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001 ocm00884420;

003 OCoLC;

005 20141212100153.0;

008 740417s1974 nyu b 000 1 eng ;

010 a| 73090348;

035 a| (Sirsi) o00884420;

035 a| (OCoLC)884420;

037 c| $10.95;

049 a| EREE;

082 00 a| 808.3/3;

090 a| PN3331b| .H33 1974;

100 1 a| Halperin, John,d| 1941-2018=| ^A78426;

245 14 a| The theory of the novel ;b| new essays /c| Edited by John Halperin.;

260 a| New York :b| Oxford University Press,c| 1974.;

300 a| xi, 396 pages ;c| 22 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

505 0 a| Halperin, J. The theory of the novel: a critical introduction.--The genre today: Sternberg, M. What is exposition? An essay in temporal delimitation. Martin, R. B. Notes toward a comic fiction. Buchen, I. H. The aesthetics of the supra-novel. Litz, A. W. The genre of Ulysses. Friedman, A. W. The modern multivalent novel: form and function. Schulz, M. F. Characters (contra characterization) in the contemporary novel. Kermode, F. Novel and narrative.--The genre today revisited: fiction and cinematography: Edel, L. Novel and camera. Fiedler, L. A. The death and rebirth of the novel.--Literary realism and the facts of life: Kaminsky, A. R. On literary realism. Levine, G. Realism reconsidered. Loofbourow, J. W. Realism in the Anglo-American novel: the pastoral myth. Mudrick, M. Looking for Kellermann; or, Fiction and the facts of life.--Tone, intention, and point of view: Wright, W. F. Tone in fiction. Heilman, R. B. Two-tone fiction: nineteenth-century types and eighteenth-century problems. Allen, W. Narrative distance, tone, and character. Fogle, R. H. Illusion, point of view, and modern novel-criticism. Krook, D. Intentions and intentions: The problem of intention and Henry James's The turn of the screw.--The Europeans. Halperin, J. Twentieth-century trends in continental novel-theory.--Approaches to fiction: a select descriptive bibliography (p. [389]-392);

650 0 a| Fiction.=| ^A20300;

596 a| 1;

998 a| 469897;

999 a| PN3331 .H33 1974w| LCc| 1i| 30372007099978d| 3/21/2013f| 3/21/2013g| 1l| JGESm| JOYNERr| Ys| Yt| JGESBKu| 8/26/1993x| BOOKz| JSTACKSo| .STAFF. 0;

The theory of the novel ; new essays / Edited by John Halperin.

Author/creator	Halperin, John
Format	Book
Publication Info	New York : Oxford University Press, 1974.
Description	xi, 396 pages ; 22 cm
Subjects	Fiction.

Contents	Halperin, J. The theory of the novel: a critical introduction.--The genre today: Sternberg, M. What is exposition? An essay in temporal delimitation. Martin, R. B. Notes toward a comic fiction. Buchen, I. H. The aesthetics of the supra-novel. Litz, A. W. The genre of Ulysses. Friedman, A. W. The modern multivalent novel: form and function. Schulz, M. F. Characters (contra characterization) in the contemporary novel. Kermode, F. Novel and narrative.--The genre today revisited: fiction and cinematography: Edel, L. Novel and camera. Fiedler, L. A. The death and rebirth of the novel.--Literary realism and the facts of life: Kaminsky, A. R. On literary realism. Levine, G. Realism reconsidered. Loofbourow, J. W. Realism in the Anglo-American novel: the pastoral myth. Mudrick, M. Looking for Kellermann; or, Fiction and the facts of life.--Tone, intention, and point of view: Wright, W. F. Tone in fiction. Heilman, R. B. Two-tone fiction: nineteenth-century types and eighteenth-century problems. Allen, W. Narrative distance, tone, and character. Fogle, R. H. Illusion, point of view, and modern novel-criticism. Krook, D. Intentions and intentions: The problem of intention and Henry James's The turn of the screw.--The Europeans. Halperin, J. Twentieth-century trends in continental novel-theory.--Approaches to fiction: a select descriptive bibliography (p. [389]-392)
LCCN	73090348
Stock number	$10.95

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Joyner	General Stacks	PN3331 .H33 1974	✔ Available	Place Hold

The theory of the novel ; new essays / Edited by John Halperin.

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