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LEADER 03485cam 22004574a 4500

001 ocn696100060;

003 OCoLC;

005 20141212064752.0;

008 110726s2012 inuafg b 001 0deng ;

010 a| 2011031951;

020 a| 9780253357052 (cloth : alk. paper);

020 a| 0253357055 (cloth : alk. paper);

020 a| 9780253005250 (e-book);

020 a| 0253005256 (e-book);

035 a| (Sirsi) o696100060;

035 a| (OCoLC)696100060;

042 a| pcc;

049 a| EREM;

050 00 a| ML410.B8b| E77 2012;

082 00 a| 780.922| 23;

090 a| ML410.B8b| E77 2012;

245 00 a| Expressive intersections in Brahms :b| essays in analysis and meaning /c| edited by Heather Platt and Peter H. Smith.;

300 a| viii, 305 pages, 2 unnumbered pages of plates :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| unspecified2| rdacarrier;

490 1 a| Musical meaning and interpretation;

504 a| Includes bibliographical references (pages 291-296) and indexes.;

505 00 g| Part 1.t| "The wondrous transformation of thought into sound": some preliminary reflections on musical meaning in Brahms /r| Heather Platt and Peter H. Smith --t| The learned self: artifice in Brahms's late intermezzi /r| Steven Rings --g| Part 2.t| "Alte liebe" and the birds of spring: text, music, and image in Max Klinger's Brahms Fantasy /r| Yonatan Malin --t| Brahms's Madchenlieder and their cultural context /r| Heather Platt --t| Ancient tragedy and anachronism: form as expression in Brahms's Gesang der Parzen /r| Margaret Notley --g| Part 3.t| Sequence as expressive culmination in the chamber music of Brahms /r| Ryan McClelland --t| "Phantasia subitanea": temporal caprice in Brahms's op. 116, nos. 1 and 7 /r| Frank Samarotto --t| Monumentality and formal processes in the first movement of Brahms's piano concerto no. 1 in D minor, op. 15 /r| James Hepokoski --t| The drama of tonal pairing in chamber music of Schumann and Brahms /r| Peter H. Smith.;

520 a| Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms's most "absolute" works.;

600 10 a| Brahms, Johannes,d| 1833-1897x| Criticism and interpretation.=| ^A22262;

700 1 a| Platt, Heather Anne,e| editor.=| ^A561050;

700 1 a| Smith, Peter Howard,e| editor.=| ^A601700;

830 0 a| Musical meaning and interpretation.=| ^A589150;

949 a| ML410.B8 E77 2012h| JMUSIC53i| 30372016106707o| jbhl;

994 a| C0b| ERE;

596 a| 3;

998 a| 3467428;

999 a| ML410.B8 E77 2012w| LCc| 1i| 30372016106707d| 12/11/2019e| 10/7/2019f| 2/28/2024g| 5l| MSTm| JMUSICn| 10q| 2r| Ys| Yt| MGESBKu| 6/3/2014x| BOOKz| MCIRCo| .STAFF. jbhl; enhanced 6/4/21 -jjab;

Expressive intersections in Brahms : essays in analysis and meaning / edited by Heather Platt and Peter H. Smith.

Other author	Platt, Heather Anne, editor.
Other author	Smith, Peter Howard, editor.
Format	Book
Publication Info	Bloomington : Indiana University Press, ©2012.
Description	viii, 305 pages, 2 unnumbered pages of plates : illustrations, music ; 24 cm.
Subjects	Brahms, Johannes, 1833-1897--Criticism and interpretation.

Series	Musical meaning and interpretation Musical meaning and interpretation. ^A589150
Contents	Part 1. "The wondrous transformation of thought into sound": some preliminary reflections on musical meaning in Brahms / Heather Platt and Peter H. Smith -- The learned self: artifice in Brahms's late intermezzi / Steven Rings -- Part 2. "Alte liebe" and the birds of spring: text, music, and image in Max Klinger's Brahms Fantasy / Yonatan Malin -- Brahms's Madchenlieder and their cultural context / Heather Platt -- Ancient tragedy and anachronism: form as expression in Brahms's Gesang der Parzen / Margaret Notley -- Part 3. Sequence as expressive culmination in the chamber music of Brahms / Ryan McClelland -- "Phantasia subitanea": temporal caprice in Brahms's op. 116, nos. 1 and 7 / Frank Samarotto -- Monumentality and formal processes in the first movement of Brahms's piano concerto no. 1 in D minor, op. 15 / James Hepokoski -- The drama of tonal pairing in chamber music of Schumann and Brahms / Peter H. Smith.
Abstract	Contributors to this exciting new volume examine the intersection of structure and meaning in Brahms's music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms's most "absolute" works.
Bibliography note	Includes bibliographical references (pages 291-296) and indexes.
LCCN	2011031951
ISBN	9780253357052 (cloth : alk. paper)
ISBN	0253357055 (cloth : alk. paper)
ISBN	9780253005250 (e-book)
ISBN	0253005256 (e-book)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.B8 E77 2012	✔ Available	Place Hold

Expressive intersections in Brahms : essays in analysis and meaning / edited by Heather Platt and Peter H. Smith.

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