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003 OCoLC;

005 20141212062315.0;

008 130729s2013 miua b s001 0 eng ;

010 a| 2013026614;

016 7 a| 0165426162| Uk;

019 a| 844308417;

020 a| 9780472072040 (cloth : alk. paper);

020 a| 0472072048 (cloth : alk. paper);

020 a| 9780472052042 (pbk. : alk. paper);

020 a| 0472052047 (pbk. : alk. paper);

020 z| 9780472029686 (e-book);

024 8 a| 40022949441;

035 a| (Sirsi) 99956364585;

035 a| (OCoLC)844308402z| (OCoLC)844308417;

042 a| pcc;

043 a| n-us---;

049 a| EREE;

050 00 a| PN1696b| .S65 2013;

082 00 a| 792.012| 23;

100 1 a| Sofer, Andrew,d| 1964-=| ^A540825;

245 10 a| Dark matter :b| invisibility in drama, theater, and performance /c| Andrew Sofer.;

264 1 a| Ann Arbor :b| The University of Michigan Press,c| [2013];

300 a| x, 229 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Theater: theory/text/performance;

504 a| Includes bibliographical references (pages 147-199) and index.;

505 0 a| How to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage.;

650 0 a| Offstage action (Drama)=| ^A251659;

650 0 a| Presence (Philosophy)=| ^A1181501;

650 0 a| English dramax| History and criticism.=| ^A32251;

650 0 a| American dramax| History and criticism.=| ^A71537;

650 7 a| American drama.2| fast0| (OCoLC)fst00806998;

650 7 a| English drama.2| fast0| (OCoLC)fst00910737;

650 7 a| Offstage action (Drama)2| fast0| (OCoLC)fst01044445;

650 7 a| Presence (Philosophy)2| fast0| (OCoLC)fst01895054;

655 7 a| Criticism, interpretation, etc.2| fast0| (OCoLC)fst01411635;

830 0 a| Theater--theory/text/performance.=| ^A271259;

938 a| YBP Library Servicesb| YANKn| 10727543;

938 a| Baker and Taylorb| BTCPn| BK0013334759;

938 a| Erasmus Boekhandelb| ERAAn| NTS0000160173;

938 a| Brodartb| BRODn| 107048280;

938 a| Coutts Information Servicesb| COUTn| 25496267;

949 a| PN1696 .S65 2013h| joyner48i| 30372016154640o| jrmd;

994 a| C0b| ERE;

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999 a| PN1696 .S65 2013w| LCc| 1i| 30372016154640d| 5/29/2014e| 3/3/2014l| JGESm| JOYNERr| Ys| Yt| JGESBKu| 2/14/2014x| BOOKz| JSTACKSo| .STAFF. jrmd;

Dark matter : invisibility in drama, theater, and performance / Andrew Sofer.

Author/creator	Sofer, Andrew, 1964-
Format	Book
Publication	Ann Arbor : The University of Michigan Press, [2013]
Copyright Date	©2013
Description	x, 229 pages : illustrations ; 24 cm.
Subjects	Offstage action (Drama) Presence (Philosophy) English drama--History and criticism. American drama--History and criticism.

Series	Theater: theory/text/performance Theater--theory/text/performance. ^A271259
Contents	How to do things with demons: conjuring performatives in Doctor Faustus -- Quantum mechanicals: desiring bottom in A midsummer night's dream -- Unmasking women: The rover and sexual signification on the Restoration stage -- Unbecoming acts: power, performance, and the self-consuming body in Tennessee Williams's Suddenly last summer -- Bugs in the mind: The archbishop's ceiling and Arthur Miller's prismatic drama -- Invisible wounds: rehearsing trauma on the contemporary stage.
Bibliography note	Includes bibliographical references (pages 147-199) and index.
Genre/form	Criticism, interpretation, etc.
LCCN	2013026614
ISBN	9780472072040 (cloth : alk. paper)
ISBN	0472072048 (cloth : alk. paper)
ISBN	9780472052042 (pbk. : alk. paper)
ISBN	0472052047 (pbk. : alk. paper)
Standard identifier#	40022949441

Dark matter : invisibility in drama, theater, and performance / Andrew Sofer.

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