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001 ocn681500662;

003 OCoLC;

005 20141212080007.0;

008 110422s2011 nyua b 001 0ceng ;

010 a| 2011016670;

016 7 a| 0157579462| Uk;

020 a| 9780815609872 (cloth : alk. paper);

020 a| 0815609876 (cloth : alk. paper);

029 1 a| HEBISb| 263926044;

029 1 a| AU@b| 000046918462;

029 1 a| DEBBGb| BV039771685;

035 a| (Sirsi) o681500662;

035 a| (OCoLC)681500662;

042 a| pcc;

043 a| n-us---;

049 a| EREE;

050 00 a| TR139b| .M623 2011;

082 00 a| 770.92/39240732| 22;

100 1 a| Morris, Daniel,d| 1962-=| ^A365017;

245 10 a| After Weegee :b| essays on contemporary Jewish American photographers /c| Daniel Morris.;

250 a| 1st ed.;

260 a| Syracuse, N.Y. :b| Syracuse University Press,c| 2011.;

300 a| xxxi, 300 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Judaic traditions in literature, music, and art;

504 a| Includes bibliographical references (p. 283-291) and index.;

505 0 a| "Weegee's nation": hybridic communities and exilic identity in naked city, Weegee's people, and Weegee by Weegee -- Aestheticism, Jewish identity, and representing the other Bruce Davidson and the legacy of Aaron Siskind and the New York photo league -- Revisioning the New York school social documentary tradition image-text relations in Jim Goldberg's rich and Poor and Raised by wolves -- Pedagogy of the oppressed, diasporic memories, and postmodern memorialization in Mel Rosenthal's In the South Bronx of America -- "The backwards man" and "the Jewish giant" mirrors of traumatic memory in the late photographs of Diane Arbus -- Historical memorialization and personal memory in Lee Friedlander's self-portrait and American monument -- A living theater: constructing a countercultural history in Allen Ginsberg: photographs -- Annie Leibovitz's return to experience in A photographer's life, American music, and Annie Leibovitz at work -- Sacred space and secular concern in the photography of Tyagan Miller -- Ambivalent Jewish masculinity in Marc Asnin's Uncle Charlie.;

650 0 a| Photographersz| United Statesv| Biography.=| ^A413908;

650 0 a| Jewish photographersz| United Statesv| Biography.=| ^A1096644;

650 0 a| Photographic criticism.=| ^A257964;

600 00 a| Weegee,d| 1899-1968x| Criticism and interpretation.=| ^A92237;

830 0 a| Judaic traditions in literature, music, and art.=| ^A409019;

949 a| TR139 .M623 2011h| JOYNER48o| jmpli| 30372016455096;

938 a| Baker and Taylorb| BTCPn| BK0009424462;

938 a| YBP Library Servicesb| YANKn| 3593637;

938 a| Coutts Information Servicesb| COUTn| 16456953;

938 a| Midwest Library Servicesb| MWSTn| 02487342011;

994 a| C0b| ERE;

596 a| 1;

998 a| 2677864;

999 a| TR139 .M623 2011w| LCc| 1i| 30372016455096d| 6/19/2016e| 6/17/2016f| 2/13/2012g| 1l| JGESm| JOYNERn| 1r| Ys| Yt| JGESBKu| 2/1/2012x| BOOKz| JSTACKSo| .STAFF. jmpl;

After Weegee : essays on contemporary Jewish American photographers / Daniel Morris.

Author/creator	Morris, Daniel, 1962-
Format	Book
Edition	1st ed.
Publication Info	Syracuse, N.Y. : Syracuse University Press, 2011.
Description	xxxi, 300 pages : illustrations ; 24 cm.
Subjects	Weegee, 1899-1968--Criticism and interpretation. Photographers--United States. --Biography. Jewish photographers--United States. --Biography. Photography--United States. --History. --20th century. Photographic criticism.

Series	Judaic traditions in literature, music, and art Judaic traditions in literature, music, and art. ^A409019
Contents	"Weegee's nation": hybridic communities and exilic identity in naked city, Weegee's people, and Weegee by Weegee -- Aestheticism, Jewish identity, and representing the other Bruce Davidson and the legacy of Aaron Siskind and the New York photo league -- Revisioning the New York school social documentary tradition image-text relations in Jim Goldberg's rich and Poor and Raised by wolves -- Pedagogy of the oppressed, diasporic memories, and postmodern memorialization in Mel Rosenthal's In the South Bronx of America -- "The backwards man" and "the Jewish giant" mirrors of traumatic memory in the late photographs of Diane Arbus -- Historical memorialization and personal memory in Lee Friedlander's self-portrait and American monument -- A living theater: constructing a countercultural history in Allen Ginsberg: photographs -- Annie Leibovitz's return to experience in A photographer's life, American music, and Annie Leibovitz at work -- Sacred space and secular concern in the photography of Tyagan Miller -- Ambivalent Jewish masculinity in Marc Asnin's Uncle Charlie.
Bibliography note	Includes bibliographical references (p. 283-291) and index.
LCCN	2011016670
ISBN	9780815609872 (cloth : alk. paper)
ISBN	0815609876 (cloth : alk. paper)

After Weegee : essays on contemporary Jewish American photographers / Daniel Morris.

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