The Italian romantic libretto : a study of Salvadore Cammarano / John Black.

Author/creator Black, John, 1922-
Format Book
Publication InfoEdinburgh : Edinburgh University Press, ©1984.
Descriptionix, 326 pages : illustrations ; 22 cm
Subjects

Contents The operatic life of Naples: Cammarano's background and early life -- 1834-1837. La sposa ; Ines de Castro ; Un matrimonio per ragione ; Lucia di Lammermoor ; Belisario ; Eufemio di Messina ; L'assedio di Calais ; Pia de'Tolomei -- 1837-1838. Roberto Devereux ; Maria de Rudenz ; Poliuto ; Censorship and the censors -- 1839-1840. Elena da Feltre ; I ciarlatani ; Il conte di Chalais ; La vestale ; Cristina di Svezia -- 1840-1844. Saffo ; Luigi Rolla ; Il proscritto ; La fidanzata corsa ; Il reggente ; Ester d'Engaddi ; Ruy Blas ; Il ravvedimento -- 1844-1847. Alzira ; Francesca Donato ; Il vascello de Gama ; Bondelmonte ; Stella di Napoli ; Orazi e Curiazi ; Eleonora Dori -- 1847-1849. Merope ; The S. Carlo balance sheet ; The events of 1848 ; Poliuto ; La battaglia di Legnano ; Luisa Miller ; Re Lear -- 1850-1852. Virginia ; No v'è fumo senza fuoco ; Folco d'Arles ; Medea ; Malvina di Scozia ; Il trovatore -- 1852 and after. Death and funeral ; Obituary notices ; Widow and family ; Posthumous works ; Personality -- Sources and choice of subjects ; Appendix ; Cammarano's sources -- The 'number' and the structure of a libretto -- The opening scene, the central finale and the closing scene -- Cammrano's working methods -- Appendix ; Synopsis of Lucia di Lammermoor -- Language and versification -- Cammarano's duties as producer -- Assessment -- Appendix A. Operas to texts by Cammarano ; Appendix B. Act titles of Cammarano's libretti.
Abstract Salvadore Cammarano (1801-1852) was a Neopolitan librettist who in the 1830s and 1840s was among the most prolific writers for Italian romantic opera. He worked for both Donizetti and Verdi on several works, including Lucia di Lammermoor and Il Trovatore. The librettist played a major role in the creation of Italian romantic opera at every stage of development from choice of subject, through drafting and writing, to staging. No one has hitherto accorded full-scale treatment to the nature and function of the craft of librettist; in so doing, the author throws much new light on Italian opera in its heyday. The first part of the book recounts Cammarano's career, detailing his output of no less than 36 libretti, his working methods and relations with the composers, and the contemporary reception of his work. Later chapters analyze the technique of libretto composition: sources, subjects, language and versification, and the musical and dramatic structure of the 'number' opera.
General noteIncludes index.
Bibliography noteBibliography: pages 313-317.
LCCNgb 84005044
ISBN0852244630 :

Availability

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk ML423.C25 B52 1984 ✔ Available Place Hold