Symphonia : a critical edition of the Symphonia armonie celestium revelationum (Symphony of the harmony of celestial revelations) / Saint Hildegard of Bingen ; with introduction, translations, and commentary by Barbara Newman.
| Author/creator | Hildegard |
| Other author | Newman, Barbara, 1953- translator, writer of introduction. |
| Format | Book |
| Publication Info | Ithaca : Cornell University Press, 1988. |
| Description | xiv, 330 pages : music, facsimiles ; 22 cm. |
| Subjects |
| Uniform title | Symphonia armonie celestium revelationum |
| Series | Cornell paperbacks Cornell paperbacks. ^A770796 |
| Contents | Preface -- Introduction. Biographical sketch ; Composition and dating of the Symphonia ; The Symphonia in the monastic liturgy ; Aesthetics and theology of music ; Musical style and performance ; Poetic style ; Themes of the Symphonia ; The manuscripts and the order of songs ; The text and translations -- List of manuscripts -- Order of songs in the manuscripts -- Appendix: The Symphonia and the "Epilogue to the life of Saint Rupert" -- Music and text in Hildegard's Antiphons / by Marianne Richert Pfau -- Symphonia armonie celestium revelationum, text and translations -- I. Father and son. O vis eternitatis ; O virtus Sapienrie ; O quam mirabilis ; O pastor ammarum ; O cruor sanguims ; O magne Pater ; O eterne Deus -- II. Mother and son. Ave Maria ; O clarissima mater ; O splendidissima gemma ; Hodie aperuit ; Quia ergo femina ; Cum processit factura ; Cum erubuerint ; O frondens virga ; O quam magnum miraculum ; Ave generosa ; O virga mediatrix ; O viridissima virga ; O virga ac diadema ; O tu suavissima virga ; O quam preciosa ; O tu illustrata -- III. The Holy Spirit. Spiritus sanctus vivificans vita ; Karitas habundat ; Laus Trinitati ; O ignee Spiritus ; O ignis Spiritus Paracliti -- IV. The celestial hierarchy. O gloriosissimi lux vivens angeli ; O vos angeli ; O spectabiles viri ; O vos felices radices ; O cohors milicie floris ; O lucidissima apostolorum turba ; O speculum columbe ; O dulcis electe ; O victoriosissimi triumphatores ; Vos flores rosarum ; O vos imitatores ; O successores -- V. Patron Saints. O mirum admirandum ; O viriditas digiti Dei ; O felix anima ; O beata infantia ; O presul vere civitads ; O felix apparicio ; O beatissime Ruperte ; Quia felix puericia ; O lerusalem ; Mathias sanctus ; O Bonifaci ; O Euchari columba ; O Euchari in leta via ; Columba aspexit -- VI. Virgins, widows, and innocents. O pulcre fades ; O nobilissima viriditas ; O dulcissime amator ; O Pater omnium ; Rex noster promptus -- VII. Saint Ursula and companions. Spiritui sancto ; O rubor sanguinis ; Favus distillans ; Antiphons for Matins (Studium divinitatis, Unde quocumque, De patria, Deus enim in prima, Aer enim volat, Et ideo puelle, Deus enim rorem, Sed diabolus) ; O Ecclesia ; Cum vox sanguinis -- VIII. Ecclesia. O virgo Ecclesia ; Nunc gaudeant ; O orzchis Ecclesia ; O choruscans lux stellarum -- Four songs without music. O Verbum Patris ; O Fili dilectissime ; O factura Dei ; O magna res -- Commentary -- Bibliography -- Discography. |
| Abstract | Famous throughout Europe during her lifetime, Hildegard of Bingen (1098-1179) was by any standards a remarkably gifted woman: a composer and poet, she was also a writer on scientific, medical, and theological subjects, an abbess, a visionary prophet, and a saint of the Roman Catholic Church. One of the relatively few female writers and even fewer female composers of the Middle Ages whose work has survived to the present, Hildegard was neglected for centuries after her death. Recently, however, her liturgical song cycle Symphonia armonie celestium revelationum (Symphony of the harmony of celestial revelations) has been rediscovered, and pieces from it have been performed by several early music groups. Barbara Newman here provides both literal prose translations and sensitive verse renditions of the songs in the cycle, along with a new edition of the original Latin texts. Newman's introduction and commentary provide information on Hildegard's life and on such subjects as the dating of the Symphonia, the theology of music and its use in the monastic liturgy in the twelfth century, medieval music performance, and poetic styles of the period. Of special interest is an essay by Marianne Richert Pfau which delineates the connection between music and text in the Symphonia. This edition of the Symphonia will make Hildegard's work readily accessible to all readers interested in medieval poetry, early music, and the lives of medieval women, as well as to scholars concerned with poetry, musicology, religion, and women's history. |
| General note | English and Latin. |
| Bibliography note | Includes bibliographical references (pages 321-327). |
| Bibliography note | Discography: pages 329-330. |
| LCCN | 88047739 |
| ISBN | 0801420091 (alk. paper) |
| ISBN | 9780801420092 (alk. paper) |
| ISBN | 0801495148 (pbk. : alk. paper) |
| ISBN | 9780801495144 (pbk. ; alk. paper) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Closed Stacks - Ask at Circulation Desk | BV469.H534 S9513 1988 | ✔ Available | Place Hold |