Tools

LEADER 02798nam 2200349 a 4500

001 ocm13095442;

005 20141212111330.0;

008 860108s1987 nbug b 001 0 eng ;

010 a| 86001262;

020 a| 0803223358 (alk. paper);

035 a| (Sirsi) o13095442;

035 a| (OCoLC)13095442;

049 a| EREM;

050 00 a| ML410.S932b| S794 1987;

082 0 a| 780/.92/42| 19;

245 00 a| Stravinsky retrospectives /c| edited by Ethan Haimo and Paul Johnson.;

300 a| xii, 203 pages :b| music ;c| 26 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references and index.;

505 00 t| Stravinsky's "fortunate continuities" and "legitimate accidents," 1882-1982 /r| William Austin --t| Stravinsky's verticals and Schoenberg's diagonals: a twist of fate /r| Milton Babbitt --t| Problems of hierarchy in Stravinsky's Octet /r| Ethan Haimo --t| Cross-collectional techniques of structure in Stravinsky's centric music /r| Paul Johnson --t| Conundrums, conjectures, construals, or, 5 vs. 3: the influence of Russian composers on Stravinsky /r| Claudio Spies --t| Sonata form in Stravinsky /r| Joseph Straus --t| Stravinsky's "rejoicing discovery" and what it meant: in defense of his notorious text setting /r| Richard Taruskin.;

520 a| Stravinsky left behind masterpieces in every major genre and worked in each of the most significant compositional styles of the twentieth century. His output was staggering, his innovations far-reaching and sometimes scandalous. This book puts the diverse achievements of this protean composer into critical and historical perspective. The contributors provide a variety of perspectives on Stravinsky's work and career. Richard Taruskin examines Stravinsky's use of text, its relation to Russian folk music, and its consequences for his rhythmic practice. Milton Babbitt vastly extends our knowledge of Stravinsky's twelve-tone procedures. Paul Johnson, Ethan Haimo, and Joseph Straus all examine Stravinsky's neoclassical works. Claudio Spies looks at the early Russian influences on Stravinsky, and William Austin provides a nuanced analysis of Stravinsky's historical importance and of recent research on his many compositions.;

600 10 a| Stravinsky, Igor,d| 1882-1971x| Criticism and interpretation.=| ^A27922;

700 1 a| Haimo, Ethan,d| 1950-e| editor.=| ^A210306;

700 1 a| Johnson, Paul,d| 1954-e| editor.=| ^A210307;

919 a| BOOK;

596 a| 3;

998 a| 291666;

999 a| ML410.S932 S794 1987w| LCc| 1i| 30372004373376d| 12/9/2021e| 11/19/2021f| 3/12/2024g| 5l| MSTm| JMUSICn| 28r| Ys| Yt| MGESBKu| 4/3/1989x| BOOKz| MCIRCo| .STAFF. enhanced 6/23/22 -jjab;

Stravinsky retrospectives / edited by Ethan Haimo and Paul Johnson.

Other author	Haimo, Ethan, 1950- editor.
Other author	Johnson, Paul, 1954- editor.
Format	Book
Publication Info	Lincoln : University of Nebraska Press, ©1987.
Description	xii, 203 pages : music ; 26 cm
Subjects	Stravinsky, Igor, 1882-1971--Criticism and interpretation.

Contents	Stravinsky's "fortunate continuities" and "legitimate accidents," 1882-1982 / William Austin -- Stravinsky's verticals and Schoenberg's diagonals: a twist of fate / Milton Babbitt -- Problems of hierarchy in Stravinsky's Octet / Ethan Haimo -- Cross-collectional techniques of structure in Stravinsky's centric music / Paul Johnson -- Conundrums, conjectures, construals, or, 5 vs. 3: the influence of Russian composers on Stravinsky / Claudio Spies -- Sonata form in Stravinsky / Joseph Straus -- Stravinsky's "rejoicing discovery" and what it meant: in defense of his notorious text setting / Richard Taruskin.
Abstract	Stravinsky left behind masterpieces in every major genre and worked in each of the most significant compositional styles of the twentieth century. His output was staggering, his innovations far-reaching and sometimes scandalous. This book puts the diverse achievements of this protean composer into critical and historical perspective. The contributors provide a variety of perspectives on Stravinsky's work and career. Richard Taruskin examines Stravinsky's use of text, its relation to Russian folk music, and its consequences for his rhythmic practice. Milton Babbitt vastly extends our knowledge of Stravinsky's twelve-tone procedures. Paul Johnson, Ethan Haimo, and Joseph Straus all examine Stravinsky's neoclassical works. Claudio Spies looks at the early Russian influences on Stravinsky, and William Austin provides a nuanced analysis of Stravinsky's historical importance and of recent research on his many compositions.
Bibliography note	Includes bibliographical references and index.
LCCN	86001262
ISBN	0803223358 (alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.S932 S794 1987	✔ Available	Place Hold

Stravinsky retrospectives / edited by Ethan Haimo and Paul Johnson.

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