Tools

LEADER 03428cam 2200445 a 4500

001 ocm20393694;

005 20141212075707.0;

008 890907s1990 ncua b 001 0 eng ;

010 a| 89023650;

020 a| 0822310090 (alk. paper);

035 a| (Sirsi) o20393694;

035 a| (OCoLC)20393694;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML410.B13b| B87 1990;

082 00 a| 786.52| 20;

100 1 a| Butler, Gregory.=| ^A256461;

245 10 a| Bach's Clavier-übung III :b| the making of a print : with a companion study of the Canonic variations on 'Vom Himmel Hoch' BWV 769 /c| Gregory Butler.;

246 3 a| Bach's Clavier-übung 3.;

260 a| Durham :b| Duke University Press,c| 1990.;

300 a| xiv, 139 pages :b| illustrations, music ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Sources of music and their interpretation;

504 a| Includes bibliographical references (pages 133-135) and index.;

520 a| In his study of Bach's Clavier-Ubung III, the author makes a major contribution to organ music and Bach studies by giving to original printed copies of this work the kind of attention normally reserved for manuscripts. He details the work's chronology, production, aim, and even spiritual program, treating the prints as unique documents with discernible variants and readings. The need to examine early printed copies of music is being recognized as an important tool which can reveal as much as the study of early manuscripts. Composers themselves frequently took a major role in the preparation of the engraving. Clavier-Ubung III, arguably the most carefully planned, intellectually conceived, and challenging volume of organ music ever published, is a particularly useful example of Bach's printed works known chiefly from the print itself. The print is richer in information than any of the other original prints of Bach's music, making it a distinctly suitable repertory for the author's innovative treatment. Butler reveals fascinating new information on the genesis and history of the collection's composition, finding, in part, that sections of the work were composed considerably earlier than previously was believed.;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.t| Verschiedene Vorspiele über die Catechismus- und andere Gesaenge.=| ^A675140;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.t| Chorale preludes.=| ^A495346;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.t| Duettos=| ^A497450;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.t| Einige canonische Veränderungen.=| ^A497451;

650 0 a| Keyboard instrument musicx| History and criticism.=| ^A351128;

740 0 a| Bach's Clavier-übung 3.;

830 0 a| Sources of music and their interpretation.=| ^A256462;

919 a| BOOK;

596 a| 3;

998 a| 364555;

999 a| ML410.B13 B87 1990w| LCc| 1i| 30372005538183d| 6/21/2016e| 3/20/1997f| 3/17/2025g| 4l| MCSm| JMUSICn| 2r| Ys| Yt| MCSSBKu| 10/6/1990x| BOOKz| MCIRCo| .STAFF. 0;

Bach's Clavier-übung III : the making of a print : with a companion study of the Canonic variations on 'Vom Himmel Hoch' BWV 769 / Gregory Butler.

Author/creator	Butler, Gregory
Format	Book
Publication Info	Durham : Duke University Press, 1990.
Description	xiv, 139 pages : illustrations, music ; 25 cm.
Subjects	Bach, Johann Sebastian, 1685-1750. Präludium und Fuge, organ, BWV 552, E♭ major. Bach, Johann Sebastian, 1685-1750. Verschiedene Vorspiele über die Catechismus- und andere Gesaenge. Bach, Johann Sebastian, 1685-1750. Chorale preludes. Bach, Johann Sebastian, 1685-1750. Duettos Bach, Johann Sebastian, 1685-1750. Einige canonische Veränderungen. Keyboard instrument music--History and criticism.

Variant title	Bach's Clavier-übung 3.
Series	Sources of music and their interpretation Sources of music and their interpretation. ^A256462
Contents	Bach's Clavier-ubung III. Genesis ; The engravers ; The engraving of L ; The proof copies of L ; The engraving of Schmid ; Printing and correction ; Conclusion -- Companion study. J.S. Bach's Einige canonische Veraenderungen: The view of the original print.
Abstract	In his study of Bach's Clavier-Ubung III, the author makes a major contribution to organ music and Bach studies by giving to original printed copies of this work the kind of attention normally reserved for manuscripts. He details the work's chronology, production, aim, and even spiritual program, treating the prints as unique documents with discernible variants and readings. The need to examine early printed copies of music is being recognized as an important tool which can reveal as much as the study of early manuscripts. Composers themselves frequently took a major role in the preparation of the engraving. Clavier-Ubung III, arguably the most carefully planned, intellectually conceived, and challenging volume of organ music ever published, is a particularly useful example of Bach's printed works known chiefly from the print itself. The print is richer in information than any of the other original prints of Bach's music, making it a distinctly suitable repertory for the author's innovative treatment. Butler reveals fascinating new information on the genesis and history of the collection's composition, finding, in part, that sections of the work were composed considerably earlier than previously was believed.
Bibliography note	Includes bibliographical references (pages 133-135) and index.
Other title	Bach's Clavier-übung 3.
LCCN	89023650
ISBN	0822310090 (alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	ML410.B13 B87 1990	✔ Available	Place Hold

Bach's Clavier-übung III : the making of a print : with a companion study of the Canonic variations on 'Vom Himmel Hoch' BWV 769 / Gregory Butler.

Click here for more information about this title

Availability