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001 ocm00325605;

005 20141212064527.0;

008 731003s1967 nyu b 000 0 eng ;

010 a| 65013323;

035 a| (Sirsi) o00325605;

035 a| (OCoLC)325605;

041 1 a| enga| und;

049 a| EREM;

050 00 a| ML160.B655b| R5;

082 0 a| 780.9031;

100 1 a| Blume, Friedrich,d| 1893-1975.=| ^A23914;

245 10 a| Renaissance and Baroque music :b| a comprehensive survey /c| Friedrich Blume ; translated by M. D. Herter Norton.;

250 a| First edition.;

260 a| New York :b| W. W. Norton,c| [1967];

300 a| ix, 180 pages ;c| 22 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Bibliography: pages 166-170.;

505 00 t| Renaissance music.t| The idea of "renaissance" ;t| Music as understood by the Renaissance ;t| "Renaissance" as a period in music history ;t| South and north : the nations and the types of composition ;t| The musical achievement of the Renaissance --t| Baroque music.t| The term "Baroque" as applied to music ;t| Introduction of the word "Baroque" into the writing of music history ;t| The meaning of the word "Baroque" in music ;t| The synchronism of the arts ;t| Fitness and need of the word "Baroque" in music history ;t| Style, form, and expressive means in Baroque music.t| The heteronomy of Baroque music its rhetoric ;t| Academicism meter and chromaticism ;t| Retardative elements the classicistic undercurrent ;t| Meaningful music ;t| Counterpoint ;t| Style consciousness and idiom ;t| The blending of styles the Gesamtkunstwerk ;t| The technique of composition bas and chord from modality to tonality consonance and dissonance ;t| From tactus to measure tempo and rhythm ;t| Forms and the feeling for form --t| Delimitation and organization of the Baroque in music ;t| Nation and society in the music of the Baroque.;

650 0 a| Musicx| History and criticismy| 16th century.=| ^A18818;

650 0 a| Musicx| History and criticismy| 17th century.=| ^A18818;

650 0 a| Musicx| History and criticismy| 18th century.=| ^A18818;

919 a| BOOK;

596 a| 3;

998 a| 24906;

999 a| ML160.B655 R5 1967w| LCc| 1i| 310372000246874d| 6/16/2016e| 5/22/2006f| 3/6/2025g| 4l| MCSm| JMUSICn| 13r| Ys| Yt| MCSSBKu| 2/6/1986x| BOOKz| MCIRCo| .STAFF. 0o| .STAFF. Copy Statement : c.1;

Renaissance and Baroque music a comprehensive survey / Friedrich Blume ; translated by M. D. Herter Norton.

Author/creator	Blume, Friedrich
Format	Book
Edition	First edition.
Publication Info	New York : W. W. Norton, [1967]
Description	ix, 180 pages ; 22 cm
Subjects	Music--History and criticism. --16th century. Music--History and criticism. --17th century. Music--History and criticism. --18th century.

Contents	Renaissance music. The idea of "renaissance" ; Music as understood by the Renaissance ; "Renaissance" as a period in music history ; South and north : the nations and the types of composition ; The musical achievement of the Renaissance -- Baroque music. The term "Baroque" as applied to music ; Introduction of the word "Baroque" into the writing of music history ; The meaning of the word "Baroque" in music ; The synchronism of the arts ; Fitness and need of the word "Baroque" in music history ; Style, form, and expressive means in Baroque music. The heteronomy of Baroque music its rhetoric ; Academicism meter and chromaticism ; Retardative elements the classicistic undercurrent ; Meaningful music ; Counterpoint ; Style consciousness and idiom ; The blending of styles the Gesamtkunstwerk ; The technique of composition bas and chord from modality to tonality consonance and dissonance ; From tactus to measure tempo and rhythm ; Forms and the feeling for form -- Delimitation and organization of the Baroque in music ; Nation and society in the music of the Baroque.
Bibliography note	Bibliography: pages 166-170.
LCCN	65013323

Renaissance and Baroque music a comprehensive survey / Friedrich Blume ; translated by M. D. Herter Norton.

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