The masses of Joseph Haydn : history, style, performance / Robert W. Demaree, Don V. Moses.
| Author/creator | Demaree, Robert W. author. |
| Other author | Moses, Don V., 1936-2025 author. |
| Format | Book |
| Publication Info | Rochester Hills, Mich. : Classical Heritage, ©2008. |
| Description | xxxvi, 853 pages, 1 unnumbered leaf of plates : illustrations (some color), portraits, plans, music ; 26 cm |
| Subjects |
| Contents | The boy soprano. The promising lad ; The sound of Steffl ; The Italian heritage at Stephansdom ; The cathedral repertoire under Reutter ; Evidence from the Esterhazy collection at Eisenstadt ; The world outside the cathedral -- Apprenticeships. The influences of Haydn's immediate Viennese predecessors ; The music of the villages ; Gaining performance experience ; On his own ; Haydn's growing library ; An era awaiting a common language -- Commencing: the first "Haydn" masses. Missa brevis in F major, H. XXII: 1. Kyrie ; Et in terra ; Patrem ; Sanctus ; Benedictus ; Agnus -- Personnel ; Overall style and structure ; Summary and overall conclusions ; Missa Rorate coeli desuper, in G major, H.XXII: 3 ; Overall style, structure, and personnel. Kyrie ; Et in terra ; Patrem ; Sanctus ; Benedictus ; Agnus -- Summary and overall conclusions ; The end of his childhood -- The architect of the classical style. The physical settings for Haydn's religious music ; Haydn and the dawning of the Classical style ; Time is of the essence: the conceiving of forms ; Architecture in motion ; The breadth of the man's work ; Mass Sturcutre: In the Beginning was the Word ; Time and tempo ; Proportional tempo relationships within a mass: the "Neo-Tactus" ; Proportional structural relationships within a mass: asymmetry ; The music of the mass in tis ecclesiastical environment ; Scoring and the orchestration ; The Bases of Performance Practice and the Primary Sources ; A tree rooted in faith -- In the service of the prince. At Eisenstadt and then Eszterhaza ; Music on demand: Haydn as the prince's kapellmeister ; The Esterhazy musicians from the 1760s through the 1780s ; The lord of the manor -- The 1766 mass. Missa Cellensis in honorem Beatissimae Virginis Mariae, in C Major (Missa Sanctae Ceciliae), H.XXII:5, (henceforth the 1766 mass) ; The question of performance ; Editions and personnel ; Overall style and structure. Kyrie. Kyrie I ; Christe ; Kyrie II -- Gloria (in excelsis). Laudamus ; Gratias ; Domine ; Qui tollis ; Quoniam ; Cum sancto and in Gloria -- Credo. Et incarnatus ; Et resurrexit -- Sanctus ; Benedictus ; Agnus Dei. Dona -- Summary and overall conclusions ; Confronting the controversies ; The implications of the 1766 masterwork -- The Sunt Bona Mixta Malis fragments and the Grosse Orgelsolomesse. Missa a Quattro voci alla cappella (Missa "Sunt bona mixta malis"), H.XXII:2 -- Kyrie ; Gloria (et in terra) -- Summary and overall conclusions ; Missa in honorem BVM in E-flat major, (grosse orgelsolomesse), H.XXII: 4 ; Critical and performance editions ; Personnel ; Overall style and structure. Kyrie ; Gloria. Gratias ; Quoniam -- Credo. Et incarnatus ; Et resurrexit -- Sanctus ; Benedictus ; Agnus Dei. Dona -- Summary and overall conclusions ; Haydn in a time of transition -- The Nikolaimesse. Missa Sancti Nicolai (Nikolaimesse/Missa Sancti Josephi), H.XXII: 6 ; The "Pastoral Mass" ; Sources and personnel ; Critical and performance editions. Kyrie ; Gloria. Quoniam -- Credo. Et incarnatus ; Et resurrexit -- Sanctus ; Benedictus ; Agnus. Dona -- Summary and overall conclusions -- The last Missa Brevis. Missa brevis Sti. Joannis de Deo (Kleine Orgelmesse), H.XXII: 7. Overall style, structure, and personnel. Kyrie ; Gloria ; Credo ; Sanctus ; Benedictus ; Agnus Dei -- Summary and overall conclusions ; Evident style development -- Returning to Mariazell. Missa Cellensis in C major, H. XXII: 8 (Mariazellermesse) ; Personnel. Kyrie ; Gloria. Gratias and qui tollis ; Quoniam -- Credo. Et incarnatus ; Et resurrexit ; Et vitam venutri -- Sanctus ; Benedictus ; Agnus dei. Dona nobis pacem -- Summary and overall conclusions ; Joseph II and the Austrian church -- The Heiligmesse. Returning to Vienna ; Missa Sancti Bernardi de Offida (Heiligmesse), H.XXII: 10 ; Personnel. Kyrie ; Gloria. Gratias and Qui tollis ; Quoniam -- Credo. Et incarnatus and crucifixus ; Et resurrexit ; Et vitam venturi -- Sanctus ; Benedictus ; Agnus dei. Dona nobis pacem -- Summary and overall conclusions -- In the time of war. Missa in tempore belli (Paukenmesse), H.XXII: 9 ; Personnel. Kyrie ; Gloria. Qui tollis ; Quoniam -- Credo. Et incarnatus est ; Et resurrexit ; Et vitam venturi -- Sanctus ; Benedicus ; Agnus dei. Dona nobis paceim -- Summary and overall conclusions -- The Nelson Mass. A rose by any other name ; Missa in angustiis (Nelsonmesse), H.XXII: 11 ; Personnel. Kyrie ; Gloria. Qui tollis ; Quoniam -- Credo. Et incarnatus ; Et resurrexit -- Sanctus ; Benedictus ; Agnus dei. Dona nobis pacem -- Overall summary: cohesive structure and meaning ; Belief, fear, and hope -- The 1799 "theresien" mass. Naming and dating the mass ; Missa ("Theresienmesse"), H.XXII: 12 ; Source and performance editions ; Personnel. Kyrie ; Gloria. Gratias ; Quoniam -- Credo. Et incarnatus est ; Et resurrexit and et vitam venturi -- Sanctus ; Benedictus ; Agnus Dei. Dona nobis pacem -- Summary and overall conclusions -- The 1801 Schopfungsmesse. Missa in B-flat ("Schopfungsmesse"), H.XXII: 13 ; Personnel. Kyrie ; Gloria. The excerpt from The Creation ; Miserere ; Quoniam and in Gloria dei patris -- Credo. Et incarnatus ; Et resurrexit and et vitam venturi -- Sanctus ; Benedictus ; Agnus dei. Dona nobis pacem. Summary and overall conclusions -- The final mass. Missa in B-flat ("Harmoniemesse"), H.XXII: 14 ; Personnel. Kyrie ; Gloria. Gratias ; Quoniam -- Credo. Et incarnatus ; Et resurrexit ; Et vitam venturi saeculi -- Sanctus ; Benedictus ; Agnus Dei. Dona nobis -- Summary and overall conclusions -- XVII laus deo. The legacy of the boy soprano ; Landon and his "symphonic mass" ; Scholarly arabesques: the mass proposed as an instrumental macro-structure ; The Haydn mass as itself a form ; The place of the masses today ; The Haydn masses and the hierarchies of church and state ; Ite, missa est -- Appendices. Chronology of the Haydn masses ; Text of the mass in Latin and English ; The Italian-Austrian inheritance ; Esterhazyh personnel rosters I-IV. |
| Bibliography note | Includes bibliographical references (pages 829-844) and index. |
| LCCN | 2009904708 |
| ISBN | 9780615260525 |
| ISBN | 0615260527 |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Music Stacks | ML410.H4 D41 2008 | ✔ Available | Place Hold |