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010 a| 2011037022;

020 a| 9781611474749 (alk. paper);

020 a| 9781611474756 (electronic);

035 a| (WaSeSS)ssj0000613141;

040 a| DLCc| DLCd| DLCd| WaSeSS;

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050 00 a| PR3091b| .W47 2011;

082 00 a| 792.9/52| 23;

245 00 a| Who hears in Shakespeare?h| [electronic resource] :b| auditory worlds on stage and screen /c| editors, Laury Magnus, Walter W. Cannon.;

260 a| Madison :b| Fairleigh Dickinson University Press ;a| Lanham, Md. :b| Rowman & Littlefield,;

300 a| xxxiv, 249 p. :b| ill. ;c| 24 cm.;

504 a| Includes bibliographical references and index.;

505 0 a| Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Shakespeare, William,d| 1564-1616x| Dramatic production.=| ^A62993;

600 10 a| Shakespeare, William,d| 1564-1616x| Film adaptations.=| ^A15751;

650 0 a| Speech in literature.=| ^A158717;

650 0 a| Listening in literature.=| ^A1317924;

650 0 a| Voice in literature.=| ^A239214;

650 0 a| Oral communication in literature.=| ^A385141;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Magnus, Laury.=| ^A1306397;

700 1 a| Cannon, Walter W.,d| 1945-=| ^A1310560;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=858963;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 4603986;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4603986-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 12/24/2016x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4603986-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 12/24/2016x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4603986-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 12/24/2016x| EBOOKz| JERESOURCE;

Who hears in Shakespeare? auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon.

Other author	Magnus, Laury.
Other author	Cannon, Walter W., 1945-
Format	Electronic
Publication Info	Madison : Fairleigh Dickinson University Press ; Lanham, Md. : Rowman & Littlefield,
Description	xxxiv, 249 p. : ill. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Shakespeare, William, 1564-1616--Dramatic production. Shakespeare, William, 1564-1616--Film adaptations. Speech in literature. Listening in literature. Voice in literature. Oral communication in literature.

Contents	Why was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2011037022
ISBN	9781611474749 (alk. paper)
ISBN	9781611474756 (electronic)

Who hears in Shakespeare? auditory worlds on stage and screen / editors, Laury Magnus, Walter W. Cannon.

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