| Contents |
Foreword -- Introduction -- The intelligibility of languages in singing. Vowel sound tracks ; Vowel symbols, English ; Vowel symbols, Italian ; Vowel symbols, French and German ; Degrees of openness ; The vocal organ ; The voice as a stopped pipe ; The very variable pipe ; Knödel remover ; Rhyming ; Registers: resonance tracks ; Register transitions, track switching ; Chromatic vowel chart with loops ; Breath management and resonance tracking ; Practice procedures -- The female voice. Registers of the female voice ; Open your mouth correctly ; The use of chromatic phonetics ; Space chart ; Breath ; Couplings ; Rhyming-zone placing chart ; Sing resonant vowels on the same pitch (spelling) ; Resonance tracking or piping: middle voice ; Coordinating chest and laryngeal muscles, nasality ; Development of head voice, whistle register ; Resonance tracking vowel register, crossovers ; Low notes, contrast of low and high larynx chest sounds ; Strengthening mixed voice, crossovers ; Yodels at the 4th with whistle, crossovers ; Dimple falsetto to head register, vowel to head register transition ; Yodels between mixed, vowel, and head registers, crossovers ; Resonance tracking in chest, middle, mixed ; Arpeggios, bridge mixed and chest voice ; Register transitions in lower passagio, crossovers ; Lower passagio transitions chest, mixed and vowel registers ; Equalizing registers ; Resonance tracking on the vowel register, same series, crossovers ; Strengthening the middle voice, same vowel series, crossovers ; Piping on augmented triad, whole tone, and chromatic scales, mixed and vowel registers ; Runs between head, vowel, and mixed register resonances ; Strengthening mixed voice in lower passagio: piping, crossovers ; Bridging registers by small yodels, chest, middle, and mixed registers ; Floating head voice, head voice for high notes ; Crescendo in vowel and head registers, agility contrasts ; Yodels at the fifth on related vowels of the same resonator (mixed, vowel and middle), agility ; Tracking from high voice: vowel, mixed, medium registers ; Agility, head to mixed to middle voice ; Agility voice placement exercises ; Bridging mixed, middle and head registers, floating ; High notes: whistle and head registers ; Arpeggios to upper notes, agility with piping ; Yodel and piping of scales, vowel to head register ; Soft focus agility (same vowel), clear focus ; Agility, soft palate agility ; Scored vocalizes, dipthing chart ; French nasal chart ; Scoring songs and arias, female voices -- The male voice. Registers of the male voice ; Caruso's exercises with vowel-pitch relationship ; Forms of openings ; Rhyming by crossover tunings ; Space chart ; Rhyming: tone placing chart ; Coordinating and chest and laryngeal muscles ; Ringing and veiled sounds ; Sing the same pitch and spell ; Resonance tracking, chest and upper voice ; Development of mixed voice and falsetto ; Falsetto with vowels behind the hand ; Open mouth hum and arpeggios in mixed and chest voice ; Yodels upper, mixed, chest voice, crossovers ; Mixed voice, high notes for male voices ; Low notes, yodels of 5th, mixed vowel and upper registers ; Vowel pitches, chest voice, falsetto ; Passagio agility exercises, crossovers ; Yodels between upper and vowel registers ; Chest to mixed voice, yodels at major 3rd, upper to vowel to chest register ; Augmented triad, whole tone, chromatic piping ; Messa di voce high notes, Cercar la nota ; Yodeling gold vowels for low and middle range, chest register ; Agility exercises, mixed voice and down ; Pianissimo and forte high notes in mixed and vowel registers, upper voice ; Strengthening the center of the voice ; Substitute vowels on high notes, mixed voice, arpeggios ; Warm-ups by muscular and resonance contrasts ; Resonance tracking in scales, chest voice ; Arpeggios switching tracks from chest to mixed voice, pipe changing through passagios ; Tenor high notes, close and open ; Baritone and bass high notes, close and open ; Passagio exercises to lower voice, mixed registers and chest voice ; Sotto voce, dimple falsetto to upper voice, mixed to chest voice ; Diphthong chart, French nasal chart ; Scoring of songs and arias, male voices -- Singing musculatures and resonances -- The overtones, registers, and phonetics of bel canto. |
