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LEADER 03483cam 2200457 i 4500

001 ocn936205689;

003 OCoLC;

005 20161027130003.0;

008 160126s2016 nyu b 001 0 eng ;

010 a| 2016003590;

020 a| 9781501306020q| (hardcover ;q| alk. paper);

020 a| 1501306022q| (hardcover ;q| alk. paper);

020 a| 9781501306013q| paperback;

020 a| 1501306014q| paperback;

035 a| (Sirsi) o936205689;

035 a| (OCoLC)936205689;

042 a| pcc;

049 a| EREM;

050 00 a| ML3845b| .K8127 2016;

082 00 a| 780.9/052| 23;

100 1 a| Kramer, Jonathan D.,d| 1942-2004,e| author.=| ^A228527;

245 10 a| Postmodern music, postmodern listening /c| by Jonathan D. Kramer ; edited by Robert Carl.;

264 1 a| New York :b| Bloomsbury Academic,c| 2016.;

300 a| xxvii, 372 pages :b| illustrations ;c| 23 cm;

336 a| textb| txt2| rdacontent;

336 a| notated musicb| ntm2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

500 a| With editor's introduction and preface by Jann Pasler.;

504 a| Includes bibliographical references and index.;

505 0 a| Chapters on postmodern concepts of music. The nature and origins of musical postmodernism ; Postmodernism (not) defined ; Modernism, postmodernism, the avant garde, and their audiences -- Chapters on concepts of postmodern music. Postmodernism and related isms in today's music ; Unity, organicism, and challenges to their ubiquity ; Beyond unity ; Postmodern listening ; Postmodern musical time: Real or unreal? ; Surrealism, neoclassicism, and postmodernism -- Postmodern chapters on the concept of music. Economics, politics, technology, and appropriation ; Beyond the beyond: Postmodernism exemplified ; Non-musical artworks that exhibit traits found in musical postmodernism -- Postmodernism in the finale of Mahler's seventh symphony -- Unity and disunity in Nielsen's Sinfonia Semplice -- Appendix. Essays on postmodernism and Jonathan Kramer.;

520 a| This book examines the concept of postmodernism in music. The author created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, This book leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. The book is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.;

650 0 a| Musicy| 20th centuryx| Philosophy and aesthetics.=| ^A1037283;

650 0 a| Musicy| 21st centuryx| Philosophy and aesthetics.=| ^A863939;

650 0 a| Postmodernism.=| ^A25914;

700 1 a| Carl, Robert,d| 1954-e| editor.=| ^A684520;

994 a| C0b| ERE;

596 a| 3;

998 a| 4511017;

999 a| ML3845 .K8127 2016w| LCc| 2i| 30372016905405d| 3/9/2026e| 3/9/2026f| 4/25/2024g| 2k| CHECKEDOUTl| MSTm| JMUSICn| 2r| Ms| Yt| MGESBKu| 5/1/2017x| BOOKz| MCIRCo| .STAFF. jjnb; enhanced 1/24/24 -jjab;

Postmodern music, postmodern listening / by Jonathan D. Kramer ; edited by Robert Carl.

Author/creator	Kramer, Jonathan D. author.
Other author	Carl, Robert, 1954- editor.
Format	Book
Publication	New York : Bloomsbury Academic, 2016.
Description	xxvii, 372 pages : illustrations ; 23 cm
Subjects	Music--20th century. --Philosophy and aesthetics. Music--21st century. --Philosophy and aesthetics. Postmodernism.

Contents	Chapters on postmodern concepts of music. The nature and origins of musical postmodernism ; Postmodernism (not) defined ; Modernism, postmodernism, the avant garde, and their audiences -- Chapters on concepts of postmodern music. Postmodernism and related isms in today's music ; Unity, organicism, and challenges to their ubiquity ; Beyond unity ; Postmodern listening ; Postmodern musical time: Real or unreal? ; Surrealism, neoclassicism, and postmodernism -- Postmodern chapters on the concept of music. Economics, politics, technology, and appropriation ; Beyond the beyond: Postmodernism exemplified ; Non-musical artworks that exhibit traits found in musical postmodernism -- Postmodernism in the finale of Mahler's seventh symphony -- Unity and disunity in Nielsen's Sinfonia Semplice -- Appendix. Essays on postmodernism and Jonathan Kramer.
Abstract	This book examines the concept of postmodernism in music. The author created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, This book leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. The book is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
General note	With editor's introduction and preface by Jann Pasler.
Bibliography note	Includes bibliographical references and index.
LCCN	2016003590
ISBN	9781501306020 (hardcover ; alk. paper)
ISBN	1501306022 (hardcover ; alk. paper)
ISBN	9781501306013 paperback
ISBN	1501306014 paperback

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Music	Music Stacks	ML3845 .K8127 2016	✔ Available	Place Hold

Postmodern music, postmodern listening / by Jonathan D. Kramer ; edited by Robert Carl.

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