Music and modernism, c. 1849-1950 / edited by Charlotte de Mille.
| Other author | De Mille, Charlotte. |
| Format | Electronic |
| Publication Info | Newcastle upon Tyne, UK : Cambridge Scholars Pub., |
| Description | xiv, 343 p. : ill. ; 22 cm. |
| Supplemental Content | Full text available from Ebook Central - Academic Complete |
| Subjects |
| Contents | Introduction / Charlotte de Mille -- How to paint a fugue / Peter Vergo -- Music, modernism and the Vienna secession : musical form in Ver sacrum (1898-1903) / Diane V. Silverthorne -- Arnold Böcklin and music : a case revisited / Spyros Petritakis -- Seeing sound, hearing colour : the synaesthetic experience in Russian avant-garde art / Isabel Wünsche -- Courbet, Wagner, and the total work of art / James H. Rubin -- Invoking the language of the musical vague in the art and critical reception of Henri Fantin-Latour / Corrinne Chong -- Sacred performance : two instances of musical architecture in Cambridge / Ayla Lepine -- "Turning the earth above a buried memory" : dismembering and remembering Kandinsky / Charlotte de Mille -- Visual music in film, 1921-1924 : Richter, Eggeling, Ruttman / Malcolm Cook -- "It don't mean a thing-- " : jazz, modernism, and murals in New Deal New York / Jody Patterson -- Zen and the art of la Monte Young / Melissa Warak -- Formalising the stochastic cloud : Xenakis and his machine for drawing music / Olga Touloumi. |
| Abstract | A collection of essays which reevaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849-1950. |
| Bibliography note | Includes bibliographical references (p. [309]-334) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2010681188 |
| ISBN | 1443826960 (cloth) |
| ISBN | 9781443826969 |