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001 ocn947858484;

003 OCoLC;

005 20161027124539.0;

008 160425t20162014enkag bk 001 0 eng d;

020 a| 131661641X;

020 a| 9781316616413q| (paperback);

035 a| (Sirsi) o947858484;

035 a| (OCoLC)947858484;

049 a| EREM;

090 a| ML707b| .N66 2014;

100 1 a| Nonken, Marilyn.=| ^A473305;

245 14 a| The spectral piano :b| from Liszt, Scriabin, and Debussy to the digital age /c| Marilyn Nonken ; with a contributory chapter by Hugues Dufourt.;

250 a| First paperback edition.;

264 1 a| Cambridge :b| Cambridge University Press,c| 2016.;

300 a| xvi, 192 pages :b| illustrations, music ;c| 24 cm.;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| Music since 1900;

504 a| Includes discography (pages 169-170), bibliographical references (pages 171-182) and index.;

505 0 a| An intimate history -- Itinerary -- Protospectralists at the piano -- The first generation -- The spectral effect -- Spectral music and its pianistic expression / Hugues Dufourt ; translated from the French by Joshua Cody.;

520 a| The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin, and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. This book shows how the spectral attitude was influenced by developments in technology but extended the aesthetic concerns of Liszt, Scriabin, and Debussy. The author explores shared fascinations with the musical experience, which united spectralists with their Romantic and early modern predecessors. Examining Murail's "Territioires de l'oubli," Jonathan Harvey's "Tombeau de Messiaen," Joshua Fineberg's "Veils," and Edmund Campion's "A Complete Wealth of Time," she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.;

650 0 a| Piano musicy| 20th centuryx| History and criticism.=| ^A1123212;

650 0 a| Spectral musicx| History and criticism.=| ^A1194562;

700 1 a| Dufourt, Huguese| contributor.=| ^A1184082;

830 0 a| Music since 1900.=| ^A1041670;

949 o| jcdh;

994 a| C0b| ERE;

596 a| 3;

998 a| 4477862;

999 a| ML707 .N66 2014w| LCc| 1i| 30372016893353d| 2/25/2022e| 2/18/2022f| 4/4/2024g| 3l| MSTm| JMUSICn| 4r| Ys| Yt| MGESBKu| 9/14/2016x| BOOKz| MCIRCo| .STAFF. jcdh; enhanced 11/21/22 -jjab;

The spectral piano : from Liszt, Scriabin, and Debussy to the digital age / Marilyn Nonken ; with a contributory chapter by Hugues Dufourt.

Author/creator	Nonken, Marilyn
Other author	Dufourt, Hugues contributor.
Format	Book
Edition	First paperback edition.
Publication	Cambridge : Cambridge University Press, 2016.
Copyright Date	©2014
Description	xvi, 192 pages : illustrations, music ; 24 cm.
Subjects	Piano music--20th century. --History and criticism. Spectral music--History and criticism.

Series	Music since 1900 Music since 1900. ^A1041670
Contents	An intimate history -- Itinerary -- Protospectralists at the piano -- The first generation -- The spectral effect -- Spectral music and its pianistic expression / Hugues Dufourt ; translated from the French by Joshua Cody.
Abstract	The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin, and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. This book shows how the spectral attitude was influenced by developments in technology but extended the aesthetic concerns of Liszt, Scriabin, and Debussy. The author explores shared fascinations with the musical experience, which united spectralists with their Romantic and early modern predecessors. Examining Murail's "Territioires de l'oubli," Jonathan Harvey's "Tombeau de Messiaen," Joshua Fineberg's "Veils," and Edmund Campion's "A Complete Wealth of Time," she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.
Bibliography note	Includes discography (pages 169-170), bibliographical references (pages 171-182) and index.
ISBN	131661641X
ISBN	9781316616413 (paperback)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML707 .N66 2014	✔ Available	Place Hold

The spectral piano : from Liszt, Scriabin, and Debussy to the digital age / Marilyn Nonken ; with a contributory chapter by Hugues Dufourt.

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