Tools

LEADER 03429cam 22004338a 4500

001 ocm13902682;

005 20141212025613.0;

008 860703s1987 nyug b 000 0 eng ;

010 a| 86018645;

020 a| 0028732200 (set);

020 a| 0028732219 (v. 1);

020 a| 0028732227 (v. 2);

035 a| (Sirsi) o13902682;

035 a| (OCoLC)13902682;

049 a| EREM;

050 00 a| MT55b| .S2413 1987;

082 0 a| 781.4/22| 19;

100 1 a| Schenker, Heinrich,d| 1868-1935.=| ^A30018;

240 10 a| Kontrapunkt.l| English=| ^A615839;

245 10 a| Counterpoint :b| a translation of Kontrapunkt /c| by Heinrich Schenker ; translated by John Rothgeb and Jürgen Thym ; edited by John Rothgeb.;

300 a| 2 volumes :b| music ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| "Volume II of New musical theories and fantasies.";

504 a| Includes bibliographical references.;

505 0 a| bk. 1. Cantus firmus and two-voice counterpoint. Introduction ; Part one. The cantus firmus as the foundation of contrapuntal studies. Conditions and limitations of the cantus firmus in general -- The structure of the cantus firmus in particular -- Part two. Two-voice counterpoint. The first species: note against note -- The second species: two notes against one -- The third species: four notes against one -- The fourth species: syncopation -- The fifth species: mixture of the preceding species.;

505 0 a| bk. 2. Counterpoint in three and more voices, Bridges to free composition. Part three. Three-voice counterpoint. The first species: note against note -- The second species: two notes against one -- The third species: four notes against one -- The fourth species: syncopation -- The fifth species: mixture of the preceding species -- Part four. Four-voice counterpoint. The first species: note against note -- The second species: two notes against one -- The third species: four notes against one -- The fourth species: syncopation -- The fifth species: mixed counterpoint -- Part five. Five-, six-, seven-, and eight-voice counterpoint. Part six. Bridges to free composition. The combinations of two or three counterpoints of the second species -- Incorporation of the third species -- Incorporation of the syncopated species into the combination -- Incorporation of the fifth species into the combinations.;

520 a| The definitive English edition of Schenker's foundational work on strict counterpoint and voice leading. This two-volume set covers cantus firmus, two-voice, and multi-voice, acting as a bridge to his theory of free composition.;

650 0 a| Counterpoint.=| ^A16572;

700 1 a| Rothgeb, John,e| editor,e| translator.=| ^A132532;

700 1 a| Thym, Jürgen,d| 1943-e| translator.=| ^A663930;

919 a| BOOK;

596 a| 3;

998 a| 305980;

999 a| MT55 .S2413 1987 BK. 1w| LCc| 1i| 30372004593940d| 4/16/2026e| 5/15/2025f| 7/23/2024g| 4l| MCOSm| JMUSICn| 26q| 3r| Ys| Yt| MCOSBKu| 1/20/1989x| BOOKz| MCIRCo| .STAFF. enhanced 5/13/26 -jjabo| .STAFF. Copy Statement : Bk. 1 c.1;

999 a| MT55 .S2413 1987 BK. 2w| LCc| 1i| 30372004593957d| 4/16/2026e| 5/15/2025f| 7/23/2024g| 4l| MCOSm| JMUSICn| 22q| 3r| Ys| Yt| MCOSBKu| 1/20/1989x| BOOKz| MCIRCo| .STAFF. enhanced 5/13/26 -jjabo| .STAFF. Copy Statement : Bk. 2 c.1;

Counterpoint : a translation of Kontrapunkt / by Heinrich Schenker ; translated by John Rothgeb and Jürgen Thym ; edited by John Rothgeb.

Author/creator	Schenker, Heinrich
Other author	Rothgeb, John, editor, translator.
Other author	Thym, Jürgen, 1943- translator.
Format	Book
Publication Info	New York : Schirmer Books ; London : Collier Macmillan, ©1987.
Description	2 volumes : music ; 25 cm
Subjects	Counterpoint.

Uniform title	Kontrapunkt. English
Contents	bk. 1. Cantus firmus and two-voice counterpoint. Introduction ; Part one. The cantus firmus as the foundation of contrapuntal studies. Conditions and limitations of the cantus firmus in general -- The structure of the cantus firmus in particular -- Part two. Two-voice counterpoint. The first species: note against note -- The second species: two notes against one -- The third species: four notes against one -- The fourth species: syncopation -- The fifth species: mixture of the preceding species.
Contents	bk. 2. Counterpoint in three and more voices, Bridges to free composition. Part three. Three-voice counterpoint. The first species: note against note -- The second species: two notes against one -- The third species: four notes against one -- The fourth species: syncopation -- The fifth species: mixture of the preceding species -- Part four. Four-voice counterpoint. The first species: note against note -- The second species: two notes against one -- The third species: four notes against one -- The fourth species: syncopation -- The fifth species: mixed counterpoint -- Part five. Five-, six-, seven-, and eight-voice counterpoint. Part six. Bridges to free composition. The combinations of two or three counterpoints of the second species -- Incorporation of the third species -- Incorporation of the syncopated species into the combination -- Incorporation of the fifth species into the combinations.
Abstract	The definitive English edition of Schenker's foundational work on strict counterpoint and voice leading. This two-volume set covers cantus firmus, two-voice, and multi-voice, acting as a bridge to his theory of free composition.
General note	"Volume II of New musical theories and fantasies."
Bibliography note	Includes bibliographical references.
LCCN	86018645
ISBN	0028732200 (set)
ISBN	0028732219 (v. 1)
ISBN	0028732227 (v. 2)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Course Reference	MT55 .S2413 1987 BK. 1	✔ Available
Music	Course Reference	MT55 .S2413 1987 BK. 2	✔ Available

Counterpoint : a translation of Kontrapunkt / by Heinrich Schenker ; translated by John Rothgeb and Jürgen Thym ; edited by John Rothgeb.

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