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LEADER 02637cam 2200445 i 4500

001 ocn828626849;

003 OCoLC;

005 20141212071005.0;

008 130214s2013 nyua b 001 0 eng ;

010 a| 2013006430;

019 a| 874898116;

020 a| 9780199915088 (hardback : alk. paper);

020 a| 0199915083 (hardback : alk. paper);

024 8 a| 40023414853;

029 1 a| ZWZb| 177207493;

035 a| (Sirsi) o828626849;

035 a| (OCoLC)828626849z| (OCoLC)874898116;

042 a| pcc;

043 a| e------;

049 a| EREM;

050 00 a| ML172b| .P68 2013;

082 00 a| 782.4/309409022| 23;

100 1 a| Plumley, Yolanda,d| 1962-e| author.=| ^A1185081;

245 14 a| The art of grafted song :b| citation and allusion in the age of Machaut /c| Yolanda Plumley.;

264 1 a| New York :b| Oxford University Press,c| [2013];

300 a| xxiv, 460 pages :b| illustrations ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 423-440) and indexes.;

505 00 g| Part I.t| Citation, genre, and experiments in song in the early fourteenth century.t| Cantilena entata: etymologies and the grafted song ca. 1300 --t| Grafting song in Paris: the lyric works of Jehannot de Lescurel --t| Experiemntal song-writing in the Roman de Fauvel --g| Part II.t| Performing citation in court and city: the rise of the fixed forms.t| Performing nonsense at court: Watriquet de Couvin's fastras --t| Citation and ritual at the Puys of Valenciennes and Paris --t| Jehan de Le Mote and the rise of the ballade --t| Citing the classics: mythological ballads by Le Mote, Vitry, and Compion --g| Part III.t| Machaut and the art of grafted song.t| Machaut's heritage: tracing citations in his lyrics and songs --t| Self-citation and lyric process in la loange des dames --t| The dynamics of duplication: staging debate in machaut's voir dit.;

520 a| The author explores the penchant for borrowing in chansons and lyrics from 14th-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric.;

650 0 a| Musicz| Europey| 500-1400x| History and criticism.=| ^A219092;

650 0 a| Quotation in music.=| ^A539251;

949 o| jjnb;

994 a| C0b| ERE;

596 a| 3;

998 a| 3492561;

999 a| ML172 .P68 2013w| LCc| 1i| 30372016113349d| 12/12/2021e| 12/6/2021f| 2/25/2024g| 3l| MSTm| JMUSICn| 8q| 3r| Ys| Yt| MGESSCu| 7/2/2014x| SCOREz| MCIRCo| .STAFF. jjnb;

The art of grafted song : citation and allusion in the age of Machaut / Yolanda Plumley.

Author/creator	Plumley, Yolanda, 1962- author.
Format	Book
Publication	New York : Oxford University Press, [2013]
Description	xxiv, 460 pages : illustrations ; 25 cm
Subjects	Music--Europe. --500-1400. --History and criticism. Quotation in music.

Contents	Part I. Citation, genre, and experiments in song in the early fourteenth century. Cantilena entata: etymologies and the grafted song ca. 1300 -- Grafting song in Paris: the lyric works of Jehannot de Lescurel -- Experiemntal song-writing in the Roman de Fauvel -- Part II. Performing citation in court and city: the rise of the fixed forms. Performing nonsense at court: Watriquet de Couvin's fastras -- Citation and ritual at the Puys of Valenciennes and Paris -- Jehan de Le Mote and the rise of the ballade -- Citing the classics: mythological ballads by Le Mote, Vitry, and Compion -- Part III. Machaut and the art of grafted song. Machaut's heritage: tracing citations in his lyrics and songs -- Self-citation and lyric process in la loange des dames -- The dynamics of duplication: staging debate in machaut's voir dit.
Abstract	The author explores the penchant for borrowing in chansons and lyrics from 14th-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric.
Bibliography note	Includes bibliographical references (pages 423-440) and indexes.
LCCN	2013006430
ISBN	9780199915088 (hardback : alk. paper)
ISBN	0199915083 (hardback : alk. paper)
Standard identifier#	40023414853

The art of grafted song : citation and allusion in the age of Machaut / Yolanda Plumley.

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