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010 a| 2010022316;

020 a| 9780253354617 (cloth : alk. paper);

020 a| 0253354617 (cloth : alk. paper);

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050 00 a| ML270.2b| .G67 2011;

082 00 a| 782.4/30944090322| 22;

100 1 a| Gordon, Catherine E.q| (Catherine Elizabeth)=| ^A1062027;

245 10 a| Music and the language of loveh| [electronic resource] :b| seventeenth-century French airs /c| Catherine Gordon-Seifert.;

260 a| Bloomington :b| Indiana University Press,;

300 a| ix, 390 p. :b| ill. ;c| 24 cm.;

490 1 a| Music and the early modern imagination;

490 1 a| Musical meaning and interpretation;

504 a| Includes bibliographical references (p. [345]-367) and index.;

505 0 a| Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Love in music.=| ^A785476;

655 0 a| Electronic books.=| ^A491897;

830 0 a| Music and the early modern imagination.=| ^A781937;

830 0 a| Musical meaning and interpretation.=| ^A589150;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=713660;

947 a| (OCoLC)ocn639940416;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4655487-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 3/6/2017x| EBOOKz| JERESOURCE;

Music and the language of love seventeenth-century French airs / Catherine Gordon-Seifert.

Author/creator	Gordon, Catherine E.
Format	Electronic
Publication Info	Bloomington : Indiana University Press,
Description	ix, 390 p. : ill. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Music--France. --17th century. --History and criticism. Love songs--France. --17th century. --History and criticism. Love in music.

Series	Music and the early modern imagination Musical meaning and interpretation Music and the early modern imagination. ^A781937 Musical meaning and interpretation. ^A589150
Contents	Music and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.
Bibliography note	Includes bibliographical references (p. [345]-367) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2010022316
ISBN	9780253354617 (cloth : alk. paper)
ISBN	0253354617 (cloth : alk. paper)

Music and the language of love seventeenth-century French airs / Catherine Gordon-Seifert.

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