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040 a| DLCc| DLCd| EREd| UtOrBLW;

020 a| 083571263Xq| (v. 1);

020 a| 9780835712637q| (v. 1);

020 a| 0835712648q| (v. 2);

020 a| 9780835712644q| (v. 2);

049 a| EREM;

050 00 a| ML2903.K57b| S5 1981;

082 0 a| 783/.02/6090322| 19;

100 1 a| Kirwan-Mott, Anne.=| ^A133311;

245 14 a| The small-scale sacred concertato in the early 17th century /c| by Anne Kirwan-Mott.;

260 a| Ann Arbor, MI :b| UMI Research Press,c| 1981.;

300 a| 2 volumes :b| music ;c| 24-29 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| British studies in musicology;

500 a| A revision of the author's thesis--Royal Academy of Music, 1977.;

504 a| Includes bibliography (pages 399-402) and index.;

500 a| Vol. 2 consists of an "Anthology of sacred music for few voices 1600-1650.";

505 0 a| v. 1. Text -- v. 2. Musical examples.;

505 00 g| v. 1.t| Sacred concertato composition in the early seventeenth century.g| Background to sacred concertato composition ;t| Survey of Italian sacred concertato composition to 1610 --t| The contemporary situation in Germany: political, religious, and cultural life.g| General ;g| Music in society --t| Concertato compositions for the Catholic church in two to four parts.t| Early developments in continuo writing and its application to German sacred music in anthologies for the Catholic church up to 1630 ;t| Individual publications of concertato motets ;t| Mass composition in the few-voiced style --t| Concertato compositions for the Protestant church in two to four parts.t| Developments in Protestant church music to 1618 ;t| Spruchmotetten and compositions on other prose texts ;t| Settings of Latin texts --t| Lied settings for the Protestant church.t| Developments in Lied settings up to the time of Michael Praetorius ;t| Schein and Scheidt ;t| Lied settings by other composers --t| Compositions involving the solo voice.t| Compositions for solo voice and continuo ;t| Dialogues --t| Sacred concertato composition in the Netherlands.g| Background and survey of sacred music ;t| Peter Philips: biographical survey and concertato compositions in up to three parts.;

505 0 a| v. 2. Appendix I: Chronological list of printed sources consulted -- Appendix II: Anthology of sacred music for few voices 1600-1650 ; Critical commentary -- Music. Dixit Isaac patri suo ; Ubi est Abel ; Duo Seraphim / G. Aichinger -- Sancta et immaculata ; Duo Seraphim / H. Pfendner -- O Maria clausus ortus ; Veni sancte spiritus / R. de Lasso -- Factus est repente ; Hodie coelesti sponso / U. Loth -- Dum complerentur ; Dulcissime Jesu Christe / H. Pfendner -- In spiritu humilitatis ; Fallax gratia / M. Kraf -- Isti sunt triumphatores ; Audivi vocem / V. Jelich -- Misericordias tuas / R. de Lasso -- Virgo prudentissima / A. Holzner -- O patroni singulares ; Missa 1 (Gloria and Agnus) / C. Satzl -- Das ist der Wille ; Vater ich will ; Die Erlöseten des Herren / M. Franck -- Der Herr behüte dich / T. Michael -- Die Güte des Herren -- Herr wie lang wiltu mein sogar vergessen? / D. Selich -- Herr, unser Herrscher ; Zion spricht, der Herr hat mich verlassen ; Mit Dank wir sollen loben / S. Scheidt -- Habe dein Lust an dem Herren ; Die Seele Christi heilige mich ; Fürchte dich nicht ; O lieber Herre Gott ; Siehe, mein Fürsprecher ist im Himmel / H. Schütz -- Der Herr gebe uns ein fröhliches Herz / J.E. Kindermann -- Eile mich, Gott, zu erretten ; O barmhertziger Vater / A. Hammerschmidt -- Lobe den Herren ; An den Wassern zu Babel ; Ach dass die Hülfe aus Zion / J. Vierdanck -- Wie der Hirsch schreiet / T. Michael -- Kündlich gross / J. Rosenmüller -- Dixit pastoribus Angelus ; Expectans expectavi Dominum / J. Staden -- Vulnerasti cor meum ; O quam pulchra es / I. Posch -- Ecce advocatus meus / H. Schütz -- Quem vidistis pastores / T. Selle -- Unum petii a Domino / H. Grimm -- Credo in unum Deum / J.E. Kindermann -- Lobet den Herren / M. Praetorius -- Christ lag in Todesbanden ; Erbarm dich mein ; Nun freut euch, Gottes Kinder, all / J.H. Schein -- Christ, der du bist der helle Tag ; Warum betrübst du dich ; Komm, heiliger Geist / S. Scheidt -- Danksagen wir alle / H. Grimm -- Vom Himmel hoch da komm ich her / J. Schop -- Ach mein herzliebes Jesulein / T. Selle -- Allein Gott in der Höh sei Ehr / H. Schütz -- Ne timeas Maria / R. de Lasso -- Cantemus Domino / I. Posch -- O quam pulchra est / V. Jelich -- Gaudent in coelis / G. Piscator -- Auf mein Geist ; O wie mögen wir / H. Albert -- Eile mich, Gott, zu erretten ; Was hast du verwirket? / H. Schütz -- O bone Jesu / A. Hammerschmidt -- Weib, was weinest du? / H. Schütz -- Ich danke dir, Gott / J.R. Ahle -- Ach dass ich hören sollte / A. Hammerschmidt -- Machet die Thore weit / T. Selle -- Exultate justi in Domino ; Domine Deus virtutum ; Surge propera amica mea ; Ne timeas Maria ; Veni sponsa Christi ; O si quando videbo ; O Maria Domina nostra / P. Philips.;

520 a| This book examines the development of the sacred concerto for few voices as it spread out of Italy in the early years of the seventeenth century; the interest centers mainly on Germany, due to the profusion of works in this style which were written there up to the mid-century. Reference is also made to the reaction of musicians in the Netherlands to this style. Because of the extensive literature involved, this study is limited to those works written for up to five voices with continuo, and excludes those involving essential use of instruments.;

650 0 a| Church musicy| 17th century.=| ^A40858;

650 0 a| Motetsy| 17th centuryx| History and criticism.=| ^A33696;

650 0 a| Sacred vocal musicy| 17th century.=| ^A34891;

830 0 a| Studies in British musicology.=| ^A632317;

919 a| BOOK;

596 a| 3;

998 a| 185195;

999 a| ML2903.K57 S5 1981 V. 1w| LCc| 1i| 310372002132097d| 6/27/2016e| 11/2/1998f| 7/16/2025g| 4l| MCSm| JMUSICn| 6r| Ys| Yt| MCSSBKu| 3/29/1989x| BOOKz| MCIRCo| .STAFF. enhanced 9/17/25 -jjabo| .STAFF. Copy Statement : v.1 c.1;

999 a| ML2903.K57 S5 1981 V. 2w| LCc| 1i| 30372003333355d| 6/27/2016e| 10/13/1998f| 7/16/2025g| 4l| MCSm| JMUSICn| 2r| Ys| Yt| MCSSBKu| 12/3/1987x| BOOKz| MCIRCo| .STAFF. enhanced 9/17/25 -jjabo| .STAFF. Copy Statement : v.2 c.1;

The small-scale sacred concertato in the early 17th century / by Anne Kirwan-Mott.

Author/creator	Kirwan-Mott, Anne
Format	Book
Publication Info	Ann Arbor, MI : UMI Research Press, 1981.
Description	2 volumes : music ; 24-29 cm.
Subjects	Church music--17th century. Motets--17th century. --History and criticism. Sacred vocal music--17th century.

Series	British studies in musicology Studies in British musicology. ^A632317
Contents	v. 1. Text -- v. 2. Musical examples.
Contents	v. 1. Sacred concertato composition in the early seventeenth century. Background to sacred concertato composition ; Survey of Italian sacred concertato composition to 1610 -- The contemporary situation in Germany: political, religious, and cultural life. General ; Music in society -- Concertato compositions for the Catholic church in two to four parts. Early developments in continuo writing and its application to German sacred music in anthologies for the Catholic church up to 1630 ; Individual publications of concertato motets ; Mass composition in the few-voiced style -- Concertato compositions for the Protestant church in two to four parts. Developments in Protestant church music to 1618 ; Spruchmotetten and compositions on other prose texts ; Settings of Latin texts -- Lied settings for the Protestant church. Developments in Lied settings up to the time of Michael Praetorius ; Schein and Scheidt ; Lied settings by other composers -- Compositions involving the solo voice. Compositions for solo voice and continuo ; Dialogues -- Sacred concertato composition in the Netherlands. Background and survey of sacred music ; Peter Philips: biographical survey and concertato compositions in up to three parts.
Contents	v. 2. Appendix I: Chronological list of printed sources consulted -- Appendix II: Anthology of sacred music for few voices 1600-1650 ; Critical commentary -- Music. Dixit Isaac patri suo ; Ubi est Abel ; Duo Seraphim / G. Aichinger -- Sancta et immaculata ; Duo Seraphim / H. Pfendner -- O Maria clausus ortus ; Veni sancte spiritus / R. de Lasso -- Factus est repente ; Hodie coelesti sponso / U. Loth -- Dum complerentur ; Dulcissime Jesu Christe / H. Pfendner -- In spiritu humilitatis ; Fallax gratia / M. Kraf -- Isti sunt triumphatores ; Audivi vocem / V. Jelich -- Misericordias tuas / R. de Lasso -- Virgo prudentissima / A. Holzner -- O patroni singulares ; Missa 1 (Gloria and Agnus) / C. Satzl -- Das ist der Wille ; Vater ich will ; Die Erlöseten des Herren / M. Franck -- Der Herr behüte dich / T. Michael -- Die Güte des Herren -- Herr wie lang wiltu mein sogar vergessen? / D. Selich -- Herr, unser Herrscher ; Zion spricht, der Herr hat mich verlassen ; Mit Dank wir sollen loben / S. Scheidt -- Habe dein Lust an dem Herren ; Die Seele Christi heilige mich ; Fürchte dich nicht ; O lieber Herre Gott ; Siehe, mein Fürsprecher ist im Himmel / H. Schütz -- Der Herr gebe uns ein fröhliches Herz / J.E. Kindermann -- Eile mich, Gott, zu erretten ; O barmhertziger Vater / A. Hammerschmidt -- Lobe den Herren ; An den Wassern zu Babel ; Ach dass die Hülfe aus Zion / J. Vierdanck -- Wie der Hirsch schreiet / T. Michael -- Kündlich gross / J. Rosenmüller -- Dixit pastoribus Angelus ; Expectans expectavi Dominum / J. Staden -- Vulnerasti cor meum ; O quam pulchra es / I. Posch -- Ecce advocatus meus / H. Schütz -- Quem vidistis pastores / T. Selle -- Unum petii a Domino / H. Grimm -- Credo in unum Deum / J.E. Kindermann -- Lobet den Herren / M. Praetorius -- Christ lag in Todesbanden ; Erbarm dich mein ; Nun freut euch, Gottes Kinder, all / J.H. Schein -- Christ, der du bist der helle Tag ; Warum betrübst du dich ; Komm, heiliger Geist / S. Scheidt -- Danksagen wir alle / H. Grimm -- Vom Himmel hoch da komm ich her / J. Schop -- Ach mein herzliebes Jesulein / T. Selle -- Allein Gott in der Höh sei Ehr / H. Schütz -- Ne timeas Maria / R. de Lasso -- Cantemus Domino / I. Posch -- O quam pulchra est / V. Jelich -- Gaudent in coelis / G. Piscator -- Auf mein Geist ; O wie mögen wir / H. Albert -- Eile mich, Gott, zu erretten ; Was hast du verwirket? / H. Schütz -- O bone Jesu / A. Hammerschmidt -- Weib, was weinest du? / H. Schütz -- Ich danke dir, Gott / J.R. Ahle -- Ach dass ich hören sollte / A. Hammerschmidt -- Machet die Thore weit / T. Selle -- Exultate justi in Domino ; Domine Deus virtutum ; Surge propera amica mea ; Ne timeas Maria ; Veni sponsa Christi ; O si quando videbo ; O Maria Domina nostra / P. Philips.
Abstract	This book examines the development of the sacred concerto for few voices as it spread out of Italy in the early years of the seventeenth century; the interest centers mainly on Germany, due to the profusion of works in this style which were written there up to the mid-century. Reference is also made to the reaction of musicians in the Netherlands to this style. Because of the extensive literature involved, this study is limited to those works written for up to five voices with continuo, and excludes those involving essential use of instruments.
General note	A revision of the author's thesis--Royal Academy of Music, 1977.
General note	Vol. 2 consists of an "Anthology of sacred music for few voices 1600-1650."
Bibliography note	Includes bibliography (pages 399-402) and index.
LCCN	81013026
ISBN	083571263X (v. 1)
ISBN	9780835712637 (v. 1)
ISBN	0835712648 (v. 2)
ISBN	9780835712644 (v. 2)

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Music	Closed Stacks - Ask at Circulation Desk	ML2903.K57 S5 1981 V. 1	✔ Available	Place Hold
Music	Closed Stacks - Ask at Circulation Desk	ML2903.K57 S5 1981 V. 2	✔ Available	Place Hold

The small-scale sacred concertato in the early 17th century / by Anne Kirwan-Mott.

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