel, Johann, 1653-1706. Toccatas, organ, P. 462, E minor.
Included Work	Purcell, Henry, 1659-1695. Welcome to all the pleasures. Here the deities approve; arranged.
Included Work	Corelli, Arcangelo, 1653-1713. Trio sonatas, violins (2), continuo, op. 3. No. 7.
Included Work	Couperin, François, 1668-1733. Pièces de clavecin, 2e livre. No 12. Galante.
Included Work	Rameau, Jean-Philippe, 1683-1764. Castor et Pollux (1737) Séjour de l'éternelle paix.
Included Work	Scarlatti, Domenico, 1685-1757. Sonatas, harpsichord, K. 11, C minor.
Included Work	Handel, George Frideric, 1685-1759. Concerti grossi, violins (2), cello, orchestra, HWV 318, C major. Allegro.
Included Work	Handel, George Frideric, 1685-1759. Rinaldo. Cara sposa.
Included Work	Handel, George Frideric, 1685-1759. Solomon. Draw the tear from hopeless love.
Included Work	Bach, Johann Sebastian, 1685-1750. Christ lag in Todesbanden (Cantata). Christ lag in Todesbanden.
Included Work	Bach, Johann Sebastian, 1685-1750. Orgelbüchlein. Christ lag in Todesbanden.
Included Work	Bach, Johann Sebastian, 1685-1750. Christ lag in Todesbanden (Cantata). Es war ein wunderlicher Krieg.
Included Work	Bach, Johann Sebastian, 1685-1750. Matthäuspassion Ach, Golgatha.
Included Work	Bach, Johann Sebastian, 1685-1750. Kunst der Fuge. Contrapunctus, no. 3.
Contents	Foreword -- Antiphon: Laus deo patri -- Psalm 113: Laudate pueri -- Alleluia: Vidimus stellam -- Sequence: Victimae paschali (11th century) -- Trouvère song, virelai: Or la truix -- Minnelied: Willekommen Mayenschein (13th century) / Neidhart von Reuenthal -- Parallel organum, Sequence: Rex caeli, Domine (9th century) -- Free organum, Trope: Agnus Dei (12th century) -- Melismatic organum, School of St. martial: Benedicamus Domino (12th century) -- Organum: Alleluya (Nativitas) / Perotin -- Motet: En non diu! Quant voi; Eius in Oriente (13th century) -- Conductus: De castitatis thalamo (13th century) -- Estampie, Instrumental dance (13th century) -- Agnus dei (I), from the Mass / Guillaumes de Machaut -- Ballata: Chi più le vuol sapere / Francesco Landini [illustrates the Landini cadence] -- Kyrie (I) from the Mass "Se la face ay pale" / Guillaume Dufay -- Chanson: Adieu m'amour / Gilles Binchois -- Sanctus from the "Missa prolationum" / Johannes Ockeghem -- Motet: Parce, Domine / Jacob Obrecht -- Motet: Ave Maria / Josquin des Prez -- Chanson: Pour ung plaisir / Thomas Crequillon [sic] -- Canzona francese deta Pour ung plaisir / Andrea Gabrieli -- Lute dances: Der prinzen-tanz ; Proportz (c. 1550) -- Motet: Tristis est anima mea / Orlandus Lassus -- Agnus Dei (I) from the Mass "Veni sponsa Christi" / G.P. da Palestrina -- Motet: Ego sum panis vivus / William Byrd -- Canzona per l'epistola (early 17th century) -- Madrigal: S'io parto, i' moro / Luca Marenzio -- Madrigal: Thyrsis, sleepest thou? / John Bennet -- Variations: Loth to depart / Giles Farnaby -- Madrigal: Dovrò dunque morire / Giulio Caccini -- Recitative: Tu se' morta from "Orfeo" / Claudio Monteverdi -- Scene: Afferte gladium, from "Judicium Salomonis" / Giacomo Carissimi -- Cantata: O herr, hilf / Heinrich Schütz -- Ricercar dopo il credo / Girolamo Frescobaldi -- Suite in E minor / J.J. Froberger -- Overture to "Armide" / J.B. Lully -- Toccata in E minor / Johann Pachelbel -- A new ground / Henry Purcell-- Sonata da chiesa in E minor / Arcangelo Corelli -- Clavecin piece: La galante / François Couperin -- Scene from "Castor et Pollux," Sejour de l'eternelle paix / Jean-Philippe Rameau -- Sonata in C minor / Domenico Scarlatti -- Concerto grosso in C major, first movement ; Recitative, Al valor del mio brando, sinfonia, and aria: Cara sposa, from "Rinaldo" ; Chorus: Draw the tear, from "Solomon" / G.F. Handel -- Chorale: Christ lag in Todesbanden, from "Cantata no. 4" ; Chorale prelude: Christ lag in Todesbanden [BWV 625] ; Chorus: Es war ein wunderlicher Krieg, from "Cantata no. 4" ; Arioso: Ach Golgotha, from the "St. Matthew passion" ; Fugue: Contrapunctus III, from "Die Kunst der Fuge" / J.S. Bach.
Abstract	Anyone interested in the history and development of Western music will welcome this collection of outstanding musical examples illustrating the general course of musical style from the early Middle Ages to the mid-eighteenth century. Included are 50 carefully selected compositions of great historical importance--each masterful and beautiful in its own right. Selections include chants, the organum, parts of masses, motets, chansons, canzonas, lute dances, madrigals, ricercari, and clavecin pieces. Among the pieces are exquisite motets by Josquin, Lassus, and Byrd; madrigals by Marenzio and Caccini; brilliant instrumental displays by Frescobaldi, Pachelbel, Couperin, and Domenico Scarlatti; choral music by Handel and Bach, and much more. Each example is accompanied by notes that identify the place of the composition in the history of music and suggest ways for the reader to undertake a useful analysis of that music. Most examples are in easy-to-follow "short score"-- i.e., in two staves, lending themselves to analysis and performance by the student singly or in informal ensembles. The music can be performed either vocally or at the keyboard, allowing the reader to gain unmatched insight into the character and significance of a rich cross-section of historic styles.
Local note	Little-37473--305131053628.
Bibliography note	Includes bibliographic references and index.
Action note	Little- committed to retain 20200101 20401231 CUSP

Availability

Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	ML160 .M37 1951	✔ Available	Place Hold
Music	Music Stacks	ML160 .M37 1951	✔ Available	Place Hold
Music	Music Stacks	ML160 .M37 1951	✔ Available	Place Hold

Masterpieces of music before 1750 an anthology of musical examples from Gregorian Chant to J.S. Bach / compiled and edited with historical and analytical notes by Carl Parrish and John F. Ohl.

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