Tablature of keyboard music / Johannes of Lublin ; edited by John Reeves White.

Other author Jan, z Lublina, active 1540 compiler.
Other author White, John Reeves, 1924-1984, editor.
Format Musical Score
Publication Info[Neuhausen-Stuttgart?] : American Institute of Musicology, 1964-67.
Description1 score (6 volumes) ; 30 cm.
Subjects

Uniform titleTabulatura Ioannis de Lyublin canonic regularium de Crasnyk.
SeriesCorpus of early keyboard music ; 6
Corpus of early keyboard music ; 6. ^A150627
Partial contents V. 1. Preambula, organ masses and mass ordinary sections -- V. 2. Introits, sequences, hymns and antiphons -- V. 3. Motet intabulations -- V. 4. German, Italian and French compositions -- V. 5. Dances, Polish compositions, unititled and uncertain works -- V. 6. Tones of the psalms and magnificats, Fundamentum examples and clausulae.
Contents V. 1. Preambula. Preambulum in C ; Preambulum super D ; (Preambulum) in E ; (Preambulum) super F ; Preambulum super F ; (Preambulum in G per B) ; Preambulum in G per B ; Preambulumin A per H ; (Preambulum) in F ; Preambulum super F ; Preambulum super F ; Preambulum in D N.C. ; (Preambulum in G super B) ; Preambulum pedale in D ; (Preambulum) in F ; Preambulum in F ; Preambulum in D ; Preambulum in G per H ; Preambulum (in F) N.C. 1546 ; Aliud preambulum (in F) ; (Preambulum) in D -- Three organ masses. Officium per octavas ; De Domenica ; Officium solemne -- Mass Ordinary sections. Kyrie eleison Virginitatis ; Kyrie paschale ; Kyrie paschale N.C. ; Kyrie per octavas ; Kyrie de Sancta Maria ; Kyrie Magne Deus in G ; Kyrie eleison de Sancta Maria tempore Adventus ; Kyrie paschale Phynk 1543 ; Et in terra pax de Sancta Maria sabativis diebus ; Patrem solemne in D ; Aliud solemn Patrem ; Sanctus solemne ; Angelicum sanctus 1546.
Contents V. 2. Music. Officium de corpore Christi N.C. 1540 (Introit, Cibavit eos) ; Introitus de Corpore Cristi (Cibavit eos) ; (Introit) Gaudeamus omnes 1539 (Feast of All Saints) ; (Introit) Gaudeamus omnes Anno Domini 1539 (in) die S. Leonardi ; (Introit) Gaudeamus omnes N.C. ; Introitus de resurrectione Domini N.C. (Resurrexi et adhuc tecum sum) ; Introitus de Spiritu Sancto (Spiritus Domini replevit orbem terrarum) ; Introitus de Sancta Trinitate benedicta N.C. (Benedicta sit Sancta Trinitas) ; (Introit) Protexisti me Deus N. Ch. 1538 ; Introitus de beata Virgine Rorate Celi (Domenica quartus Adventus) ; Officium de nativitate Christi (Introitus Puer natus est nobis) ; (Introit) Justus es Domine ; Officium Virginis Marie salve sancta parens (Introitus) ; Prosa Lauda Sion salvatorem (Sequence for the Feast of Corpus Christi) ; Prosa de resurectione Domini 1540 (Victimae paschali laudes) ; Prosa de Sancti Spiritu (Veni sancte spiritus) ; Sancti Spiritus assit nobis (Sequence for Pentecost) ; Exemplum super Congaudent in G (Sequence for the Assumption of the Blessed Virgin) ; Congaudent angelorum. Prosa de assumptione ; Prosa de Beata Virgine -- Hymns. Crux fidelis ; Regina celi letare ; Tantum ergo sacramentum ; Tantum ergo sacramentum 1546 ; Salve Regina N.C. ; Dies est leticie ; Patris sapientia pedaliter ; Untitled = Patris sapientia ; Veni creator spiritus 1540 ; De profundis super discantum ; Chorus nove Jerusalem.
Contents V. 3. Homo quidam facit coenam / Ludwig Senfl ; Nisi tu domine custodieris nos Ad duos bassus / Heinrich Isaac ; Sicut lilium inter spinas 1540 / Antoine Brumel ; Egredientem Phynk / Heinrich Finck? -- Ste Ma 1540 / Josquin des Prez, Stabat Mater ; Ave rosa sine spinis / Ludwig Senfl ; Deus misereatur nostri / Claudin de Sermisy ; Tribulacio 1545 / Josquin des Prez, Tribulatio et augustia ; Stetit Jesus in medio ; Benigna 1545 ; Constitues eos principes ; Deus qui sedes super thronum ; Deus qui sedes super thronum (another version) ; Ecce sacerdos magnus de Sancto Augustino ; Cotidie apud vos eram in templo docens 1541 ; Date sineeram merentibus, N.C. 1542 ; Si Deus nobiscum quis contra nos 1545 ; Non mortui laudabunt te Domine ; Carmen in F (another version of the motet Non mortui laudabunt te Domine) ; Carmen in F (another version of the motet "Non mortui laudabunt te Domine") ; Panis quem ego dabo caro mea est pro mundi vita 1546 / Lupus Hellinck ; Absolon (Rex autem David) 1547 ; Christe regi omnes jubilemus 1547 ; De Sancto Johanne Baptista N.C. 1541 ; Domine secundum actus nostros noli nos iudicare pedaliter ; Domine secundum actus nostros noli nos iudicare manualiter ; Surrexit Dominus valete luctus ; Cristus iam surrexit ; Aluid Christus iam surrexit ; Quem preces N.C. ; Sancta Maria 1540 ; Laudate Dominum omnes gentes ; Et omnes ; Nunc rogemus N.C. 1541 ; O lumen eclesie de Sancto Augustio 1541 ; Benedictus dominus deus 1545.
Contents V. 4. German compositions. Ach scheind art Paul Vsth (Ach scheydens Art: Paul Wüst) ; Ach un fals ducis prussie 1541 (Martin Wolff: Ach Unfalls Neid) ; Ach Rey und Klag (Georg Brack: Ich reu und klag) ; Colenda ; Colenda severini 1540 ; Un Mut / Christian Egenolff ; Ach hilph mich laith N.C. ; Thomas Stolczer (Stolzer: Es müht viel Leut) -- Italian compositions. Bella Italica 1544 ; Arsi sparsi anno 1540 domenica misericordia (Sebastian Festa: O passi sparsi o pensier) ; Fuggi fuggi cor mio / Philippe Verdelot ; Fidel (Philippe Verdelot: Fedel et bel cagnuolo) ; Con lacrime (sospir: Philippe Verdelot) ; Con lacrime sospir 1542 (another version) ; Perkÿwiso Italicum 1541 (Sebastian Festa, Perché al viso) ; Italorum devotio 1542 ; Madona bella (Philippe Verdelot: Madonna 'l tuo bel viso) ; Ricercar bello (Girolamo Cavazzoni: Canzon sopra il e bel e bon) ; Ipsius enim ; Se Amor 1541 (Sebastian Festa: S' amor qualche remedio) ; Transmontana -- French compositions. Francigenum. Prima pars (Claudin de Sermisy: Le content est riche en ce monde) ; Secunda pars (Jacotin: D'ung desplaisir) ; Bellum Francigenum 1540. Prima pars (Jannequin: L'alouette) ; Secunda pars (Jannequin: La guerre, prima pars) ; Tertia pars belli francorum (Jannequin: La guerre, secunda pars) ; Dulce memorie (Pierre Sandrin: Douce memoire) ; Gallicum ; Jai fest (Claudin de Sermisy: Jai fait pour vous) ; Plus mille regres 1547 (Josquin des Prez: Plus nulz regretz).
Contents V. 5. Dance compositions. Conradus ; Cos colo odo sa ; Ferdinandi ; Untitled ; Corea Simonis ; (Untitled) ; Untitled ; Untitled ; Poznanie ; Poznania ; (Untitled) ; Rex ; Rocal fusa (La rocha'l fuso) ; (Untitled) ; Jeszcze Marczynye ; Corea super duos saltus ; Corea ; Italica ; Sequunter Coree N.C. 1541 ; Alia ; Alia super duos saltus ; Zaklolam szÿa Tharnem ; (Alia ad unum Poznanie) ; (Untitled) ; Alia Poznanie ; Conradus ; (Untitled) ; Paurthancz ; Bona cat ; Czayner Thancz ; Ad novem saltus ; Haÿduczkÿ ; Italica ; Schephczyk ÿdzyë poulÿczy szÿdelka noszacz ; (Untitled) ; Hispaniarum ; Alia Italica -- Polish compositions. Sluschna yesth rzecz 1548 ; Veschel schÿa polska Corona N.C. ; Alijec Nademna Venus N.C. ; Veschol ; Zaloscz y Radoscz ; O Przenaslawnyeysza Panno ; O Przenaslawnyeysza Panno (another version) ; Nas Zbawyczyel N.C. 1537 ; Radim themu ; Dzijvnij Sposchob ; Przesz thwe swyathe smartwij -- Works of uncertain origin. Pressa ; Severinus Konij ; Anglicum 1546 ; Hamaus ; Katherine ; (Untitled) ; (Untitled) ; Resolutum per N.C. 1540 ; (Untitled) [5].
Contents V. 6. Organ composition on the eight tones. Primi toni ; 1540 Sequuntur ambitus seu pepercussione tonorum super cantum colarem et primo repercussio primi toni ; Primus tonus ; (Primus tonus) ; Exempla octo tonorum 1542 ; Toni valentes ad cantum ; Toni transpositi ; Sexti toni super discantum transpositi ; Magnificat sexti toni super discantum -- Fundamentum examples. Ascensus ad secundam, tertiam, quartam, quintam, sextam ; Descensus in C per secundas ; (Untitled contrapuntal examples) ; Sequuntur conclusiones finales super claves ad discantum 1538 ; Conclusiones alie ad discantum ; Sequuntur concordancie pro cantu corali in tenore faciendo ad ascensum 1538 ; Ascensus per secundas ad octavum ; Descensus ad octavum ; Concordancie ad bassam et primo ascensus ; Reliqui descensus in f ; Descensus per secundas ad octavam ; Ascensus per secundas ad octavam ; Unisoni sequuntur primo in F ; Sequuntur clausulae seu colores in cantum coralem imponendae ; (Conclusiones) ; Conclusio super H ; Clausula in C ; Finale super D ; Conclusio inusitata super h per h.
Local noteJoyner-FOR JOYNER MUSIC LIBRARY HOLDINGS OF THIS SERIES, Corpus of early keyboard music, SEARCH BY TITLE OR BY CALL NUMBER: Music M2 .C8.
General noteFor organ.
General noteTranscription into modern notation of MS. 1716 in the Polish Academy of Sciences, Cracow.
General noteEach volume includes a preface in English.
LCCN 65000146
ISBN3775107444 (v. 1)
ISBN3775110631 (v. 2)
ISBN377511064X (v. 3)
ISBN3775110348 (v. 4)
ISBN3775107924 (v. 5)
ISBN3775133771 (v. 6)
Publisher numberCEKM 61 American Institute of Musicology
Publisher numberCEKM 62 American Institute of Musicology
Publisher numberCEKM 63 American Institute of Musicology
Publisher numberCEKM 64 American Institute of Musicology
Publisher numberCEKM 65 American Institute of Musicology
Publisher numberCEKM 66 American Institute of Musicology
Publisher number69.061-69.066 American Institute of Musicology