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001 ocn468854451;

003 OCoLC;

005 20141212063211.0;

008 091120s2010 nyua b 001 0 eng ;

010 a| 2009046776;

020 a| 9780230103603 (alk. paper);

020 a| 023010360X (alk. paper);

020 a| 9780230103597 (alk. paper);

020 a| 0230103596 (alk. paper);

029 1 a| CDXb| 11339005;

029 1 a| CDXb| 11339008;

029 1 a| AU@b| 000044973787;

029 1 a| NZ1b| 13406533;

035 a| (Sirsi) o468854451;

035 a| (OCoLC)468854451;

043 a| a-ja---;

049 a| EREE;

050 00 a| NC1766.J3b| BPN 2010;

082 00 a| 700.952/0905112| 22;

090 a| NC1766.J3b| B76 2010;

100 1 a| Brown, Steven T.=| ^A513802;

245 10 a| Tokyo cyberpunk :b| posthumanism in Japanese visual culture /c| Steven T. Brown.;

250 a| 1st ed.;

260 a| New York :b| Palgrave Macmillan,c| 2010.;

300 a| viii, 256 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (p. [229]-246) and index.;

505 0 a| Posthumanism after Akira. Reading rhizomatically -- Machinic desires, desiring machines, and consensual hallucinations -- Machinic desires : Hans Bellmer's dolls and the technological uncanny in Ghost in the shell 2: innocence. An overview of innocence -- "Once their strings are cut, they easily crumble" -- From puppets to automata -- The uncanny mansion -- The dolls of Hans Bellmer -- Bellmer/Oshii -- On the innocence of dolls, angels, and becoming-animal -- Desiring machines: biomechanoid eros and other. Techno-fetishes in Tetsuo: the iron man and its precursors -- The birth of sexy robots -- After Metropolis, before Tetsuo: un chien andalou -- Giger's biomechanoids, erotomechanics, and metal fetishists -- The "regular-size" monsters of Matango -- Mutating from the inside out: The fly -- "Long live the new flesh": Videodrome -- The tentacle motif from Hokusai to Tetsuo -- Envisioning the machine-city after Blade runner -- Confrontations with the salaryman model: resisting hegemonic masculinity and state-sponsored capitalism -- Coda: co-opting Tetsuo in Tetsuo II: body hammer -- Consensual hallucinations and the phantoms of electronic presence in Kairo and Avalon. Letting in ghosts, shutting out the sun -- Into the mise en abyme: spectral flows and the forbidden room -- The human stain: suicide in the shadow of Hiroshima -- Avalon and "borderline cinema" -- The society of the spectacle -- The surrealism of (virtually) everyday life -- "Welcome to class real" -- Conclusion. Software in a body: critical posthumanism and Serial experiments Lain. A shōjo named lain -- E-mail from the dead -- Doppelgängers in cyberspace -- Desiring disembodiment -- The question of resistance.;

650 0 a| Animated filmsz| Japanx| History and criticism.=| ^A481158;

650 0 a| Science fiction filmsz| Japanx| History and criticism.=| ^A348000;

650 0 a| Cyberpunk culturez| Japan.=| ^A564042;

650 0 a| Literature and technologyz| Japan.=| ^A63477;

650 0 a| Comic books, strips, etc.z| Japanx| History and criticism.=| ^A1037133;

938 a| Blackwell Book Serviceb| BBUSn| R0857840c| $90.00;

938 a| YBP Library Servicesb| YANKn| 3323321;

938 a| Coutts Information Servicesb| COUTn| 11339005;

949 a| NC1766.J3 B76 2010h| JOYNER48o| jssbi| 30372014932427;

994 a| C0b| ERE;

596 a| 1;

998 a| 2442841;

999 a| NC1766.J3 B76 2010w| LCc| 1i| 30372014932427d| 5/24/2017e| 8/17/2015f| 4/3/2012g| 2l| JGESm| JOYNERn| 5q| 2r| Ys| Yt| JGESBKu| 6/17/2011x| BOOKz| JSTACKSo| .STAFF. jssb;

Tokyo cyberpunk : posthumanism in Japanese visual culture / Steven T. Brown.

Author/creator	Brown, Steven T.
Format	Book
Edition	1st ed.
Publication Info	New York : Palgrave Macmillan, 2010.
Description	viii, 256 pages : illustrations ; 25 cm
Subjects	Animated films--Japan. --History and criticism. Science fiction films--Japan. --History and criticism. Cyberpunk culture--Japan. Literature and technology--Japan. Comic books, strips, etc.--Japan. --History and criticism.

Contents	Posthumanism after Akira. Reading rhizomatically -- Machinic desires, desiring machines, and consensual hallucinations -- Machinic desires : Hans Bellmer's dolls and the technological uncanny in Ghost in the shell 2: innocence. An overview of innocence -- "Once their strings are cut, they easily crumble" -- From puppets to automata -- The uncanny mansion -- The dolls of Hans Bellmer -- Bellmer/Oshii -- On the innocence of dolls, angels, and becoming-animal -- Desiring machines: biomechanoid eros and other. Techno-fetishes in Tetsuo: the iron man and its precursors -- The birth of sexy robots -- After Metropolis, before Tetsuo: un chien andalou -- Giger's biomechanoids, erotomechanics, and metal fetishists -- The "regular-size" monsters of Matango -- Mutating from the inside out: The fly -- "Long live the new flesh": Videodrome -- The tentacle motif from Hokusai to Tetsuo -- Envisioning the machine-city after Blade runner -- Confrontations with the salaryman model: resisting hegemonic masculinity and state-sponsored capitalism -- Coda: co-opting Tetsuo in Tetsuo II: body hammer -- Consensual hallucinations and the phantoms of electronic presence in Kairo and Avalon. Letting in ghosts, shutting out the sun -- Into the mise en abyme: spectral flows and the forbidden room -- The human stain: suicide in the shadow of Hiroshima -- Avalon and "borderline cinema" -- The society of the spectacle -- The surrealism of (virtually) everyday life -- "Welcome to class real" -- Conclusion. Software in a body: critical posthumanism and Serial experiments Lain. A shōjo named lain -- E-mail from the dead -- Doppelgängers in cyberspace -- Desiring disembodiment -- The question of resistance.
Bibliography note	Includes bibliographical references (p. [229]-246) and index.
LCCN	2009046776
ISBN	9780230103603 (alk. paper)
ISBN	023010360X (alk. paper)
ISBN	9780230103597 (alk. paper)
ISBN	0230103596 (alk. paper)

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Tokyo cyberpunk : posthumanism in Japanese visual culture / Steven T. Brown.

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