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LEADER 02231cam 2200397 a 4500

001 ocm25316401;

003 OCoLC;

005 20141212094920.0;

008 920129s1992 wiua b s001 0 eng ;

010 a| 92006853;

020 a| 0299133605 (cloth);

020 a| 9780299133603q| (cloth);

020 a| 0299133648q| (paper);

035 a| (Sirsi) o25316401;

035 a| (OCoLC)25316401;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML2075b| .K34 1992;

082 00 a| 781.5/42/09732| 20;

100 1 a| Kalinak, Kathryn Marie,d| 1952-=| ^A306638;

245 10 a| Settling the score :b| music and the classical Hollywood film /c| Kathryn Kalinak.;

300 a| xvii, 248 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Wisconsin studies in film;

504 a| Includes bibliographical references (pages 233-239) and index.;

505 00 t| The language of music: a brief analysis of Vertigo --g| A theory of film music --t| The silent film score: a structural model --g| The classical Hollywood film score:t| Captain Blood: a working model --g| "Every character should have a theme":t| The Informer: Max Steiner and the classical film score --g| The "hysterical cult of the director":t| The Magnificant Ambersons: music and theme --g| "Not exactly classical, but sweet":t| Laura: new directions --t| John Williams and "The Empire" strike back: the eighties and beyond: classical meets contemporary.;

520 a| This book situates the classical Hollywood film score and its practice in historical, theoretical and musical context, examining the conventions and strategies underpinning film scoring in Hollywood, and investigating the influential and powerful relationship between music and film.;

650 0 a| Motion picture musicz| United Statesx| History and criticism.=| ^A1037282;

830 0 a| Wisconsin studies in film.=| ^A275539;

919 a| BOOK;

596 a| 3;

998 a| 458900;

999 a| ML2075 .K34 1992w| LCc| 1i| 30372006973140d| 6/27/2016e| 3/11/1999f| 7/15/2025g| 4l| MCSm| JMUSICn| 5r| Ys| Yt| MCSSBKu| 4/20/1993x| BOOKz| MCIRCo| .STAFF. enhanced 9/16/25 -jjab;

Settling the score : music and the classical Hollywood film / Kathryn Kalinak.

Author/creator	Kalinak, Kathryn Marie, 1952-
Format	Book
Publication Info	Madison : University of Wisconsin Press, ©1992.
Description	xvii, 248 pages : illustrations ; 24 cm.
Subjects	Motion picture music--United States. --History and criticism.

Series	Wisconsin studies in film Wisconsin studies in film. ^A275539
Contents	The language of music: a brief analysis of Vertigo -- A theory of film music -- The silent film score: a structural model -- The classical Hollywood film score: Captain Blood: a working model -- "Every character should have a theme": The Informer: Max Steiner and the classical film score -- The "hysterical cult of the director": The Magnificant Ambersons: music and theme -- "Not exactly classical, but sweet": Laura: new directions -- John Williams and "The Empire" strike back: the eighties and beyond: classical meets contemporary.
Abstract	This book situates the classical Hollywood film score and its practice in historical, theoretical and musical context, examining the conventions and strategies underpinning film scoring in Hollywood, and investigating the influential and powerful relationship between music and film.
Bibliography note	Includes bibliographical references (pages 233-239) and index.
LCCN	92006853
ISBN	0299133605 (cloth)
ISBN	9780299133603 (cloth)
ISBN	0299133648 (paper)

Settling the score : music and the classical Hollywood film / Kathryn Kalinak.

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