Sylvia Townsend Warner's modernist ekphrasis and synesthesia / by Rosemary McMahon.
| Author/creator | McMahon, Rosemary author. |
| Other author | Feder, Helena, degree supervisor. |
| Other author | East Carolina University. Department of English. |
| Format | Theses and dissertations |
| Publication | [Greenville, N.C.] : [East Carolina University], 2017. |
| Description | 57 pages |
| Supplemental Content | Access via ScholarShip |
| Subjects |
| Summary | The presence of music and sound is crucially important in the writing of Sylvia Townsend Warner (1873-1978). A noticeably acoustic writer, music, and noise in general, are major tools Warner employed to convey the vacillation of the Modernist perspective. Examining the deployment of these tools reveals a type of musical rhetoric which is built around aural ekphrasis and literary synesthesia, and this study concentrates on this feature of three of Warner's novels and one short story: Lolly Willowes (1926), Mr. Fortune's Maggot (1927), The Corner That Held Them (1948), and "Emil" (1956). While the exact patterns of Warner's use of music and sound throughout her fiction ultimately remain ambiguous, probing them in these four works does cast light upon Warner's private and public concerns. |
| General note | Presented To the Faculty of the Department of English |
| General note | Advisor: Helena Feder |
| General note | Title from PDF t.p. (viewed December 8, 2017). |
| Dissertation note | M.A. East Carolina University 2017 |
| Bibliography note | Includes bibliographical references. |
| Technical details | System requirements: Adobe Reader. |
| Technical details | Mode of access: World Wide Web. |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Electronic Resources | Access Content Online | ✔ Available |