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001 ocn809029252;

003 OCoLC;

005 20141212080106.0;

008 121203s2013 wiua bk 001 0beng ;

010 a| 2012048395;

020 a| 9781458419798 (pbk.);

020 a| 1458419797 (pbk.);

024 8 a| 40022473636;

035 a| (Sirsi) o809029252;

035 a| (OCoLC)809029252;

042 a| pcc;

049 a| EREM;

050 00 a| ML419.A27b| G56 2013;

082 00 a| 788.7/3165092a| B2| 23;

100 1 a| Ginell, Cary.=| ^A255380;

245 10 a| Walk tall :b| the music & life of Julian "Cannonball" Adderley /c| Cary Ginell ; with a foreword by Quincy Jones.;

264 1 a| Milwaukee, WI :b| Hal Leonard Books,c| 2013.;

300 a| xvii, 190 pages :b| illustrations (some color) ;c| 23 cm.;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| The Hal Leonard jazz biography series;

504 a| Includes bibliographical references, discography, and index.;

505 0 a| Cannibal -- A New York minute -- The new Bird -- Milestone -- Cannonball on a roll -- Kind of blue -- Cannonball takes charge -- Spontaneous combustion -- Work song -- A very important cat -- Onska -- Olga -- The Cannonball express -- An assault on the tyranny of style -- The Club -- Welcome to club Capitol -- Accent on Africa -- Country preacher -- The Black Messiah -- As ambient as all hell -- With his hammer in his hand -- Big man.;

520 a| Cannonball Adderley introduces his 1967 recording of Walk Tall, by saying, "There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall." This sums up the life of Julian "Cannonball" Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz worlds looking to him as "the New Bird," successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop in 1959, which launched the popularization of soul jazz in the 1960s. With his loyal brother Nat by his side, along with stellar sidemen such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him.;

600 10 a| Adderley, Cannonball.=| ^A173927;

650 0 a| Jazz musiciansz| United Statesv| Biography.=| ^A413048;

700 1 a| Jones, Quincy,d| 1933-2024e| writer of foreword.=| ^A172884;

830 0 a| Hal Leonard jazz biography series.?| UNAUTHORIZED;

949 o| jcdh;

994 a| C0b| ERE;

596 a| 3;

998 a| 3658655;

999 a| ML419.A27 G56 2013w| LCc| 1i| 30372016083765d| 10/13/2015e| 10/1/2015f| 3/27/2024g| 3l| MSTm| JMUSICr| Ys| Yt| MGESBKu| 11/26/2014x| BOOKz| MCIRCo| .STAFF. jcdh; enhanced 6/20/24 -jjab;

Walk tall : the music & life of Julian "Cannonball" Adderley / Cary Ginell ; with a foreword by Quincy Jones.

Author/creator	Ginell, Cary
Other author	Jones, Quincy, 1933-2024 writer of foreword.
Format	Book
Publication	Milwaukee, WI : Hal Leonard Books, 2013.
Description	xvii, 190 pages : illustrations (some color) ; 23 cm.
Subjects	Adderley, Cannonball. Jazz musicians--United States. --Biography.

Series	The Hal Leonard jazz biography series Hal Leonard jazz biography series. UNAUTHORIZED
Contents	Cannibal -- A New York minute -- The new Bird -- Milestone -- Cannonball on a roll -- Kind of blue -- Cannonball takes charge -- Spontaneous combustion -- Work song -- A very important cat -- Onska -- Olga -- The Cannonball express -- An assault on the tyranny of style -- The Club -- Welcome to club Capitol -- Accent on Africa -- Country preacher -- The Black Messiah -- As ambient as all hell -- With his hammer in his hand -- Big man.
Abstract	Cannonball Adderley introduces his 1967 recording of Walk Tall, by saying, "There are times when things don't lay the way they're supposed to lay. But regardless, you're supposed to hold your head up high and walk tall." This sums up the life of Julian "Cannonball" Adderley, a man who used a gargantuan technique on the alto saxophone, pride in heritage, devotion to educating youngsters, and insatiable musical curiosity to bridge gaps between jazz and popular music in the 1960s and '70s. His career began in 1955 with a Cinderella-like cameo in a New York nightclub, resulting in the jazz worlds looking to him as "the New Bird," successor to the late Charlie Parker. But Adderley refused to be typecast. His work with Miles Davis on the landmark Kind of Blue album helped further his reputation as a unique stylist, but Adderley's greatest fame came with his own quintet's breakthrough engagement at San Francisco's Jazz Workshop in 1959, which launched the popularization of soul jazz in the 1960s. With his loyal brother Nat by his side, along with stellar sidemen such as keyboardist Joe Zawinul, Adderley used an engaging, erudite personality as only Duke Ellington had done before him.
Bibliography note	Includes bibliographical references, discography, and index.
LCCN	2012048395
ISBN	9781458419798 (pbk.)
ISBN	1458419797 (pbk.)
Standard identifier#	40022473636

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML419.A27 G56 2013	✔ Available	Place Hold

Walk tall : the music & life of Julian "Cannonball" Adderley / Cary Ginell ; with a foreword by Quincy Jones.

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