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LEADER 03843cam 2200421 i 4500

001 ocn733223924;

003 OCoLC;

005 20141212095422.0;

008 110624s2011 be ag b 001 0 eng c;

020 a| 9782503527819;

020 a| 2503527817;

035 a| (Sirsi) o733223924;

035 a| (OCoLC)733223924;

041 0 a| enga| fre;

042 a| pcc;

049 a| EREM;

050 4 a| ML1950b| .O747 2011;

082 14 a| 7802| 1;

245 04 a| The opéra-comique in the eighteenth and nineteenth centuries /c| edited by Lorenzo Frassà.;

260 a| Turnhout :b| Brepols,c| 2011.;

300 a| ix, 394 pages :b| illustrations, music ;c| 27 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Speculum musicae ;v| volume XV;

546 a| 10 essays in French, 5 in English.;

504 a| Includes bibliographical references and index.;

505 00 t| Influence et détournement du mélodrame dans le livret d'opéra-comique, des lendemains de la Révolution à la Restauration /r| Olivier Bara --t| Le Portrait de Manon de Massenet ou les miroirs du passé /r| Jean-Christophe Branger --t| Sight meets sound: fifty years of musical scenography at the Opéra-Comique /r| David Charlton --t| Zampa ou l'opéra-comique selon Hérold... /r| Alexandre Dratwicki --t| Between Opéra-Comique and Opéra-National: Scribe, Vaëz and Boisselot C1850 /r| Mark Everist --t| Gounod and opéra-comique /r| Vincent Giroud --t| A national genre in an international context: opéra-comique in nineteenth-century Europe /r| Arnold Jacobshagen --t| L'opéra-comique au XIXe siècle: un genre défini par sa législation /r| Hervé Lacombe --t| Rameau parodié dans les opéras-comiques: la notion d'auteur au risque du vaudeville /r| Raphaëlle Legrand --t| Représenter le réel à l'opera: artifices naturalistes Alfred Bruneau et Émile Zola (1891-1893) /r| Jean-Sébastian Macke --t| Albert Carré et le projet du théâtre lyrique populaire (1904) /r| Michela Niccolai --t| Contribution a la titrologie scenique parisienne: les appellations génériques au théâtre de l'Opéra-Comique de 1762 à 1972 /r| Danièle Pistone --t| Aux origines de l'opéra-comique: étude musicale du Théâtre de la Foire de Lesage et d'Orneval (1713-1734) /r| Bertrand Porot --t| Opéra-comique et variations pianistiques en France sous la Monarchie de juillet /r| Laure Schnapper --t| The directors of the Opéra-Comique (1870-1900): responsibility and opportunity /r| Lesley A. Wright.;

520 a| The subject of this book is the Opéra-comique as an art form, compositional genre, institution and production process. The volume closely examines the genre of the Opéra-comique and the great masterpieces and artists who have sustained this form of musical theatre and prevented it from falling into oblivion. The freedom given to authors in selecting the subject of their contribution has made it possible to bring together subjects that appear disparate, but which are in fact complementary and indispensable to all who wish to investigate the Opéra-comique's varying facets, and also receive a comprehensive overview. The collection of essays encompasses the heterogeneous world of institutions, traditions, works and composers that can be assimilated into the frame of Opéra-comique".;

650 0 a| Opéra comiquex| History.=| ^A1112995;

700 1 a| Frassà, Lorenzo,e| editor.=| ^A1134522;

830 0 a| Speculum musicae ;v| v. 15.=| ^A533566;

949 a| ML1950 .O747 2011o| jmpli| 30372016355171;

994 a| C0b| ERE;

596 a| 3;

998 a| 2798743;

999 a| ML1950 .O747 2011w| LCc| 1i| 30372016355171d| 2/5/2019e| 1/30/2019f| 4/9/2024g| 3l| MSTm| JMUSICn| 4q| 1r| Ys| Yt| MGESBKu| 6/15/2012x| BOOKz| MCIRCo| .STAFF. jmpl; enhanced 1/26/23 -jjab;

The opéra-comique in the eighteenth and nineteenth centuries / edited by Lorenzo Frassà.

Other author	Frassà, Lorenzo, editor.
Format	Book
Publication Info	Turnhout : Brepols, 2011.
Description	ix, 394 pages : illustrations, music ; 27 cm.
Subjects	Opéra comique--History.

Series	Speculum musicae ; volume XV Speculum musicae ; v. 15. ^A533566
Contents	Influence et détournement du mélodrame dans le livret d'opéra-comique, des lendemains de la Révolution à la Restauration / Olivier Bara -- Le Portrait de Manon de Massenet ou les miroirs du passé / Jean-Christophe Branger -- Sight meets sound: fifty years of musical scenography at the Opéra-Comique / David Charlton -- Zampa ou l'opéra-comique selon Hérold... / Alexandre Dratwicki -- Between Opéra-Comique and Opéra-National: Scribe, Vaëz and Boisselot C1850 / Mark Everist -- Gounod and opéra-comique / Vincent Giroud -- A national genre in an international context: opéra-comique in nineteenth-century Europe / Arnold Jacobshagen -- L'opéra-comique au XIXe siècle: un genre défini par sa législation / Hervé Lacombe -- Rameau parodié dans les opéras-comiques: la notion d'auteur au risque du vaudeville / Raphaëlle Legrand -- Représenter le réel à l'opera: artifices naturalistes Alfred Bruneau et Émile Zola (1891-1893) / Jean-Sébastian Macke -- Albert Carré et le projet du théâtre lyrique populaire (1904) / Michela Niccolai -- Contribution a la titrologie scenique parisienne: les appellations génériques au théâtre de l'Opéra-Comique de 1762 à 1972 / Danièle Pistone -- Aux origines de l'opéra-comique: étude musicale du Théâtre de la Foire de Lesage et d'Orneval (1713-1734) / Bertrand Porot -- Opéra-comique et variations pianistiques en France sous la Monarchie de juillet / Laure Schnapper -- The directors of the Opéra-Comique (1870-1900): responsibility and opportunity / Lesley A. Wright.
Abstract	The subject of this book is the Opéra-comique as an art form, compositional genre, institution and production process. The volume closely examines the genre of the Opéra-comique and the great masterpieces and artists who have sustained this form of musical theatre and prevented it from falling into oblivion. The freedom given to authors in selecting the subject of their contribution has made it possible to bring together subjects that appear disparate, but which are in fact complementary and indispensable to all who wish to investigate the Opéra-comique's varying facets, and also receive a comprehensive overview. The collection of essays encompasses the heterogeneous world of institutions, traditions, works and composers that can be assimilated into the frame of Opéra-comique".
Bibliography note	Includes bibliographical references and index.
Language	10 essays in French, 5 in English.
ISBN	9782503527819
ISBN	2503527817

The opéra-comique in the eighteenth and nineteenth centuries / edited by Lorenzo Frassà.

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