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LEADER 02164cam 22003498a 4500

001 ocm11468211;

005 20141212090329.0;

008 841109s1987 caug b 001 0 eng ;

010 a| 84024104;

020 a| 0520053486;

035 a| (Sirsi) o11468211;

035 a| (OCoLC)11468211;

049 a| EREM;

050 00 a| ML410.M77b| T7 1987;

082 0 a| 784/.092/42| 19;

100 1 a| Tomlinson, Gary.=| ^A199089;

245 10 a| Monteverdi and the end of the Renaissance /c| Gary Tomlinson.;

300 a| xii, 280 pages ;c| 26 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliography (pages 261-270) and index.;

505 00 t| Oppositions in late-Renaissance thought: three case studies --t| The perfection of musical rhetoric --t| Youthful imitatio and the first discovery of Tasso (books I and II) --t| Wert, Tasso, and the heroic style (book III) --t| Guarini and the epigrammatic style (books III and IV) --g| Excursus 1:t| A speculative chronology of the madrigals of books IV and V --t| Guarini, Rinuccini, and the ideal of musical speech --g| Excursus 2:t| The reconciliation of dramatic and epigrammatic thetoric in the Sestina of book VI --g| The emergence of new ideals --t| Marino and the musical eclogue (book VI) --t| Marinism and the madrigal, I (book VII) --t| Marinism and the madrigal, II (developments after book VII) --t| The meeting of Petrarchan and Marinist ideals (the last opera) --g| The end of the Renaissance --t| Monteverdi and Italian culture, 1550-1700 --g| Index of Monteverdi's works and their texts.;

600 10 a| Monteverdi, Claudio,d| 1567-1643.t| Vocal music.=| ^A496904;

650 0 a| Vocal musicy| 16th centuryx| History and criticism.=| ^A31547;

650 0 a| Vocal musicy| 17th centuryx| History and criticism.=| ^A31547;

919 a| BOOK;

596 a| 3;

998 a| 275813;

999 a| ML410.M77 T7 1987w| LCc| 1i| 30372004174386d| 11/18/2016e| 11/1/2016f| 3/12/2024g| 5l| MSTm| JMUSICn| 64q| 1r| Ys| Yt| MGESBKu| 5/9/1989x| BOOKz| MCIRCo| .STAFF. 0o| .STAFF. Copy Statement : c.1;

Monteverdi and the end of the Renaissance / Gary Tomlinson.

Author/creator	Tomlinson, Gary
Format	Book
Publication Info	Berkeley : University of California Press, ©1987.
Description	xii, 280 pages ; 26 cm
Subjects	Monteverdi, Claudio, 1567-1643. Vocal music. Vocal music--16th century. --History and criticism. Vocal music--17th century. --History and criticism.

Contents	Oppositions in late-Renaissance thought: three case studies -- The perfection of musical rhetoric -- Youthful imitatio and the first discovery of Tasso (books I and II) -- Wert, Tasso, and the heroic style (book III) -- Guarini and the epigrammatic style (books III and IV) -- Excursus 1: A speculative chronology of the madrigals of books IV and V -- Guarini, Rinuccini, and the ideal of musical speech -- Excursus 2: The reconciliation of dramatic and epigrammatic thetoric in the Sestina of book VI -- The emergence of new ideals -- Marino and the musical eclogue (book VI) -- Marinism and the madrigal, I (book VII) -- Marinism and the madrigal, II (developments after book VII) -- The meeting of Petrarchan and Marinist ideals (the last opera) -- The end of the Renaissance -- Monteverdi and Italian culture, 1550-1700 -- Index of Monteverdi's works and their texts.
Bibliography note	Includes bibliography (pages 261-270) and index.
LCCN	84024104
ISBN	0520053486

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.M77 T7 1987	✔ Available	Place Hold

Monteverdi and the end of the Renaissance / Gary Tomlinson.

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