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001 ocn714301813;

003 OCoLC;

005 20141212031408.0;

008 110817s2011 ilua b 001 0beng c;

010 a| 2011034930;

016 7 a| 0158686112| Uk;

020 a| 9780226280554 (hardcover : alkaline paper);

020 a| 0226280551 (hardcover : alkaline paper);

024 8 a| 99946450324;

029 1 a| AU@b| 000047661635;

035 a| (Sirsi) o714301813;

035 a| (OCoLC)714301813;

041 1 a| engh| fre;

042 a| pcc;

043 a| e-fr---;

049 a| EREE;

050 00 a| NC980.5.R43b| G3513 2011;

082 00 a| 759.4092a| B2| 23;

100 1 a| Gamboni, Dario.=| ^A391888;

240 10 a| Plume et le pinceau.l| English=| ^A1121501;

245 14 a| The Brush and the Pen :b| Odilon Redon and Literature /c| DARIO GAMBONI ; translated by Mary Whittall.;

260 a| Chicago :b| University of Chicago Press,c| [2011];

300 a| xxi, 401 pages :b| illustrations ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references and index.;

505 0 a| The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism -- The primacy of admirers and the limits of recognition -- Redon in the arena of criticism -- Avowals, denials, and polemics -- The brush takes up the pen: the late writings -- New views of art, literature, and criticism -- Friends and foes: the pen and the brush -- A posthumous triumph -- Family quarrels -- A fin-de-siècle crisis in artist-writer relations -- The rise of formalism and the complicity of adversaries.;

600 10 a| Redon, Odilon,d| 1840-1916x| Criticism and interpretation.=| ^A69258;

650 0 a| Ut pictura poesis (Aesthetics)=| ^A86042;

600 10 a| Huysmans, J.-K.q| (Joris-Karl),d| 1848-1907.=| ^A18665;

949 a| NC980.5.R43 G3513 2011h| JOYNER48o| jmpli| 30372016393339;

938 a| YBP Library Servicesb| YANKn| 4197220;

938 a| Blackwell Book Serviceb| BBUSn| 4197220;

938 a| Coutts Information Servicesb| COUTn| 17609814;

938 a| Brodartb| BRODn| 13123319c| $65.00;

994 a| C0b| ERE;

596 a| 1;

998 a| 3087400;

999 a| NC980.5.R43 G3513 2011w| LCc| 1i| 30372016393339d| 8/18/2022e| 8/27/2012l| JGESm| JOYNERq| 1r| Ys| Yt| JGESBKu| 8/17/2012x| BOOKz| JSTACKSo| .STAFF. jmpl;

The Brush and the Pen : Odilon Redon and Literature / DARIO GAMBONI ; translated by Mary Whittall.

Author/creator	Gamboni, Dario
Format	Book
Publication Info	Chicago : University of Chicago Press, [2011]
Description	xxi, 401 pages : illustrations ; 24 cm
Subjects	Redon, Odilon, 1840-1916--Criticism and interpretation. Huysmans, J.-K. (Joris-Karl), 1848-1907. Illustration of books--France. --19th century. --Themes, motives. Ut pictura poesis (Aesthetics)

Uniform title	Plume et le pinceau. English
Contents	The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism -- The primacy of admirers and the limits of recognition -- Redon in the arena of criticism -- Avowals, denials, and polemics -- The brush takes up the pen: the late writings -- New views of art, literature, and criticism -- Friends and foes: the pen and the brush -- A posthumous triumph -- Family quarrels -- A fin-de-siècle crisis in artist-writer relations -- The rise of formalism and the complicity of adversaries.
Bibliography note	Includes bibliographical references and index.
LCCN	2011034930
ISBN	9780226280554 (hardcover : alkaline paper)
ISBN	0226280551 (hardcover : alkaline paper)
Standard identifier#	99946450324

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Joyner	General Stacks	NC980.5.R43 G3513 2011	✔ Available	Place Hold

The Brush and the Pen : Odilon Redon and Literature / DARIO GAMBONI ; translated by Mary Whittall.

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