Ska : the rhythm of liberation / Heather Augustyn.

Author/creator Augustyn, Heather, 1972-
Format Book
PublicationLanham, Maryland : The Scarecrow Press, Inc., 2013.
Descriptionxvi, 163 pages ; 24 cm.
Subjects

SeriesTempo : a Scarecrow Press music series on rock, pop, and culture
Tempo (Lanham, Md.) ^A1333910
Contents Stoking the fire -- Music is my occupation -- Freedom sound -- Out of many, one people -- Winter of discontent -- British ska in a fractured nation -- East side beat -- Ska in the key of sunshine -- Ska boom and ska bust -- Ska all over the world.
Abstract Like other major music genres, ska reflects, reveals, and reacts to the genesis and migration from its Afro-Caribbean roots and colonial origins to the shores of England and back across the Atlantic to the United States. Without ska music, there would be no reggae or Bob Marley, no British punk and pop blends, no American soundtrack to its various subcultures. This book examines how ska music first emerged in Jamaica as a fusion of popular, traditional, and even classical musical forms. As a genre, it was a connection to Africa, a means of expression and protest, and a respite from the struggles of colonization and grinding poverty. Ska would later travel with West Indian immigrants to the United Kingdom, where British youth embraced the music, blending it with punk and pop and working its origins as a music of protest and escape into their present lives. The fervor of the music matched the energy of the streets as racism, poverty, and violence ran rampant. But ska called for brotherhood and unity. As series editor and pop music scholar Scott Calhoun notes: "Like a cultural barometer, the rise of ska indicates when and where social, political, and economic institutions disappoint their people and push them to re-invent the process for making meaning out of life. When a people or group embark on this process, it becomes even more necessary to embrace expressive, liberating forms of art for help during the struggle. In its history as a music of freedom, ska has itself flowed freely to wherever people are celebrating the rhythms and sounds of hope." This book should appeal to fans and scholars alike-indeed, any enthusiast of popular music and Caribbean, American, and British history seeking to understand the fascinating relationship between indigenous popular music and cultural and political history. Devotees of reggae, jazz, pop, Latin music, hip hop, rock, techno, dance, and world beat will find their appreciation of this remarkable genre deepened by this survey of the origins and spread of ska.
Bibliography noteIncludes bibliographical references (pages 147-151) and index.
LCCN 2013016566
ISBN9780810884496 (cloth ; alk. paper)
ISBN0810884496 (cloth ; alk. paper)
ISBN(ebook)
ISBN(ebook)
Standard identifier# 40022853240

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML3535.8 .A842 2013 ✔ Available Place Hold