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010 a| 2017381230;

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020 a| 9780773541733 (cloth);

020 z| 9780773588660 (epdf);

020 z| 9780773588677 (epub);

035 a| (WaSeSS)ssj0001107191;

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049 a| EREEa| NEHH;

050 00 a| PN2091.S6b| O93 2013;

082 04 a| 792.02/42| 23;

100 1 a| Ovadija, Mladen,d| 1947-?| UNAUTHORIZED;

245 10 a| Dramaturgy of sound in the avant-garde and postdramatic theatreh| [electronic resource] /c| Mladen Ovadija.;

260 a| Montréal & Kingston :b| McGill-Queen's University Press,c| 2013.;

300 a| 252 pages ;c| 24 cm;

504 a| Includes bibliographical references (pages 209-243) and index.;

505 0 a| The performativity of voice and sound in theatre -- Avant-garde and postmodern conceptions of aurality -- Sound poetry and Bruitist performance : words-in-freedom -- Zaum : from a "beyonsense" language to an idiom of theatre -- The dramaturgy of sound : from futurist Serate to Sintesi -- Sound as structure : toward an aural architecture of theatre -- The avant-garde dramaturgy of sound.;

506 a| Available only to authorized users.;

520 a| Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer's voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.;

530 a| Issued also in electronic formats.;

538 a| Mode of access: World Wide Web;

650 0 a| Theatersx| Sound effects.=| ^A103553;

650 0 a| Experimental theaterx| History and criticism.=| ^A79156;

650 0 a| Avant-garde (Aesthetics)=| ^A43066;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=3332613;

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Dramaturgy of sound in the avant-garde and postdramatic theatre / Mladen Ovadija.

Author/creator	Ovadija, Mladen, 1947-
Format	Electronic
Publication Info	Montréal & Kingston : McGill-Queen's University Press, 2013.
Description	252 pages ; 24 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Theaters--Sound effects. Experimental theater--History and criticism. Avant-garde (Aesthetics)

Contents	The performativity of voice and sound in theatre -- Avant-garde and postmodern conceptions of aurality -- Sound poetry and Bruitist performance : words-in-freedom -- Zaum : from a "beyonsense" language to an idiom of theatre -- The dramaturgy of sound : from futurist Serate to Sintesi -- Sound as structure : toward an aural architecture of theatre -- The avant-garde dramaturgy of sound.
Abstract	Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer's voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.
Bibliography note	Includes bibliographical references (pages 209-243) and index.
Access restriction	Available only to authorized users.
Other forms	Issued also in electronic formats.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2017381230
ISBN	9780773541733 (cloth)

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Dramaturgy of sound in the avant-garde and postdramatic theatre / Mladen Ovadija.

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