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001 ocm06612694;

005 20141212054812.0;

008 830115s1979 fr a b 001 0 eng ;

010 a| 81194423;

020 a| 2856890083;

035 a| (Sirsi) o06612694;

035 a| (OCoLC)6612694;

040 a| DLCc| DLCd| EREd| UtOrBLW;

041 1 a| enga| fre;

049 a| EREM;

050 00 a| ML457b| .V4413 1979;

082 0 a| 781.6/3/090322| 19;

100 1 a| Veilhan, Jean-Claude.=| ^A173134;

240 10 a| Règles de l'interprétation musicale à l'époque baroque (XVIIe-XVIIIe s.).l| English=| ^A173134;

245 14 a| The rules of musical interpretation in the baroque era (17th-18th centuries), common to all instruments /c| Jean-Claude Veilhan ; translation by John Lambert.;

300 a| ix, 100 pages :b| illustrations ;c| 28 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| Translation of: Les règles de l'interprétation musicale à l'époque baroque (XVIIe-XVIIIe s.);

504 a| Includes bibliographical references (page 95) and indexes.;

505 0 a| Metrical signs and their characteristics. Metres of four beats ; Metres of two beats ; Metres of three beats ; Lesson on every variety of metre (Monteclair) -- Phrasing. Articulatory silences ; Detached notes ; Slurs ; Unequal notes ; Double-dotted notes ; Rubato -- Embellishment. Grace notes ; Two examples of pieces with grace notes by their composers ; Ornaments ; French ornamentation ; German ornamentation ; Italian ornamentation ; The cadenza (improvised on a pedal-point) -- The various types of adagio and allegro. Classification, tempo, character ; Classification of tempo indications according to Marpurg ; Classification of tempo indications with their metronomic values according to Quantz ; Characteristics of the various tempi according to Brossard and Rousseau ; Of the manner in which the adagio should be played (Quantz) ; Of the manner in which the allegro should be played (Quantz) -- Character and tempo of the various movements. Airs and dances.;

650 0 a| Performance practice (Music)x| Historyy| 17th century.=| ^A258155;

650 0 a| Performance practice (Music)x| Historyy| 18th century.=| ^A255331;

650 0 a| Musicy| 17th centuryx| Performance.=| ^A173517;

650 0 a| Musicy| 18th centuryx| Performance.=| ^A225871;

650 0 a| Music theoryx| Historyy| 17th century.=| ^A567076;

650 0 a| Music theoryx| Historyy| 18th century.=| ^A462942;

700 1 a| Lambert, John,d| 1926-1995,e| translator.?| UNAUTHORIZED;

730 0 a| Règles de l'interprétation musicale à l'époque baroque (XVIIe-XVIIIe s.)?| UNAUTHORIZED;

919 a| BOOK;

596 a| 3;

998 a| 239174;

999 a| ML457 .V4413 1979w| LCc| 1i| 30372003685994d| 4/22/2019e| 3/24/2019f| 4/4/2024g| 4l| MSTm| JMUSICn| 34q| 3r| Ys| Yt| MGESBKu| 9/6/1989x| BOOKz| MCIRCo| .STAFF. enhanced 11/2/22 -jjab;

The rules of musical interpretation in the baroque era (17th-18th centuries), common to all instruments / Jean-Claude Veilhan ; translation by John Lambert.

Author/creator	Veilhan, Jean-Claude
Other author	Lambert, John, 1926-1995, translator.
Format	Book
Publication Info	Paris : Alphonse Leduc, ©1979.
Description	ix, 100 pages : illustrations ; 28 cm
Subjects	Performance practice (Music)--History. --17th century. Performance practice (Music)--History. --18th century. Music--17th century. --Performance. Music--18th century. --Performance. Music theory--History. --17th century. Music theory--History. --18th century.

Uniform title	Règles de l'interprétation musicale à l'époque baroque (XVIIe-XVIIIe s.). English
Contents	Metrical signs and their characteristics. Metres of four beats ; Metres of two beats ; Metres of three beats ; Lesson on every variety of metre (Monteclair) -- Phrasing. Articulatory silences ; Detached notes ; Slurs ; Unequal notes ; Double-dotted notes ; Rubato -- Embellishment. Grace notes ; Two examples of pieces with grace notes by their composers ; Ornaments ; French ornamentation ; German ornamentation ; Italian ornamentation ; The cadenza (improvised on a pedal-point) -- The various types of adagio and allegro. Classification, tempo, character ; Classification of tempo indications according to Marpurg ; Classification of tempo indications with their metronomic values according to Quantz ; Characteristics of the various tempi according to Brossard and Rousseau ; Of the manner in which the adagio should be played (Quantz) ; Of the manner in which the allegro should be played (Quantz) -- Character and tempo of the various movements. Airs and dances.
General note	Translation of: Les règles de l'interprétation musicale à l'époque baroque (XVIIe-XVIIIe s.)
Bibliography note	Includes bibliographical references (page 95) and indexes.
Other title	Règles de l'interprétation musicale à l'époque baroque (XVIIe-XVIIIe s.)
LCCN	81194423
ISBN	2856890083

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML457 .V4413 1979	✔ Available	Place Hold

The rules of musical interpretation in the baroque era (17th-18th centuries), common to all instruments / Jean-Claude Veilhan ; translation by John Lambert.

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