Chopin : the four ballades / Jim Samson.

Author/creator Samson, Jim
Format Book
Publication InfoCambridge [England] ; New York : Cambridge University Press, 1992.
Descriptionx, 104 pages : illustrations ; 23 cm.
Subjects

Portion of title Chopin: the four ballads
SeriesCambridge music handbooks
Cambridge music handbooks. ^A275900
Contents Background. Social history ; Stylistic history ; Ballade no. 1 ; Ballades nos. 2-4 -- Genesis and reception. Sources ; Editions ; Critics ; Pianists -- Form and design. Ballade no. 1, op. 23 ; Ballade no. 2, op. 38 ; Ballade no. 3, op. 47 ; Ballade no. 4, op. 52 -- Genre. Theories ; Cycles ; Structures ; Narratives.
Abstract Chopin's four ballades are widely regarded as being among the most significant extended works for solo piano of the nineteenth century. In a wide-ranging and illuminating discussion, the author combines history and analysis to provide the reader with a comprehensive picture of these popular piano works. He begins by investigating the social and musical background to Chopin's unique style. He describes the manuscript sources and evaluates the many subsequent printed editions, then considers the critical reception of the ballades and the differing interpretations of well-known nineteenth- and twentieth-century pianists. The final two chapters examine the music of all four works analytically. There is a clearly presented formal synopsis of each ballade in return, followed by a discussion of the works collectively which explores Chopin's own conception of the title 'ballade' and how it may be understood as a musical gesture.
Local noteLittle-311328--305131014050N
Bibliography noteIncludes bibliographical references (pages 98-100) and index.
LCCN 91042695
ISBN0521404908