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001 ocn741683751;

003 OCoLC;

005 20141212065220.0;

008 110802s2011 nyua bkq 001 0deng d;

010 a| 2011477463;

019 a| 657602690a| 657604828;

020 a| 9780826423320 (pbk.);

020 a| 0826423329 (pbk.);

020 a| 9780826440754 (hbk.);

020 a| 0826440754 (hbk.);

035 a| (Sirsi) o741683751;

035 a| (OCoLC)741683751z| (OCoLC)657602690z| (OCoLC)657604828;

049 a| EREM;

050 00 a| ML3534.H43b| B48 2011;

082 0 a| 780;

100 1 a| Hegarty, Paul,d| 1967-=| ^A716715;

245 10 a| Beyond and before :b| progressive rock since the 1960s /c| Paul Hegarty and Martin Halliwell.;

246 30 a| Progressive rock since the 1960s;

260 a| New York :b| Continuum,c| 2011.;

300 a| x, 318 pages :b| illustrations ;c| 23 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 299-304), discography (pages 291-297), videography (page 298), and index.;

505 0 a| Introduction: Progressive rock since the 1960s -- Part 1: Before and during. Extended form ; The roots of progressive rock ; Out of the garden ; The concept album ; Myth and modernity ; Progressive fusion ; Performance and visuality -- Part 2: Beyond. Social critique ; Responses to punk ; Neo-progressive ; The female voice ; Post-progressive ; The return of folk ; The metal progression ; The future now.;

520 a| This book argues that progressive rock is the most concentrated expansion of form in the history of popular music. The book traces the ways in which folk, blues, jazz, psychedelia and classical music of the 1960s were drawn together by progressive musicians, against a backdrop of technological innovation. Progressive bands of the early- to mid-1970s featured complex instrumentation, extended tracks, and album-length concepts. But rather than pigeonholing progressive rock, the authors explain its diverse roots and argue that a fusion of musical styles and approaches defined the 1970s even after the assault of punk. These connections are grounded by close analysis of albums and key tracks, and an examination of performance and cultural contexts. The authors show that "progression" underpins many subgenres of rock, including major progressive albums and bands of the 1970s, alongside neo- and post-progressive musicians from the 1980s to the 2000s. Featuring artists as diverse as Marillion, Kate Bush, Talk Talk, Radiohead, The Mars Volta, Porcupine Tree and Midlake, this book is ideal reading for anyone interested in the history and meaning of progressive rock in all its forms.;

650 0 a| Progressive rock musicx| History and criticism.=| ^A851270;

650 0 a| Rock musicx| History and criticism.=| ^A85201;

700 1 a| Halliwell, Martin.=| ^A513757;

949 o| jjnb;

994 a| C0b| ERE;

596 a| 3;

998 a| 3471721;

999 a| ML3534.H43 B48 2011w| LCc| 1i| 30372016409085d| 7/16/2014f| 4/11/2024g| 3l| MSTm| JMUSICr| Ys| Yt| MGESBKu| 6/9/2014x| BOOKz| MCIRCo| .STAFF. jjnb; enhanced 10/4/23 -jjab;

Beyond and before : progressive rock since the 1960s / Paul Hegarty and Martin Halliwell.

Author/creator	Hegarty, Paul, 1967-
Other author	Halliwell, Martin.
Format	Book
Publication Info	New York : Continuum, 2011.
Description	x, 318 pages : illustrations ; 23 cm
Subjects	Progressive rock music--History and criticism. Rock music--History and criticism.

Portion of title	Progressive rock since the 1960s
Contents	Introduction: Progressive rock since the 1960s -- Part 1: Before and during. Extended form ; The roots of progressive rock ; Out of the garden ; The concept album ; Myth and modernity ; Progressive fusion ; Performance and visuality -- Part 2: Beyond. Social critique ; Responses to punk ; Neo-progressive ; The female voice ; Post-progressive ; The return of folk ; The metal progression ; The future now.
Abstract	This book argues that progressive rock is the most concentrated expansion of form in the history of popular music. The book traces the ways in which folk, blues, jazz, psychedelia and classical music of the 1960s were drawn together by progressive musicians, against a backdrop of technological innovation. Progressive bands of the early- to mid-1970s featured complex instrumentation, extended tracks, and album-length concepts. But rather than pigeonholing progressive rock, the authors explain its diverse roots and argue that a fusion of musical styles and approaches defined the 1970s even after the assault of punk. These connections are grounded by close analysis of albums and key tracks, and an examination of performance and cultural contexts. The authors show that "progression" underpins many subgenres of rock, including major progressive albums and bands of the 1970s, alongside neo- and post-progressive musicians from the 1980s to the 2000s. Featuring artists as diverse as Marillion, Kate Bush, Talk Talk, Radiohead, The Mars Volta, Porcupine Tree and Midlake, this book is ideal reading for anyone interested in the history and meaning of progressive rock in all its forms.
Bibliography note	Includes bibliographical references (pages 299-304), discography (pages 291-297), videography (page 298), and index.
LCCN	2011477463
ISBN	9780826423320 (pbk.)
ISBN	0826423329 (pbk.)
ISBN	9780826440754 (hbk.)
ISBN	0826440754 (hbk.)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3534.H43 B48 2011	✔ Available	Place Hold

Beyond and before : progressive rock since the 1960s / Paul Hegarty and Martin Halliwell.

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