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001 ocm20594134;

005 20141212080927.0;

008 891019s1990 maug b 001 0 eng ;

010 a| 89024721;

020 a| 0674759907 (alk. paper);

035 a| (Sirsi) o20594134;

035 a| (OCoLC)20594134;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML197b| .S767 1990;

082 00 a| 780/.9/042| 20;

100 1 a| Straus, Joseph Nathan.=| ^A212746;

245 10 a| Remaking the past :b| musical modernism and the influence of the tonal tradition /c| Joseph N. Straus.;

260 a| Cambridge, Mass. :b| Harvard University Press,c| 1990.;

300 a| ix, 207 pages :b| music ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 187-204) and index.;

505 0 a| Toward a theory of musical influence -- Analytical misreadings -- Recompositions -- Triads -- Sonata forms -- Six emblematic misreadings -- Middleground misreadings.;

520 a| The author details the revisionary strategies of twentieth century composers--how they transformed the music of the tonal tradition in creating their radically new sonorities and structures. He defines a mainstream of musical modernism, a mainstream shaped by the aggressive reinterpretation of eighteenth- and nineteenth-century models.;

650 0 a| Musicy| 20th centuryx| History and criticism.=| ^A147357;

650 0 a| Sonatay| 20th century.=| ^A19581;

650 0 a| Harmony.=| ^A22140;

650 0 a| Melody.=| ^A31194;

919 a| BOOK;

596 a| 3;

998 a| 367391;

999 a| ML197 .S767 1990w| LCc| 1i| 30372005562969d| 4/29/2022e| 4/24/2022f| 2/25/2024g| 4l| MSTm| JMUSICn| 38q| 1r| Ys| Yt| MGESBKu| 10/31/1990x| BOOKz| MCIRCo| .STAFF. 0;

Remaking the past : musical modernism and the influence of the tonal tradition / Joseph N. Straus.

Author/creator	Straus, Joseph Nathan
Format	Book
Publication Info	Cambridge, Mass. : Harvard University Press, 1990.
Description	ix, 207 pages : music ; 25 cm
Subjects	Music--20th century. --History and criticism. Sonata--20th century. Harmony. Melody.

Contents	Toward a theory of musical influence -- Analytical misreadings -- Recompositions -- Triads -- Sonata forms -- Six emblematic misreadings -- Middleground misreadings.
Abstract	The author details the revisionary strategies of twentieth century composers--how they transformed the music of the tonal tradition in creating their radically new sonorities and structures. He defines a mainstream of musical modernism, a mainstream shaped by the aggressive reinterpretation of eighteenth- and nineteenth-century models.
Bibliography note	Includes bibliographical references (pages 187-204) and index.
LCCN	89024721
ISBN	0674759907 (alk. paper)

Remaking the past : musical modernism and the influence of the tonal tradition / Joseph N. Straus.

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