Richard Strauss, Salome / edited by Derrick Puffett.

Other author Puffett, Derrick, editor.
Format Book
Publication InfoCambridge ; New York : Cambridge University Press, 1989.
Descriptionix, 211 pages : illustrations ; 23 cm.
Subjects

SeriesCambridge opera handbooks
Cambridge opera handbooks. ^A127792
Contents Salome in literary tradition / Mario Praz -- Overtures to Wilde's Salomé / Richard Ellmann -- Strauss as librettist / Roland Tenschert, with a postscript by the editor -- Synopsis -- Salome as music drama -- Tonal and dramatic structure / Tethys Carpenter -- Salome's final monologue / Craig Ayrey -- Critical reception / John Williamson -- Salome: art or kitsch? / Robin Holloway.
Abstract This full-length study of Salome is the first in English since Lawrence Gilman's introductory guide of 1907. The book presents an informative collection of historical, analytical and critical studies of one of Strauss's most familiar operas. Classic essays by Mario Praz and Richard Ellmann cover the literary background. How Strauss adapted Wilde's play for his libretto is discussed by Roland Tenschert in a fascinating essay which has been updated by Derrick Puffett. In three central analytical chapters, Derrick Puffett considers Salome in relation to Wagnerian music drama, Tethys Carpenter examines its tonal and dramatic structure, and Craig Ayrey analyses the final monologue. The last part of the book moves from analysis to criticism, with a review by John Williamson of the opera's critical reception and an interpretative essay by Robin Holloway. The book also contains a synopsis, bibliography and discography; Strauss's little-known scenario for the Dance of the Seven Veils is reprinted as an appendix.
Bibliography noteIncludes bibliographical references (pages 197-201) and index.
Bibliography note"Discography [by] Malcolm Walker": pages 202-205.
LCCN 89000500
ISBN0521351723
ISBN0521359708 (pbk.)

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML410.S93 R52 1989 ✔ Available Place Hold