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010 a| 2014034578;

020 a| 9780809334070 (pbk. : alk. paper);

020 a| 0809334070 (pbk. : alk. paper);

020 z| 9780809334087 (ebook);

020 z| 0809334089 (ebook);

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043 a| n-us---;

049 a| EREEa| NEHH;

050 00 a| PN1998.3.M665b| M525 2015;

082 00 a| 791.4302/330922| 23;

245 00 a| Michael Moore and the rhetoric of documentaryh| [electronic resource] /c| Edited by Thomas W. Benson and Brian J. Snee.;

260 a| Carbondale :b| Southern Illinois University Press,c| [2015];

300 a| vi, 232 pages :b| illustrations ;c| 23 cm;

504 a| Includes bibliographical references (pages 193-219) and index.;

505 0 a| Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Moore, Michael,d| 1954 April 23-x| Criticism and interpretation.=| ^A514449;

650 0 a| Documentary filmsx| Political aspectsx| History and criticism.=| ^A290728;

650 0 a| Motion picturesx| Political aspectsz| United States.=| ^A176947;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Benson, Thomas W.=| ^A198857;

700 1 a| Snee, Brian J.=| ^A782345;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=2075898;

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Michael Moore and the rhetoric of documentary / Edited by Thomas W. Benson and Brian J. Snee.

Other author	Benson, Thomas W.
Other author	Snee, Brian J.
Format	Electronic
Publication Info	Carbondale : Southern Illinois University Press, [2015]
Description	vi, 232 pages : illustrations ; 23 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Moore, Michael, 1954 April 23---Criticism and interpretation. Documentary films--Political aspects. --History and criticism. Motion pictures--Political aspects. --United States.

Contents	Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips.
Bibliography note	Includes bibliographical references (pages 193-219) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2014034578
ISBN	9780809334070 (pbk. : alk. paper)
ISBN	0809334070 (pbk. : alk. paper)

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Michael Moore and the rhetoric of documentary / Edited by Thomas W. Benson and Brian J. Snee.

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